Kohu-63: Valtaa Ei Loistoa 12” (Poko Rekords, 1982)
Unfortunately, I don’t have much historical background information on Finland’s Kohu-63 to share with you. Their first 7” came out in 1981 on the legendary Finnish label Poko Rekords, who also released a subsequent 12” EP and LP from Kohu-63 in 1982. The only other info I have about the band (this is from the Svart Records website) is that in 1983, shortly after the release of their first LP, their vocalist Lättä went to prison for manslaughter, which forced the band into an extended hiatus. They came back in the later part of the 80s and have continued releasing music ever since.
I first heard Finland’s Kohu-63 in the mid-00s, around when Sorry State first started. I used to do a lot more trading with labels back then, and I remember doing a big trade with Germany’s Höhnie Records. Höhnie is still reissuing great hardcore, including lots of Finnish stuff from the 80s (and Sorry State still carries their releases!). They were already deep into that game by the time Sorry State started, and trading with them is where I got introduced to many classic Finnish hardcore bands. While Kaaos, Bastards, and Appendix caught my ear immediately, I didn’t latch onto Kohu-63 right away. I think that’s because of the format of Sotaa 81/82, which compiles the EP I’m writing about today along with the band’s first EP from 1981 and their first LP, which also came out in 1982. That’s a lot of hardcore for one sitting, and while it’s all great, it’s tough for the ear to parse, particularly when it’s arriving in a giant box from Germany that’s also packed with a bunch of other classic records.
Kohu-63 had been filed away in my brain as a second-tier band until I came across this copy of Valtaa Ei Loistoa. I had the opportunity to buy a small stack of Finnish originals from the early 80s, and I threw in Valtaa Ei Loistoa because it was priced attractively. However, since that package arrived, Valtaa Ei Loistoa is the record I’ve listened to the most.
The common link between so many of my Finnish favorites (like Lama and Appendix) is the way they inject a hint of melody into their hardcore. You can tell the bands have listened to a ton of Discharge, GBH, and Exploited and they’re determined to match those bands’ intensity, but rather than Discharge’s over-arching sense of dissonance and doom, the aforementioned Finnish bands’ songs coalesce around brighter-sounding major keys and subtly melodic vocal lines. I wonder if that’s something that comes from Finnish popular or traditional music, because it feels like a trait that’s unique to Finnish punk.
Of my most-loved Finnish groups, Valtaa Ei Loistoa reminds me the most of Lama. Like Lama, Kohu-63 has a firm command of their instruments and plays with a level of precision that matches just about anyone in the worldwide punk scene. Also like Lama, Kohu-63’s songs here feel fleshed-out, not just sequences of bad-ass riffs, but effective compositions that pull the listener through them and keep them interested the whole time. Besides those Finnish classics, Valtaa Ei Loistoa also makes me think of great California hardcore records like Legal Weapon’s Death of Innocence, Bad Religion’s How Could Hell Be Any Worse, or Circle One’s Patterns of Force. I fucking love inept teenage thrash more than most people, but Kohu-63 is something different, bringing that sense of abandon to music that’s more sophisticated and composed.
I’m gonna keep my eyes peeled for more of Kohu-63’s original releases, but I’m not holding my breath. Svart Records did nice repro editions of this and Kohu-63’s first LP, Lisää Verta Historiaan, and while they are tough to find from stateside sellers, they shouldn’t cost you too much if you come across them. The reissue of Lisää Verta Historiaan even comes with the rare stencil insert! Oh, and anyone know what’s up with the last track on the record, where the band chants “Hanoi Rocks Barmy Army” to the tune of “Exploited Barmy Army?” I’m curious whether it’s an homage or mockery. I have no idea how Finnish punks viewed Hanoi Rocks at the time.