Record of the Week: Astaron: S/T LP
Astaron: S/T 12” (Sealed Records) I hadn’t heard of Astaron before Sealed Records reissued this, their sole LP from 1988, but after a few weeks of listening I’m ready to put myself in the “superfan” category. Astaron was two Austrian women who looked cool as hell (with a preppy goth fashion sense that reminds me of Strawberry Switchblade) and sounded even cooler. Really, you need to hear Astaron’s LP to understand what it’s all about because it’s a singular record. Here and there I’m reminded of other things—like Siouxsie & the Banshees’ darkest yet quietest moments—but it never sounds like anything else. It’s minimal with a lot of open space but with percussion—often non-standard or unexpected percussion—at the center and synths and multitracked vocals creating a psychedelic swirl around it. It’s far from a standard formula, though. “St. John’s Fire” sounds like a 19th-century waltz and features something that sounds like an accordion, while the organ and marching band snare in “The Burning” remind me of “Demystification” by Zounds. “The Slurring” is one of the creepiest things I’ve heard in a long time, and “The Voice” sounds like an approximation of throat singing drenched in plate reverb. It’s a wild ride, but as with the Banshees or Rakta, somehow it hangs together and sounds like music rather than just aimless noise-making. If you crave music that both surprises and charms, I can’t recommend Astaron highly enough.