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Inyección is back with 4 songs that were left out two years ago to give shape to this new 7" with the title VICIO EP. In these 4 songs you will find everything you expect from Inyección; distorted and rabid Latin American punk with certain Uk82 / Streetpunk streaks a la The Exploited and some nod to the more noise Japanese pogopunk, but perhaps in these songs that is left a little more to the side and they move more in the raw sounds of Latin American punk bands. Distortion, crudity and a lot of punk on one of my favorite contemporary punk bands.
Our take: Inyección’s 2022 full-length, Porqueria, was a standout from that year, and now they’re back with another face-pounder. If you haven’t checked out Inyección, their primitive rhythm section and noise-drenched guitars place them within a tradition that begins with early 80s Bristol, UK bands like Chaos UK and Disorder, springs over to Kyushu, Japan’s Gai and Confuse, then takes root all over the world. However, that sound is dosed with a liberal helping of South American attitude that is all their own. Perhaps it’s because their album is so fresh in my mind after playing it to death last fall, but the don’t-give-a-fuck-ness of Vicio reminds me of Ignorantes, though Vicio’s eight-minute running length won’t test your patience like some of Ignorantes’ records and live sets can. The rhythmic backbone is manic yet steady, to where I feel like my heartbeat imitates the relentless pogo, but I hardly notice because I’m captivated by the way Inyección’s two charismatic vocalists ping-pong off one another. File this one under “Punk as Fuck.”
Our take: Inyección’s 2022 full-length, Porqueria, was a standout from that year, and now they’re back with another face-pounder. If you haven’t checked out Inyección, their primitive rhythm section and noise-drenched guitars place them within a tradition that begins with early 80s Bristol, UK bands like Chaos UK and Disorder, springs over to Kyushu, Japan’s Gai and Confuse, then takes root all over the world. However, that sound is dosed with a liberal helping of South American attitude that is all their own. Perhaps it’s because their album is so fresh in my mind after playing it to death last fall, but the don’t-give-a-fuck-ness of Vicio reminds me of Ignorantes, though Vicio’s eight-minute running length won’t test your patience like some of Ignorantes’ records and live sets can. The rhythmic backbone is manic yet steady, to where I feel like my heartbeat imitates the relentless pogo, but I hardly notice because I’m captivated by the way Inyección’s two charismatic vocalists ping-pong off one another. File this one under “Punk as Fuck.”