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Oratory are a newish Brisbane band. They've played afew Bad habit shows and blew everyones ears off.
Dark d-beat heavy metal. Like Disfear and At The Gates merged into one band.
These 2 songs are leaning more into the Discharge side of things but still keep it metal with some Tragedy/At The Gates/Burning Spirits flourishes.
Artwork for this release is executed by Crow from the classic Japanese hardcore band Crow. It perfectly represents this desolate metal punx platter.
Our take: Debut two-song single from this metal-punk project from Australia. The first track, “Free Falling Tomb,” starts off with a brutal, Celtic Frost-type of heavy and primitive assault, but halfway through the song there’s a short break and then the vibe completely changes, the guitarist playing fluid melodies in the upper octaves, the bass getting melodic, and the drumming packed with drama. The second track is a little more straightforward, but still has something of that odd mixture of brutal straightforwardness with elements that are both more complex and more deftly executed. Crow does this record’s artwork, and his music is a pretty good reference point. The more brutal and straightforward parts of Oratory’s music remind me of Crow’s earlier, heavily Discharge-influenced period, while the band’s later era—and even moreso projects like Kaiboushitsu and Death Comes Along—shows a similar fearlessness in the way they bring in unexpected elements. Darkthrone also seems like a good point of reference as they’re also heavy but full of oddball moments you don’t see coming. A good pick for freaks who like it heavy.
Dark d-beat heavy metal. Like Disfear and At The Gates merged into one band.
These 2 songs are leaning more into the Discharge side of things but still keep it metal with some Tragedy/At The Gates/Burning Spirits flourishes.
Artwork for this release is executed by Crow from the classic Japanese hardcore band Crow. It perfectly represents this desolate metal punx platter.
Our take: Debut two-song single from this metal-punk project from Australia. The first track, “Free Falling Tomb,” starts off with a brutal, Celtic Frost-type of heavy and primitive assault, but halfway through the song there’s a short break and then the vibe completely changes, the guitarist playing fluid melodies in the upper octaves, the bass getting melodic, and the drumming packed with drama. The second track is a little more straightforward, but still has something of that odd mixture of brutal straightforwardness with elements that are both more complex and more deftly executed. Crow does this record’s artwork, and his music is a pretty good reference point. The more brutal and straightforward parts of Oratory’s music remind me of Crow’s earlier, heavily Discharge-influenced period, while the band’s later era—and even moreso projects like Kaiboushitsu and Death Comes Along—shows a similar fearlessness in the way they bring in unexpected elements. Darkthrone also seems like a good point of reference as they’re also heavy but full of oddball moments you don’t see coming. A good pick for freaks who like it heavy.