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The first release from Mr. Bungle since 1999, The Raging Wrath Of The Easter Bunny Demo is a re-recording of the band's 1986 high school thrash metal demo along with songs written then, but never recorded. The record also features covers of classics by S.O.D. and Corrosion Of Conformity. This version of Mr. Bungle is original members Mike Patton, Trey Spruance and Trevor Dunn, joined by Scott Ian of Anthrax and Dave Lombardo of Slayer/Dead Cross. Mr. Bungle produced the album, which was recorded by Husky Höskulds at Studio 606 and mixed by Jay Ruston.
"Recording this music with these guys was an enormous head-rush of virtuosity and surprises every day in the studio," Patton said. "Trey's video game-esque solos, Scott's bionic right hand and cyborg-like precision, Dave's caveman-meets-Bobby Brady-like drum fills, Trevor's solid foundation and laser-focus to detail. There is nothing sweeter than getting your ass kicked by true comrades...where everyone has a singular drive and mission."
"Recording this record felt like we were finally utilizing our Ph.Ds in Thrash Metal," Dunn added. "All we had to do was go back to our original professors for some additional guidance and talk them into joining us. Turns out we were A+ students. We even went for extra credit by revisiting some tunes that we'd given up on back in the day. It was less like a trip of nostalgia and more like the refining of an original, worthy document. We were haunted for 35 years by the fact that this music wasn't given it's due respect. Now we can die."
"Recording this music with these guys was an enormous head-rush of virtuosity and surprises every day in the studio," Patton said. "Trey's video game-esque solos, Scott's bionic right hand and cyborg-like precision, Dave's caveman-meets-Bobby Brady-like drum fills, Trevor's solid foundation and laser-focus to detail. There is nothing sweeter than getting your ass kicked by true comrades...where everyone has a singular drive and mission."
"Recording this record felt like we were finally utilizing our Ph.Ds in Thrash Metal," Dunn added. "All we had to do was go back to our original professors for some additional guidance and talk them into joining us. Turns out we were A+ students. We even went for extra credit by revisiting some tunes that we'd given up on back in the day. It was less like a trip of nostalgia and more like the refining of an original, worthy document. We were haunted for 35 years by the fact that this music wasn't given it's due respect. Now we can die."