Our take: We last heard from Edmonton, Canada’s Languid with 2018’s Submission Is the Only Freedom, a bass-heavy record that fused Celtic Frost’s lumbering low end with Cimex-style riffs and songwriting. While the songwriting is similar on this new LP, the production this time around is more refined, dropping the blown-out low end in favor of a crisper sound that reminds me of Anti-Cimex’s Absolut Country of Sweden. As with that album, the clear sound and the steady, fast-but-not-blistering tempos emphasize the riffing, which deserves the spotlight since it is both catchy and inventive. All of A Paranoid Wretch in Society’s Games is strong, but given the more composed vibe on most of the album, it stands out when Languid deviates from the formula, however slightly. Thus, the mid-paced tracks “Government Power” and “Tattered Minds” are the standouts for me. If the zombie viking on the cover (also featured on the giant poster insert) draws you in, I doubt you’ll walk away disappointed.
Our take: We last heard from Edmonton, Canada’s Languid with 2018’s Submission Is the Only Freedom, a bass-heavy record that fused Celtic Frost’s lumbering low end with Cimex-style riffs and songwriting. While the songwriting is similar on this new LP, the production this time around is more refined, dropping the blown-out low end in favor of a crisper sound that reminds me of Anti-Cimex’s Absolut Country of Sweden. As with that album, the clear sound and the steady, fast-but-not-blistering tempos emphasize the riffing, which deserves the spotlight since it is both catchy and inventive. All of A Paranoid Wretch in Society’s Games is strong, but given the more composed vibe on most of the album, it stands out when Languid deviates from the formula, however slightly. Thus, the mid-paced tracks “Government Power” and “Tattered Minds” are the standouts for me. If the zombie viking on the cover (also featured on the giant poster insert) draws you in, I doubt you’ll walk away disappointed.