{"title":"Restocks for the week of August 7, 2020","description":"","products":[{"product_id":"suicidal-tendencies-s-t-12","title":"Suicidal Tendencies: S\/T 12\"","description":"\u003cp\u003eEveryone knows this punk classic, and Frontier have recently given this thing a slight (though faithful) makeover.  The music is still the same ripping, borderline-psychotic punk that it's always been... slap this puppy on, grab your skateboard and go out and grind your front steps. Frontier Records\u003c\/p\u003e","brand":"Frontier Records","offers":[{"title":"Default Title","offer_id":372084895,"sku":"SKU001075","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/suicidaltendencies.jpg?v=1627505869"},{"product_id":"misfits-collection-ii-12","title":"Misfits: Collection II 12\"","description":"\u003cp\u003eSecond collection of non-LP material from the almighty Misfits. Like the first one, this spans the band's entire career, from the early singles all the way to \u003ci\u003eEarth AD\u003c\/i\u003e-era material. Like the first collection, it totally rips. Essential listening. Caroline Records\u003c\/p\u003e","brand":"Caroline Records","offers":[{"title":"Default","offer_id":372103933,"sku":"SKU002613","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_1283_b3cbe6da-1a81-4afb-ab29-89fa70711498.jpg?v=1454015222"},{"product_id":"dead-kennedys-fresh-fruit-for-rotting-vegetables-12","title":"Dead Kennedys: Fresh Fruit for Rotting Vegetables 12\"","description":"\u003cp\u003eTheir classic first album, and considered by many to be their best. Jam-packed with too many hits to list. Manifesto Records\u003c\/p\u003e","brand":"Manifesto Records","offers":[{"title":"Default Title","offer_id":372104113,"sku":"SKU002624","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_3842_copy.jpg?v=1516839533"},{"product_id":"royal-headache-s-t-12","title":"Royal Headache: S\/T 12\"","description":"\u003cp\u003eUS pressing for one of the most talked-about garage punk records in recent memory, the debut LP from Australia's Royal Headache. What separates Royal Headache from the pack are the frontman's unique (at least in the punk scene) soulful vocals, which people compared to classic 60s soul singers like Sam Cooke. The music is your basic, stripped-down, jangly '77-influenced stuff, but the songwriting and powerful delivery rocket this firmly into the next level. What's Your Rupture? Records\u003c\/p\u003e","brand":"What's Your Rupture? Records","offers":[{"title":"Default","offer_id":372104641,"sku":"SKU002656","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/royalheadache.png?v=1680979068"},{"product_id":"slint-spiderland-12","title":"Slint: Spiderland 12\"","description":"\u003cspan\u003eRecorded from August to October 1990.Beloved of critics, ignored by the record-buying public, Slint stretched six tracks over 40 minutes and left an indelible impression on almost everyone. The songs on SPIDERLAND evolve of their own accord, without reference to narrative structure. What at first glance appears meandering and prosaic (\"For Dinner ...\") becomes, on second and subsequent listenings, hypnotic, beatific and pan-dimensional. If Brian McMahon has a peer as alternative rock's most innovative guitarist it would have to be Steve Albini, who just happens to be the producer on SPIDERLAND.\u003c\/span\u003e","brand":"Touch \u0026 Go Records","offers":[{"title":"Default Title","offer_id":554491421,"sku":"130219067","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/slint.jpg?v=1681425148"},{"product_id":"sunny-day-real-estate-2nd-lp-12","title":"Sunny Day Real Estate: 2nd LP 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRemastered reissue of 1995's \"LP2\".\u003c\/span\u003e\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":710872497,"sku":"140426064","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_3366_copy.jpg?v=1512589749"},{"product_id":"sleater-kinney-call-the-doctor-12","title":"Sleater-Kinney: Call the Doctor 12\"","description":null,"brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":10748702529,"sku":"151212009","price":21.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/callthedocotor.jpg?v=1624739166"},{"product_id":"green-day-insomniac-12","title":"Green Day: Insomniac 12\"","description":null,"brand":"Reprise Records","offers":[{"title":"Default Title","offer_id":17044444801,"sku":"160330007","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_5890.jpg?v=1459371939"},{"product_id":"mc5-kick-out-the-jams-12","title":"MC5: Kick Out the Jams 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Kick Out The Jams is the explosive 1969 debut album from the proto-punk quintet MC5, recorded live over two nights at Detroit's Grande Ballroom by famed producer\/engineer Bruce Botnick. Recording a debut album live was unheard of at the time, but MC5 and as it turns out the music world alike, felt it was the best representation of what the band was truly about. \\n\\nFeaturing Rob Tyner on vocals, Wayne Kramer and Fred 'Sonic' Smith on guitar, Michael Davis on bass, and Dennis Thompson on drums, the unrelenting 8-song set is as raw and powerful as they come, highlighted by the revered title track, John Lee Hooker's blues number \\\u0026quot;Motor City Burning,\\\u0026quot; and an eight and a half minute Sun Ra workout \\\u0026quot;Starship.\\\u0026quot;\\n\\n\\\u0026quot;It's the ultimate rock salute: 'Kick out the jams, motherfuckers!' Recorded live in Detroit by Rob Tyner and his anarchist crew, Kick Out the Jams writhes and hollers with the belief in rock \u0026amp; roll as civil disobedience. The proof: It was banned by a Michigan department store!\\\u0026quot; - #294 on Rolling Stones 500 Greatest Albums of All Time \u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003eKick Out The Jams is the explosive 1969 debut album from the proto-punk quintet MC5, recorded live over two nights at Detroit's Grande Ballroom by famed producer\/engineer Bruce Botnick. Recording a debut album live was unheard of at the time, but MC5 and as it turns out the music world alike, felt it was the best representation of what the band was truly about. \u003cbr\u003e\u003cbr\u003eFeaturing Rob Tyner on vocals, Wayne Kramer and Fred 'Sonic' Smith on guitar, Michael Davis on bass, and Dennis Thompson on drums, the unrelenting 8-song set is as raw and powerful as they come, highlighted by the revered title track, John Lee Hooker's blues number \"Motor City Burning,\" and an eight and a half minute Sun Ra workout \"Starship.\"\u003cbr\u003e\u003cbr\u003e\"It's the ultimate rock salute: 'Kick out the jams, motherfuckers!' Recorded live in Detroit by Rob Tyner and his anarchist crew, Kick Out the Jams writhes and hollers with the belief in rock \u0026amp; roll as civil disobedience. The proof: It was banned by a Michigan department store!\" - #294 on Rolling Stones 500 Greatest Albums of All Time \u003c\/span\u003e\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Default Title","offer_id":22535888385,"sku":"160726008","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_6782.jpg?v=1469642522"},{"product_id":"the-cure-pornography-12-new","title":"The Cure: Pornography 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOriginally a postpunk outfit with gothic leanings, \u003cstrong\u003eThe Cure\u003c\/strong\u003e evolved into one of the most visionary, creatively satisfying and influential groups to come of age in the 1980's. From dreamy pop to moody expressionism, their signature sound is adventurous, hypnotic, and rich with texture. Formed in 1976 by Robert Smith and schoolmates Michael Dempsey (bass) and Laurence Tolhurst (drums), \u003cstrong\u003eThe Cure's\u003c\/strong\u003e stunning 1979 debut on U.K.-based Fiction Records launched an extraordinary career and enduring worldwide popularity.\u003c\/p\u003e\n\u003cp\u003e1982's \u003cstrong\u003e\u003cem\u003ePornography\u003c\/em\u003e\u003c\/strong\u003e, their fourth full-length effort overall, is still considered by many to be the finest and darkest effort of the trailblazing group's career. The final release in a \"Dark Trilogy\" that began with \u003cem\u003eSeventeen Seconds \u003c\/em\u003e(1980) and \u003cem\u003eFaith\u003c\/em\u003e (1981), \u003cstrong\u003e\u003cem\u003ePornography\u003c\/em\u003e\u003c\/strong\u003e cemented \u003cstrong\u003eThe Cure's\u003c\/strong\u003e role as beacons of the emergent gothic rock genre, and the band sported their signature red lipstick and big hair look for the first time during this tour.\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Default Title","offer_id":24838183617,"sku":"160901003","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_1597.jpg?v=1472764719"},{"product_id":"funkadelic-s-t-12-new","title":"Funkadelic: S\/T 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The 1970 self titled debut from Detroit's nastiest, most shredding funk-rock group. Arising from the ashes of George Clinton's Plainfield, New Jersey-led R\u0026amp;B group, The Parliments, Funkadelic formed in the late-60s and, in addition to Clinton, included the blazing guitar of Eddie Hazel, organist Mickey Atkins, rhythm guitarist Tawl Ross and drummer Tiki Fulwood. Though firmly rooted in funk and soul, Funkadelic incorporated a dark psychedelic element, influenced by Jimi Hendrix and Sly Stone, to create a sound that was unparalleled at the time and since. Sampled by everyone from DJ Shadow to Ice Cube, De La Soul and the Beastie Boys, Funkadelic still sounds fresh today and is the first solid example of Clinton's eccentric genius. \u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003eThe 1970 self titled debut from Detroit's nastiest, most shredding funk-rock group. Arising from the ashes of George Clinton's Plainfield, New Jersey-led R\u0026amp;B group, The Parliments, Funkadelic formed in the late-60s and, in addition to Clinton, included the blazing guitar of Eddie Hazel, organist Mickey Atkins, rhythm guitarist Tawl Ross and drummer Tiki Fulwood. Though firmly rooted in funk and soul, Funkadelic incorporated a dark psychedelic element, influenced by Jimi Hendrix and Sly Stone, to create a sound that was unparalleled at the time and since. Sampled by everyone from DJ Shadow to Ice Cube, De La Soul and the Beastie Boys, Funkadelic still sounds fresh today and is the first solid example of Clinton's eccentric genius. \u003c\/span\u003e\u003c\/p\u003e","brand":"Westbound Records","offers":[{"title":"Default Title","offer_id":32178154253,"sku":"150629601","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_2956.jpg?v=1487281869"},{"product_id":"dead-kennedys-plastic-surgery-disasters-13","title":"Dead Kennedys: Plastic Surgery Disasters 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cstyle type=\"text\/css\"\u003e\u003c!-- td {border: 1px solid #ccc;}br {mso-data-placement:same-cell;} --\u003e\u003c\/style\u003e \u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Reissue of their blistering 1982 LP\"}' data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eReissue of their blistering 1982 LP\u003c\/span\u003e\u003c\/p\u003e","brand":"Manifesto Records","offers":[{"title":"Default Title","offer_id":39439338957,"sku":"170614013","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/71f4m_BXybL._UF1000_1000_QL80.jpg?v=1714080763"},{"product_id":"the-monks-hamburg-recordings-1967-12","title":"The Monks: Hamburg Recordings 1967 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The Monks \\u2013 a strange, rare group with a story that sounds like a drunk friend\\u2019s generous hyperbole. A group of American G.I.s stationed in Germany on the precipice of Western cultural revolution starts playing music loosely connected to the rock n\\u2019 roll craze, contrastingly incorporating a critical and often offensive avant-garde edge. Nothing was off limits \\u2014 screeching vocals, dark aesthetics, staccato-strummed banjo, sardonic lyricism, critiques of the Vietnam War and full monk costuming down to the tonsure. When viewed on the whole, it seems like an art school student\\u2019s senior thesis on what the craze means and its future possibilities. Due in large part to original Polydor vinyl collectability and years in the word-of-mouth hype machine, their legend and cult status has steadily blossomed since their last shows in 1967.\\n\\nFast forward to 2017, the crew at Third Man, already huge fans, are presented with an honest-to-God treasure trove of original Monks photos, newspaper clippings, business cards, letterhead, contracts, postcards and, yes, analog tapes, containing trailblazing, wild compositions completely unheard by public ears.\\n\\n\\u201cI\\u2019m Watching You\\u201d would have been recorded on February 28th, 1967 at the same sessions that would produce the Monks\\u2019 final single \\u201cLove Can Tame the Wild\\u201d b\/w \\u201cHe Went Down to the Sea.\\u201d The remaining four songs were recorded after hours in the Top Ten Club later that year, just prior to the break-up of the band.\\n\\nThese songs have been unreleased for 50 years and are quite possibly the last music left to be heard by this legendary band.\\n\\n\\\"As vital and as punchy as everything else the Monks recorded.\\\" - Dangerous Minds\"}' data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eThe Monks – a strange, rare group with a story that sounds like a drunk friend’s generous hyperbole. A group of American G.I.s stationed in Germany on the precipice of Western cultural revolution starts playing music loosely connected to the rock n’ roll craze, contrastingly incorporating a critical and often offensive avant-garde edge. Nothing was off limits — screeching vocals, dark aesthetics, staccato-strummed banjo, sardonic lyricism, critiques of the Vietnam War and full monk costuming down to the tonsure. When viewed on the whole, it seems like an art school student’s senior thesis on what the craze means and its future possibilities. Due in large part to original Polydor vinyl collectability and years in the word-of-mouth hype machine, their legend and cult status has steadily blossomed since their last shows in 1967.\u003cbr\u003e\u003cbr\u003eFast forward to 2017, the crew at Third Man, already huge fans, are presented with an honest-to-God treasure trove of original Monks photos, newspaper clippings, business cards, letterhead, contracts, postcards and, yes, analog tapes, containing trailblazing, wild compositions completely unheard by public ears.\u003cbr\u003e\u003cbr\u003e“I’m Watching You” would have been recorded on February 28th, 1967 at the same sessions that would produce the Monks’ final single “Love Can Tame the Wild” b\/w “He Went Down to the Sea.” The remaining four songs were recorded after hours in the Top Ten Club later that year, just prior to the break-up of the band.\u003cbr\u003e\u003cbr\u003eThese songs have been unreleased for 50 years and are quite possibly the last music left to be heard by this legendary band.\u003cbr\u003e\u003cbr\u003e\"As vital and as punchy as everything else the Monks recorded.\" - Dangerous Minds\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records","offers":[{"title":"Default Title","offer_id":39690011533,"sku":"170621002","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_1643_copy.jpg?v=1498073720"},{"product_id":"kendrick-lamar-damn-2x12","title":"Kendrick Lamar: Damn 2x12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn five whirlwind years,¬†\u003c\/span\u003e\u003cstrong\u003eKendrick Lamar\u003c\/strong\u003e\u003cspan\u003e¬†has gone from being hip-hop's hottest rising star to one of the most important voices of his generation. And as his latest album,¬†\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eDAMN.\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e, proves, he shows no signs of stopping. His third No. 1 in a row, the hotly anticipated release sees Lamar make another about-turn after the fearlessly creative excursions of 2015's¬†\u003c\/span\u003e\u003cem\u003eTo Pimp A Butterfly\u003c\/em\u003e\u003cspan\u003e. If¬†\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eDAMN.\u003cspan\u003e¬†\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003eis a more stripped-back, direct album, it's also another utterly compelling one. With his laidback flow and thought-provoking lyrics, it finds Kendrick at the very top of his game, making the personal political ‚Äì and vice versa ‚Äì and ensuring that he leads the charge, at a time when the world very much needs a voice like his.\u003c\/span\u003e\u003c\/p\u003e","brand":"Interscope Records","offers":[{"title":"Default Title","offer_id":51133808666,"sku":"170726062","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_1830_copy.jpg?v=1501103612"},{"product_id":"beyonce-lemonade-12","title":"Beyonce: Lemonade 2x12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Limited double 180gm yellow vinyl LP pressing. 2016 release, the sixth studio album by R\u0026amp;B superstar Beyonc√©. It was released on April 23, 2016, by Parkwood Entertainment and Columbia Records. Primarily an R\u0026amp;B album, Lemonade encompasses a variety of genres, including pop, reggae, blues, rock, hip hop, soul, funk, Americana, country, gospel, electronic, and trap music. The album features guest vocals from James Blake, Kendrick Lamar, The Weeknd, and Jack White. The album contains samples and interpolations of a number of hip-hop and rock songs. Lemonade was widely acclaimed by critics, who praised it as Beyonc√©'s boldest work to date. The album includes the singles \\\u0026quot;Formation\\\u0026quot;, \\\u0026quot;Sorry\\\u0026quot;, \\\u0026quot;Hold Up\\\u0026quot;, \\\u0026quot;Freedom\\\u0026quot; featuring Kendrick Lamar, and \\\u0026quot;All Night\\\u0026quot;; alongside a promotional single, \\\u0026quot;Daddy Lessons\\\u0026quot; featuring Dixie Chicks.\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eLimited double 180gm yellow vinyl LP pressing. 2016 release, the sixth studio album by R\u0026amp;B superstar Beyonc√©. It was released on April 23, 2016, by Parkwood Entertainment and Columbia Records. Primarily an R\u0026amp;B album, Lemonade encompasses a variety of genres, including pop, reggae, blues, rock, hip hop, soul, funk, Americana, country, gospel, electronic, and trap music. The album features guest vocals from James Blake, Kendrick Lamar, The Weeknd, and Jack White. The album contains samples and interpolations of a number of hip-hop and rock songs. Lemonade was widely acclaimed by critics, who praised it as Beyonc√©'s boldest work to date. The album includes the singles \"Formation\", \"Sorry\", \"Hold Up\", \"Freedom\" featuring Kendrick Lamar, and \"All Night\"; alongside a promotional single, \"Daddy Lessons\" featuring Dixie Chicks.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":3405992460314,"sku":"180110006","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_3730_copy.jpg?v=1515635049"},{"product_id":"childish-gambino-awaken-my-love-12","title":"Childish Gambino: Awaken, My Love 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Awaken, My Love! is the Gold-certified third album from entertainer extraordinaire Donald Glover aka Childish Gambino (a leading voice in contemporary culture who was recently ranked in TIME Magazine's 100 Most Influential People of the Year) and first since 2013. As Childish Gambino once again sheds his skin, Awaken, My Love! is a true sonic evolution described as R\u0026amp;B meets Pink Floyd, and an amalgam of rock, funk, and soul influences. It serves as the groundbreaking next step from the multi-talented artist following the genre blending STN MTN \/ Kauai mixtape, the twice-Grammy nominated Because The Internet and his Golden Globe winning FX series Atlanta. Featuring the singles \\\u0026quot;Me and Your Mama\\\u0026quot; and \\\u0026quot;Redbone,\\\u0026quot; Awaken, My Love! was released to critical acclaim in December 2016 and marked Gambino's highest Billboard chart debut to date. Earmarked as one of the year's most seminal albums on an array of year-end lists, it's also been praised by fellow musicians like George Clinton, Questlove, Drake, Chance the Rapper and Pharrell, who stated \\\u0026quot;His album is genius.\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eAwaken, My Love! is the Gold-certified third album from entertainer extraordinaire Donald Glover aka Childish Gambino (a leading voice in contemporary culture who was recently ranked in TIME Magazine's 100 Most Influential People of the Year) and first since 2013. As Childish Gambino once again sheds his skin, Awaken, My Love! is a true sonic evolution described as R\u0026amp;B meets Pink Floyd, and an amalgam of rock, funk, and soul influences. It serves as the groundbreaking next step from the multi-talented artist following the genre blending STN MTN \/ Kauai mixtape, the twice-Grammy nominated Because The Internet and his Golden Globe winning FX series Atlanta. Featuring the singles \"Me and Your Mama\" and \"Redbone,\" Awaken, My Love! was released to critical acclaim in December 2016 and marked Gambino's highest Billboard chart debut to date. Earmarked as one of the year's most seminal albums on an array of year-end lists, it's also been praised by fellow musicians like George Clinton, Questlove, Drake, Chance the Rapper and Pharrell, who stated \"His album is genius.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Glassnote Records","offers":[{"title":"Default Title","offer_id":3461782667290,"sku":"180120300","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/awaken.jpg?v=1642790425"},{"product_id":"hot-snakes-automatic-midnight-12-new","title":"Hot Snakes: Automatic Midnight 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eSan Diego's influential post-hardcore all-stars\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHot Snakes\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e– boasting members of Pitchfork, Rocket From the Crypt, Drive Like Jehu, Earthless, Obits, Burning Brides, OFF!, The Delta 72, and more – released three of Sub Pop's favorite rock records of the past 20 years:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eAutomatic Midnight\u003c\/strong\u003e\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSuicide Invoice\u003c\/em\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAudit in Progress\u003c\/em\u003e. All three were originally issued on Swami Records, with art by singer\/guitarist and visual artist\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRick Froberg\u003c\/strong\u003e. As we await the somewhat-later-in-2018 release of their first new album since 2004, the label is pleased to reissue this trio of classics back on vinyl. 2000's\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eAutomatic Midnight\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eHot Snakes'\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esinister and swaggering debut blast of fierce and turbulent rock 'n' roll. Guitars attack, drums pound and vocals destroy. The band's sound here represented a return to the unrealized past of its members: direct, undraped rock ‘n' roll with some edge. \u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":3498926145562,"sku":"1801126003","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_5402.jpg?v=1517001573"},{"product_id":"hot-snakes-audit-in-progress-12-new","title":"Hot Snakes: Audit in Progress 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSan Diego's influential post-hardcore all-stars \u003c\/span\u003e\u003cstrong\u003eHot Snakes\u003c\/strong\u003e\u003cspan\u003e – boasting members of Pitchfork, Rocket From the Crypt, Drive Like Jehu, Earthless, Obits, Burning Brides, OFF!, The Delta 72, and more – released three of Sub Pop's favorite rock records of the past 20 years:\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eAutomatic Midnight\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eSuicide Invoice\u003c\/em\u003e\u003cspan\u003e, and\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eAudit in Progress\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e. All three were originally issued on Swami Records, with art by singer\/guitarist and visual artist Rick Froberg. As we await the somewhat-later-in-2018 release of their first new album since 2004, the label is pleased to reissue this trio of classics back on vinyl. \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eAudit in Progress\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e is \u003c\/span\u003e\u003cstrong\u003eHot Snakes\u003c\/strong\u003e\u003cspan\u003e' third studio album and last to date, originally released in 2004. It finds the band doing what they do best, churning out fast and explosive songs with understated dynamics and plenty of character. By 2005 \u003c\/span\u003e\u003cstrong\u003eHot Snakes\u003c\/strong\u003e\u003cspan\u003e was no more, however, they would reconvene in 2011 for some live dates.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":3499054039066,"sku":"180112604","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_5400.jpg?v=1517003556"},{"product_id":"sza-ctrl-2x12","title":"SZA: CTRL 2x12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Limited double colored vinyl LP pressing in gatefold jacket. 2017 release. Ctrl is the debut studio album by singer\/songwriter SZA. Following the release of debut extended play Z (2014), SZA began writing for other artists and working on her debut, however her debut project was met with various setbacks. SZA followed an analog process and contributed heavily to the album's lyrics. Recording continued until 2017 by which SZA had created two hundred songs. During the recording process SZA opted for a freestyle method, relying on moments in the studio. The album debuted at #3 on the US Billboard 200. It generated the singles \\\u0026quot;Drew Barrymore\\\u0026quot;, \\\u0026quot;Love Galore\\\u0026quot;, and \\\u0026quot;The Weekend\\\u0026quot;. As of October 2017, the album has been certified gold by the Recording Industry Association of America for accumulating over 500,000 in album-equivalent units and pure sales.\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eLimited double colored vinyl LP pressing in gatefold jacket. 2017 release. Ctrl is the debut studio album by singer\/songwriter SZA. Following the release of debut extended play Z (2014), SZA began writing for other artists and working on her debut, however her debut project was met with various setbacks. SZA followed an analog process and contributed heavily to the album's lyrics. Recording continued until 2017 by which SZA had created two hundred songs. During the recording process SZA opted for a freestyle method, relying on moments in the studio. The album debuted at #3 on the US Billboard 200. It generated the singles \"Drew Barrymore\", \"Love Galore\", and \"The Weekend\". As of October 2017, the album has been certified gold by the Recording Industry Association of America for accumulating over 500,000 in album-equivalent units and pure sales.\u003c\/span\u003e\u003c\/p\u003e","brand":"Top Dawg Entertainment","offers":[{"title":"Default Title","offer_id":3559316881434,"sku":"180131032","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_0387copy.jpg?v=1584913653"},{"product_id":"wilco-yankee-hotel-foxtrot-2x12","title":"Wilco: Yankee Hotel Foxtrot 2x12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan face=\"arial,helvetica,sans-serif\" style=\"font-family: arial, helvetica, sans-serif;\"\u003e\u003cstrong\u003e\u003cem\u003eYankee Hotel Foxtrot\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis without question\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWilco’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emost storied and experimental release. Produced by the band and mixed by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJim O’Rourke\u003c\/strong\u003e,\u003cstrong\u003e\u003cem\u003eYankee Hotel Foxtrot\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efinds the Chicago-based band stretching their creative boundaries, imbuing their trademark sound with inventive textures and song structures. Vocalist\/guitarist\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJeff Tweedy’s\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003estirring songwriting commingles with a unique and eclectic sonic approach here that is stirringly emotional and beautifully mysterious. From the poignant opener “I Am Trying To Break Your Heart\" to the stark and powerful \"Ashes of American Flags\" to the giddy pop of \"Heavy Metal Drummer,\"\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eYankee Hotel Foxtrot\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis an ambitious original that no one should be without.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"arial,helvetica,sans-serif\" size=\"2\" style=\"font-family: arial, helvetica, sans-serif; font-size: small;\"\u003eThis 180-gram Double Vinyl LP version also includes a bonus CD of the entire album. Do not miss this:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eYankee Hotel Foxtrot\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a must-have for any music fan.\u003c\/span\u003e\u003c\/p\u003e","brand":"Nonesuch Records","offers":[{"title":"Default Title","offer_id":6766611857459,"sku":"180203001","price":36.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_3888_copy.jpg?v=1517684927"},{"product_id":"laughing-hyenas-you-cant-pray-a-lie-12","title":"Laughing Hyenas: You Can't Pray a Lie 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"With their roots firmly planted in Detroit’s Cass Corridor punk rock and hardcore scene of the early 80s, John Brannon (Negative Approach) and Larissa Strickland (L-Seven), along with the locked in rhythm section of Kevin Strickland and Jim Kimball, the Laughing Hyenas took it to a completely different plane. Taking pointers from The Birthday Party and Funhouse era Stooges as well as early blues and jazz artists, the Laughing Hyenas were a fierce, sulfuric blast of noise.\\n\\nTaking the name from a Mark Twain line, the Laughing Hyenas went back into Smart Studios with Butch Vig to record their debut full-length You Can’t Pray A Lie. The Hyenas further elaborated on the template that Merry Go Round set. Kevin, Jim and Larissa lay down deceptively simple hillbilly voodoo blues that at the same time is so rhythmically complex you’re never quite sure what’s going on. Brannon’s vocals are as frenzied and intense as ever. With the balance and everything just right on YCPAL, our dear Hyenas recorded and released one of the milestone\/cornerstone albums of the 1980s American underground music scene.\\n\\nBonus material\\nNOTHING. Much like Jerry Lee Lewis, the Laughing Hyenas were strict believers in the “All Killer No Filler” way of doing things.\"}' data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eWith their roots firmly planted in Detroit’s Cass Corridor punk rock and hardcore scene of the early 80s, John Brannon (Negative Approach) and Larissa Strickland (L-Seven), along with the locked in rhythm section of Kevin Strickland and Jim Kimball, the Laughing Hyenas took it to a completely different plane. Taking pointers from The Birthday Party and Funhouse era Stooges as well as early blues and jazz artists, the Laughing Hyenas were a fierce, sulfuric blast of noise.\u003cbr\u003e\u003cbr\u003eTaking the name from a Mark Twain line, the Laughing Hyenas went back into Smart Studios with Butch Vig to record their debut full-length You Can’t Pray A Lie. The Hyenas further elaborated on the template that Merry Go Round set. Kevin, Jim and Larissa lay down deceptively simple hillbilly voodoo blues that at the same time is so rhythmically complex you’re never quite sure what’s going on. Brannon’s vocals are as frenzied and intense as ever. With the balance and everything just right on YCPAL, our dear Hyenas recorded and released one of the milestone\/cornerstone albums of the 1980s American underground music scene.\u003cbr\u003e\u003cbr\u003eBonus material\u003cbr\u003eNOTHING. Much like Jerry Lee Lewis, the Laughing Hyenas were strict believers in the “All Killer No Filler” way of doing things.\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records","offers":[{"title":"Default Title","offer_id":6790011748403,"sku":"180207002","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_3913_copy.jpg?v=1518029087"},{"product_id":"orang-utan-s-t-12","title":"Orang-Utan: S\/T 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Orang-Utan were in fact a London-based band called Hunter, featuring vocalist Terry \\\"Nobby\\\" Clarke (of psych-pop legends Jason Crest), guitar player Mick Clarke, drummer and songwriter Jeff Seopardi and bass player Paul Roberts. They recorded their sole album in 1971 at DeLane Lea studios. In a bizarre twist of events, their producers\/managers ran with the tapes to the U.S., where they placed the album on Bell Records under a new band name: Orang-Utan, without telling any of the band members. A lost classic of blazing, early hard rock with minor psychedelic hangover vibes, a twin-guitar attack, and waves of fuzz\/wah, along with powerful vocals. Think Leaf Hound, Budgie, Bang, Sir Lord Baltimore, Hard Stuff. First-ever legit reissue done in co-operation with the original band members. Includes an insert with rare photos and liner notes by Jeremy Cargill (Ugly Things\/Got Kinda Lost), telling the bizarre story of the band for the first time.\"}' data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eOrang-Utan were in fact a London-based band called Hunter, featuring vocalist Terry \"Nobby\" Clarke (of psych-pop legends Jason Crest), guitar player Mick Clarke, drummer and songwriter Jeff Seopardi and bass player Paul Roberts. They recorded their sole album in 1971 at DeLane Lea studios. In a bizarre twist of events, their producers\/managers ran with the tapes to the U.S., where they placed the album on Bell Records under a new band name: Orang-Utan, without telling any of the band members. A lost classic of blazing, early hard rock with minor psychedelic hangover vibes, a twin-guitar attack, and waves of fuzz\/wah, along with powerful vocals. Think Leaf Hound, Budgie, Bang, Sir Lord Baltimore, Hard Stuff. First-ever legit reissue done in co-operation with the original band members. Includes an insert with rare photos and liner notes by Jeremy Cargill (Ugly Things\/Got Kinda Lost), telling the bizarre story of the band for the first time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sommor","offers":[{"title":"Default Title","offer_id":7330648490035,"sku":"180326012","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_4309_copy.jpg?v=1522106766"},{"product_id":"fetish-s-t-7-new","title":"Fetish: S\/T 7\" (new)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;While one should hesitate to use the term \\\u0026quot;super group,\\\u0026quot; it would be kinda hard to not consider utilizing some kind of label in that vein in regards to Portland, Oregon's FETISH. For starters if we're gonna talk about genre altering personnel within the ranks of this group, you'd have to note that this recording showcases the first time that Thee Slayer Hippy and Vegetable have come together to create ugly hardcore punk music since their stint together in the \\\u0026quot;War All The Time\\\u0026quot; era of the legendary Kings of Punk POISON IDEA three decades ago. It also doesn't hurt that 3\/4 of PDX punk heroes LONG KNIFE (Colin Jarrell, Scott Goto, and Chris Reid respectively) are in the mix as well along with later era PI guitarist Brandon Bentley. Their debut track \\\u0026quot;TAKE THE KNIFE\\\u0026quot; showcases the sheer power of this group and is just a sign of what is to come with the band's full length record that will hopefully see the light of day later this year. On the flip side, a stirring rendition of LOVE's classic track \\\u0026quot;A House Is Not A Motel\\\u0026quot; closes this one out leaving us hungry for more. Each record comes in a glue pocket sleeve featuring cover art by the talented Joe B.\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eWhile one should hesitate to use the term \"super group,\" it would be kinda hard to not consider utilizing some kind of label in that vein in regards to Portland, Oregon's FETISH. For starters if we're gonna talk about genre altering personnel within the ranks of this group, you'd have to note that this recording showcases the first time that Thee Slayer Hippy and Vegetable have come together to create ugly hardcore punk music since their stint together in the \"War All The Time\" era of the legendary Kings of Punk POISON IDEA three decades ago. It also doesn't hurt that 3\/4 of PDX punk heroes LONG KNIFE (Colin Jarrell, Scott Goto, and Chris Reid respectively) are in the mix as well along with later era PI guitarist Brandon Bentley. Their debut track \"TAKE THE KNIFE\" showcases the sheer power of this group and is just a sign of what is to come with the band's full length record that will hopefully see the light of day later this year. On the flip side, a stirring rendition of LOVE's classic track \"A House Is Not A Motel\" closes this one out leaving us hungry for more. Each record comes in a glue pocket sleeve featuring cover art by the talented Joe B.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: So, this debut 7” from Portland’s Fetish is pretty much a tease, but boy is it an effective one! If you haven’t heard, Fetish consists of three former members of Poison Idea (including Thee Slayer Hippy and Vegetable) and three members of Long Knife (the world’s premier Poison Idea imitators), and (perhaps surprisingly, perhaps not) manage to beat any and all post-Pig Champion versions of Poison Idea at their own game. Even though the lineup leans heavily on the \u003cem\u003eWar All the Time\u003c\/em\u003e version of PI, the a-side, “Take the Knife,” sounds more like \u003cem\u003eFeel the Darkness\u003c\/em\u003e-era… it’s an explosive hardcore track for sure, but it also has a really striking sense of dynamics that I associate with \u003cem\u003eFeel the Darkness\u003c\/em\u003e. PI were great songwriters, but they were also the masters of arranging a hardcore song, and “Take the Knife” shows that that ability to manage the bells and whistles is alive and well with Fetish. Then there’s the b-side, which is a cover of Love’s song “A House Is Not a Motel,” and while it’s a significant downshift from “Take the Knife,” it hints that there will be a sense of depth and ambition to Fetish’s music and that we can count on them to deliver more than just a bunch of crowd-pleasing thrashers. Yes, this EP is a frustratingly short tease, but the rush of adrenaline it provides has me waiting with baited breath for the full dose that is hopefully to come.\u003c\/p\u003e","brand":"Beach Impediment Records","offers":[{"title":"Default Title","offer_id":7498173349939,"sku":"180406001","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_6037.jpg?v=1523056060"},{"product_id":"howlin-wolf-moanin-in-the-moonlight-12","title":"Howlin' Wolf: Moanin' in the Moonlight 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Reissue of this blues classic.\"}' data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eReissue of this blues classic.\u003c\/span\u003e\u003c\/p\u003e","brand":"Vinyl Lovers","offers":[{"title":"Default Title","offer_id":8456771764275,"sku":"180613203","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/moonlight.jpg?v=1647635814"},{"product_id":"muddy-waters-at-newport-1960-12","title":"Muddy Waters: At Newport 1960 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cstyle type=\"text\/css\"\u003e\u003c!-- td {border: 1px solid #ccc;}br {mso-data-placement:same-cell;} --\u003e\u003c\/style\u003e \u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Double Feature. Repackaged 12\\\" LP 180 Gram, Vinyl Limited Edition, Stereo, Direct Metal Mastering, Deluxe Inner Sleeves.\"}' data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eDouble Feature. Repackaged 12\" LP 180 Gram, Vinyl Limited Edition, Stereo, Direct Metal Mastering, Deluxe Inner Sleeves.\u003c\/span\u003e\u003c\/p\u003e","brand":"WaxTime","offers":[{"title":"Default Title","offer_id":8456793587763,"sku":"180613206","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_4938_copy.jpg?v=1528932614"},{"product_id":"david-bowie-heroes-12","title":"David Bowie: Heroes 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1976 David Bowie relocated to Berlin, enlisting Brian Eno and Tony Visconti to begin recording the albums that would become known as his \\\u0026quot;Berlin Trilogy\\\u0026quot;: Low (1977), Heroes (1977) and Lodger (1979). Most of the music across the three albums wasn't even recorded in Berlin, the unifying factor actually being Bowie, Visconti and Eno. In fact the only album of the three to literally be recorded in Berlin was the second installment, Heroes. Joining the fold here was King Crimson's Robert Fripp whose strapping guitar lines proved to be the perfect foil for Bowie and Visconti's ahead of the curve sonic innovations.\\n\\nPropelled by the spectrum spanning singles \\\u0026quot;Heroes\\\u0026quot; and \\\u0026quot;Beauty And The Beast,\\\u0026quot; the LP peaked at No. 3 in the UK album chart in November 1977, a year in which it was also named Album Of The Year in both NME and Melody Maker. No mean feat considering the other great music that was released that year, not least of all, both of Iggy Pop's first solo releases, The Idiot and Lust For Life, two records which Bowie also had a very big hand in. There's old wave, there's new wave, and there's David Bowie!\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eIn 1976 David Bowie relocated to Berlin, enlisting Brian Eno and Tony Visconti to begin recording the albums that would become known as his \"Berlin Trilogy\": Low (1977), Heroes (1977) and Lodger (1979). Most of the music across the three albums wasn't even recorded in Berlin, the unifying factor actually being Bowie, Visconti and Eno. In fact the only album of the three to literally be recorded in Berlin was the second installment, Heroes. Joining the fold here was King Crimson's Robert Fripp whose strapping guitar lines proved to be the perfect foil for Bowie and Visconti's ahead of the curve sonic innovations.\u003cbr\u003e\u003cbr\u003ePropelled by the spectrum spanning singles \"Heroes\" and \"Beauty And The Beast,\" the LP peaked at No. 3 in the UK album chart in November 1977, a year in which it was also named Album Of The Year in both NME and Melody Maker. No mean feat considering the other great music that was released that year, not least of all, both of Iggy Pop's first solo releases, The Idiot and Lust For Life, two records which Bowie also had a very big hand in. There's old wave, there's new wave, and there's David Bowie!\u003c\/span\u003e\u003c\/p\u003e","brand":"Parlophone","offers":[{"title":"Default Title","offer_id":8568552587315,"sku":"180702011","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_5119_copy.jpg?v=1530569609"},{"product_id":"sleepleaguesbeneath12","title":"Sleep: Leagues Beneath 12\"","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10pt; font-family: Arial;\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Leagues Beneath is the first release immediately following Sleep's long-prophesied, critically-acclaimed opus The Sciences.\\n\\nRecorded as a part of a series of songs for Adult Swim, this 12\\\u0026quot; single is a testament to what has made The Sciences such a success:\\n\\nbottomless tone, spacetime-melting riffs and a unparalleled aural experience from start to finish.\\n\\nLeagues Beneath is a full 17 minute plunge, now available to experience on black vinyl. B-side is an etching.\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eLeagues Beneath is the first release immediately following Sleep's long-prophesied, critically-acclaimed opus The Sciences.\u003cbr\u003e\u003cbr\u003eRecorded as a part of a series of songs for Adult Swim, this 12\" single is a testament to what has made The Sciences such a success:\u003cbr\u003e\u003cbr\u003ebottomless tone, spacetime-melting riffs and a unparalleled aural experience from start to finish.\u003cbr\u003e\u003cbr\u003eLeagues Beneath is a full 17 minute plunge, now available to experience on black vinyl. B-side is an etching.\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man","offers":[{"title":"Default Title","offer_id":12764923035699,"sku":"180829001","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_5515_copy.jpg?v=1535566418"},{"product_id":"warthog-s-t-7","title":"Warthog: S\/T 7\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;NYC hardcore punks WARTHOG return with what could possibly be their best recorded output yet. It's been a couple years since their EP's on Katorga Works and Iron Lung Records were unleashed upon us all and in that time the members of the Hog have perfected their particular formula and have finally delivered four more tracks of pounding hardcore savagery that stands out ten fold from most of the bullshit that fans of the genre are bombarded with on a regular basis. Are you a functioning human in a functioning world? Each record comes in a glue pocket sleeve along with a two color risograph printed insert.\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003eNYC hardcore punks WARTHOG return with what could possibly be their best recorded output yet. It's been a couple years since their EP's on Katorga Works and Iron Lung Records were unleashed upon us all and in that time the members of the Hog have perfected their particular formula and have finally delivered four more tracks of pounding hardcore savagery that stands out ten fold from most of the bullshit that fans of the genre are bombarded with on a regular basis. Are you a functioning human in a functioning world? Each record comes in a glue pocket sleeve along with a two color risograph printed insert.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: Third EP from this now-long-running New York band, and as everyone has been saying it's probably the first to truly capture their power on vinyl. The production is spot-on, with the perfect combination of heaviness and clarity, and the performance is totally feral. However, what really elevates this record, for me, is the riffing. The shining star of the bunch is that first riff that kicks in after the drum intro to the first track, \"Culture?.\" This riff is an instant classic, the kind of thing you'll hear guitarists pecking out during soundcheck for many years to come. In a sign of their judicious sense of restraint, though, the riff doesn't actually reappear in the song... but that's OK because Warthog have plenty more where that came from. I'm also loving the sick dual leads that pop up a couple of times... that's something that's really difficult to pull off, but Warthog totally nail it without sounding like some kind of cheesy, Thin Lizzy-fied version of hardcore. I often remark that it's difficult to pinpoint precisely what separates good hardcore from bad hardcore, or great hardcore from pretty good or just OK hardcore. Maybe it's an attention to detail, maybe it's the ability to navigate the minefield of potential cliches, but whatever it is Warthog have it. One of the very few bands who could lay legitimate claim to the title of \"best hardcore band in the world.\"\u003c\/p\u003e","brand":"Beach Impediment Records","offers":[{"title":"Default Title","offer_id":12795410677811,"sku":"160829042","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/warthogpurp.jpg?v=1688596542"},{"product_id":"rikihotcity12","title":"Riki: Hot City 12\" (white vinyl)","description":"\u003cp style=\"box-sizing: border-box; margin: 0px 0px 1em; padding: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: inherit; font-family: Arial, Helvetica, sans-serif; font-size: 13px; vertical-align: baseline; min-height: 1px; color: #777777;\"\u003e \u003c\/p\u003e\n\u003cp style=\"box-sizing: border-box; margin: 0px 0px 1em; padding: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: inherit; font-family: Arial, Helvetica, sans-serif; font-size: 13px; vertical-align: baseline; min-height: 1px; color: #777777;\"\u003eRiki is the synth-pop project of LA based synthesist, R. Ladyzhynsky. Her first EP, \u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003eHot City\u003c\/span\u003e, featuring vocals by Terremoto \u0026amp; Crimson Scarlet's Chelsey Crowley, explores romance and sexuality with driving dance rhythms and honest imagery. Includes tracks Hot City, Charming World, \u0026amp; B\u003cspan class=\"gmail-m_1529156131432006351gmail-js-about-module-abstr\" style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003eöse L\u003cspan class=\"gmail-m_1529156131432006351gmail-js-about-module-abstr\" style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-weight: inherit; font-stretch: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003eügen\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Symphony of Destruction Records","offers":[{"title":"Default Title","offer_id":13325922762803,"sku":"181018015","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/rikiwhite.jpg?v=1719855864"},{"product_id":"laughinghyenaslifeofcrime12","title":"Laughing Hyenas: Life of Crime 12\"","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10pt; font-family: Arial;\" data-sheets-value='{\"1\":2,\"2\":\"With their roots firmly planted in Detroit’s Cass Corridor punk rock and hardcore scene of the early 80s, John Brannon (Negative Approach) and Larissa Strickland (L-Seven), along with the locked in rhythm section of Kevin Strickland and Jim Kimball, the Laughing Hyenas took it to a completely different plane. Taking pointers from The Birthday Party and Funhouse era Stooges as well as early blues and jazz artists, the Laughing Hyenas were a fierce, sulfuric blast of noise.\\n\\nWhile their style didn’t change much over the course of their first three albums, they kept improving on the formula and on Life Of Crime, they reached their peak! Kevin’s thick and agile basslines and Jim’s bone-breaking drumming make a rhythm section that is incomparable. Larissa’s blistering guitar somehow builds haunting melodies out of the sonic chaos. Brannon is a punk rock whirlwind with the conviction of an old bluesman, his relentless howl make this one of his finest vocal performances to date and make this a truly disturbing and terrifying listen.\\nThis is the last record of the “Butch Vig Trilogy” — a beautiful, creative partnership that resulted in three untouchable records and helped point bands like Nirvana and Sonic Youth in Butch Vig’s direction.\\n\\nBonus material\\n“Save Me Tomorrow” — LOC studio sessions that has been unheard by Butch or the band since it was recorded (first time on vinyl).\"}' data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003eWith their roots firmly planted in Detroit’s Cass Corridor punk rock and hardcore scene of the early 80s, John Brannon (Negative Approach) and Larissa Strickland (L-Seven), along with the locked in rhythm section of Kevin Strickland and Jim Kimball, the Laughing Hyenas took it to a completely different plane. Taking pointers from The Birthday Party and Funhouse era Stooges as well as early blues and jazz artists, the Laughing Hyenas were a fierce, sulfuric blast of noise.\u003cbr\u003e\u003cbr\u003eWhile their style didn’t change much over the course of their first three albums, they kept improving on the formula and on Life Of Crime, they reached their peak! Kevin’s thick and agile basslines and Jim’s bone-breaking drumming make a rhythm section that is incomparable. Larissa’s blistering guitar somehow builds haunting melodies out of the sonic chaos. Brannon is a punk rock whirlwind with the conviction of an old bluesman, his relentless howl make this one of his finest vocal performances to date and make this a truly disturbing and terrifying listen.\u003cbr\u003eThis is the last record of the “Butch Vig Trilogy” — a beautiful, creative partnership that resulted in three untouchable records and helped point bands like Nirvana and Sonic Youth in Butch Vig’s direction.\u003cbr\u003e\u003cbr\u003eBonus material\u003cbr\u003e“Save Me Tomorrow” — LOC studio sessions that has been unheard by Butch or the band since it was recorded (first time on vinyl).\u003c\/span\u003e\u003c\/p\u003e","brand":"Third Man Records","offers":[{"title":"Default Title","offer_id":15645141532723,"sku":"181129002","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/9c6f212c59bc294d1f0a4f4d70a7d17a1ac195b0.jpg?v=1543530876"},{"product_id":"buzzcocksanothermusicinadifferentkitchen12","title":"Buzzcocks: Another Music in a Different Kitchen 12\"","description":"\u003cp style=\"box-sizing: border-box; margin: 0px 0px 25px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; font-size: 16px; line-height: 24px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #717171;\"\u003eTo mark the 40th anniversary of the original releases, Domino re-issues the \u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003eBuzzcocks'\u003c\/strong\u003e seminal first two albums, \u003cem style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline; letter-spacing: 0px;\"\u003e\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003eAnother Music In A Different Kitchen\u003c\/strong\u003e \u003c\/em\u003eand \u003cem style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline; letter-spacing: 0px;\"\u003eLove Bites\u003c\/em\u003e. Both records have been lovingly\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003e restored and re-mastered from the original ¼\" tapes for the first time\u003c\/strong\u003e and come packaged in the \u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003eoriginal Malcolm Garrett designed sleeves with lavish 8-page booklets containing unseen images and extensive liner notes by famed writer, broadcaster, music journalist and cultural commentator Jon Savage\u003c\/strong\u003e. Faithful to their original track-listings, the re-issues see the albums released on deluxe vinyl for the first time in many years and follow the Domino re-releases of their debut EP, \u003cem style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline; letter-spacing: 0px;\"\u003eSpiral Scratch \u003c\/em\u003eand\u003cem style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline; letter-spacing: 0px;\"\u003e Time's Up\u003c\/em\u003e, a collection of demos, from 1976.\u003c\/p\u003e\n\u003cp style=\"box-sizing: border-box; margin: 0px 0px 25px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; font-size: 16px; line-height: 24px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #717171;\"\u003eFamously taking their name from ‘It's the buzz, cock', a headline from a \u003cem style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline; letter-spacing: 0px;\"\u003eTime Out\u003c\/em\u003e review of 1970s TV music drama \u003cem style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline; letter-spacing: 0px;\"\u003eRock Follies\u003c\/em\u003e,\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003e Buzzcocks\u003c\/strong\u003e were formed in Bolton in 1976 by Pete Shelley and Howard Devoto, and kick-started a musical revolution in Manchester having organized and played at the now famous Sex Pistols show at Manchester's Lesser Free Trade Hall in 1976, a show which inspired and spawned the likes of Joy Division, The Fall and The Smiths.\u003c\/p\u003e\n\u003cp style=\"box-sizing: border-box; margin: 0px 0px 25px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; font-size: 16px; line-height: 24px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #717171;\"\u003eRecorded at Olympic Studios in London between December 1977 and January 1978 with producer \u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003eMartin Rushent\u003c\/strong\u003eand featuring the line-up of \u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003ePete Shelley\u003c\/strong\u003e (vocals\/guitar),\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003e Steve Diggle\u003c\/strong\u003e (guitar\/vocals), \u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003eSteve Garvey\u003c\/strong\u003e (bass) and \u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003eJohn Maher\u003c\/strong\u003e (drums), \u003cem style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-variant: inherit; font-weight: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline; letter-spacing: 0px;\"\u003e\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003eAnother Music In A Different Kitchen\u003c\/strong\u003e\u003c\/em\u003e was released in March 1978 and boasted a distinctive cover by Malcolm Garrett whose work would become inextricably linked with the band. \u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Roboto, sans-serif; vertical-align: baseline; letter-spacing: 0px;\"\u003eBy the end of 1978 not only had\u003c\/span\u003e\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Roboto, sans-serif; vertical-align: baseline; letter-spacing: 0px;\"\u003eBuzzcocks\u003c\/strong\u003e\u003cspan style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: 14px; line-height: inherit; font-family: Roboto, sans-serif; vertical-align: baseline; letter-spacing: 0px;\"\u003e established themselves as one of the leading-lights of punk but proved themselves as deft songwriters capable of producing three-minute-mini-masterpieces that would endure long after the initial spark of punk had faded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"box-sizing: border-box; margin: 0px 0px 25px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; font-size: 16px; line-height: 24px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #717171;\"\u003e\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003eFeatures\u003c\/strong\u003e:\u003cbr style=\"box-sizing: border-box;\"\u003e• Restored and re-mastered from the original ¼\" tapes for the first time since its March 1978 release \u003cbr style=\"box-sizing: border-box;\"\u003e• Newly curated booklet featuring an essay from cultural commentator Jon Savage \u0026amp; previously unseen images\u003cbr style=\"box-sizing: border-box;\"\u003e• Packaged in its original Malcolm Garrett designed sleeve, with a classic Buzzcocks ‘Product' silver biodegradable carrier bag\u003c\/p\u003e","brand":"Domino Records","offers":[{"title":"Default Title","offer_id":16044947013683,"sku":"190124007","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_3677.jpg?v=1553897983"},{"product_id":"boyharshercareful12","title":"Boy Harsher: Careful 12\"","description":"\u003cp\u003e\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; font-size: 16px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #717171;\"\u003eBoy Harsher's\u003c\/strong\u003e\u003cspan style=\"color: #717171; font-family: Arial, Helvetica, sans-serif; font-size: 16px;\"\u003e second full-length album, \u003c\/span\u003e\u003cem style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; font-size: 16px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #717171;\"\u003e\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-style: inherit; font-variant: inherit; font-stretch: inherit; font-size: inherit; line-height: inherit; font-family: inherit; vertical-align: baseline;\"\u003eCareful\u003c\/strong\u003e\u003c\/em\u003e\u003cspan style=\"color: #717171; font-family: Arial, Helvetica, sans-serif; font-size: 16px;\"\u003e, further develops the band's brooding dance style, set up in their previous EP \u003c\/span\u003e\u003cem style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; font-size: 16px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #717171;\"\u003eCountry Girl\u003c\/em\u003e\u003cspan style=\"color: #717171; font-family: Arial, Helvetica, sans-serif; font-size: 16px;\"\u003e. The ten songs, spanning forty-four minutes, contain eerie narrative soundscapes that are bracing, high tempo and dynamic. The album delivers manifold emotions, from the nostalgic yearning of \"LA\" to the gripping intensity of \"Come Closer.\" The nervousness of Augustus Muller's bent, out of tune synths paired with the lush and sometimes brittle vocals of Jae Matthews, delivers an unsettled, yet fulfilling encounter with \u003c\/span\u003e\u003cstrong style=\"box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; font-size: 16px; line-height: inherit; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #717171;\"\u003eBoy Harsher\u003c\/strong\u003e\u003cspan style=\"color: #717171; font-family: Arial, Helvetica, sans-serif; font-size: 16px;\"\u003e. Careful summons a new spirit for the young band - that of growth and desire.\u003c\/span\u003e\u003c\/p\u003e","brand":"Nude Club","offers":[{"title":"Default Title","offer_id":16077529612339,"sku":"190131003","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_20200826_135820.jpg?v=1598467883"},{"product_id":"condorsingles2017-201812","title":"Condor: Singles 2017-2018 12\"","description":"\u003cp\u003eMaxime Smadja has held many positions of note in some of the more exceptional French underground groups of recent years. For instance, you might know him as the beastly beat keeper behind Paris Oi band RIXE or the song writer behind the ever so catchy BOSS but for those who have yet to be initiated this is CONDOR - a one man band and love letter of sorts to his homeland and the particular strain of Oi \/ Punk music that it started yielding well over three decades ago. Previously only available on a pair of scarcely pressed and circulated cassingles, Beach Impediment Records is ecstatic to further the circulation of these six songs on the vinyl format. Channeling the brightest moments of the classic compilation series \"Chaos En France\" (and really, anything else on the Chaos Productions label that's worth a damn) combined with an execution so precise and well crafted that it carries that undeniable trademark of Smadja's many other contributions to the genre of punk over his time in it due to it's attention to detail and adoration of quality. And as a special bonus this slab features an additional track that is exclusive to this release - a cover of \"Vengeance\" by the 80's Parisian Oi outfit D.E.M. Each record comes in a jacket featuring the stellar art of Beau Richie depicting what I'd assume must be a typical day in one of the abundant alleyways that weave through out the City of Lights, plus a killer 18\" x 24\" fold out poster insert. Be sure to catch CONDOR on tour this spring through out North America!\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: Condor is a one-man project by Maxime from Rixe, and this debut vinyl collects two cassingles released over the past two years. If you’re skeptical about the whole demo-on-vinyl thing, let me assure you that the music collected here is among the most memorable and exciting punk music to come through here as of late. When I first heard Condor I wondered why they were a new project because they didn’t seem that different from Rixe; both are oi! bands that sing in French and are indebted to their country’s long tradition of oi! music. However, aside from two fast, Partisans-style UK82 tracks, Condor distinguish themselves from Rixe by being much more melodic. While the vocals are still gruff, the bass and guitar carry a lot more melody than they do in Rixe. Nowhere is this clearer than on the standout track, “Chacun Pour Soi,” which has not one but two classic melodic lead riffs. These riffs are so catchy that I could imagine them being used in a 90s melodic hardcore song by a band like Ten Foot Pole or Good Riddance, but you won’t find any clicky kick drum or whiny vocals here. I’ve loved everything Rixe has put out, but this Condor stuff might be even better.\u003c\/p\u003e","brand":"Beach Impediment Records","offers":[{"title":"Default Title","offer_id":17447449952307,"sku":"190403946","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/condor.jpg?v=1744651675"},{"product_id":"witchtrialst12","title":"Witchtrial: S\/T 12\"","description":"\u003cp\u003eWith the passage of two years since the release of their demo, along with a hefty helping of gigs under their belts, Mid-Atlantic powerhouse WITCHTRIAL have at long last bestowed upon us all the absolutely thunderous offering that is their self titled 12\" EP. Drawing equally on the cult sounds of mid-80's international hardcore punk and the early days of underground extreme metal, WITCHTRIAL has made it their duty to remind us that there'd be no HELLHAMMER without DISCHARGE and no BATHORY without GBH. This slab features 6 brand new cuts of the driving metalpunk madness that many a maniac has embraced since the group's inception. Recorded by Carson Cox and mastered by Will Killingsworth ensuring a sonic assault that is unmatched. Each record comes in a jacket emblazoned with a dazzling layout designed by Reuben Storey.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: After their earlier demo-pressed-to-vinyl here’s a proper debut from DC’s Witchtrial. Witchtrial came out of the gate sounding fully formed on that demo, so it’s no surprise that not a lot has changed on this record, which is great news if you were already a fan. While Witchtrial draws their membership from DC’s fertile hardcore punk scene, they sound like a full-on metal band. I’m sure the members all like looser and punkier metal bands like Hellhammer and Bathory, but Witchtrial doesn’t sound like those bands. I hear little of the grime I associate with death, thrash, black, or other established extreme metal subgenres here either. The songs are mid-paced, complex but not ornate or technical, and played with a precision that approaches clinical. If you can imagine a heavier, tougher version of early 80s Judas Priest played by people who probably own \u003ci\u003eAge of Quarrel\u003c\/i\u003e, you’re in the ballpark. I wish the band would cut loose and rip a little harder, but if you like your metal dense, precise, and sophisticated you’ll enjoy this.\u003c\/p\u003e","brand":"Beach Impediment Records","offers":[{"title":"Default Title","offer_id":17447459258419,"sku":"190403947","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_8092_copy.jpg?v=1557964977"},{"product_id":"larmast12","title":"Larma: S\/T 12\"","description":"\u003cp\u003eCan one ever have enough quality mangel in their life?! Beach Impediment is proud to not only be handling the North American pressing of this bombastic debut by Sweden's LARMA but to also answer that lingering question with a resounding \"HELL NO!\" Considering the folks in this band have been responsible for a large portion of the top tier raging hardcore punk to come from the greater Scandinavian area via their previous endeavors in the likes of SKITKIDS, HERÄTYS, INFERNÖH and loads more over the past couple decades, it's not even remotely surprising that the contents of this 12\" are a remarkable regional tutorial sorts worked into a proper ass kicking from start to finish. Eleven tracks of kang punk hysteria that is not for the faint of heart. Each record comes in a UV gloss jacket featuring cover art by the band's own Jonas Pungen. Limited to a one time pressing of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: When this self-titled 12” from Sweden’s Larma dropped on the internet earlier this year it turned the head of pretty much anyone interested in classic-sounding Swedish hardcore of the Totalitär ilk. With the music composed by the mastermind behind Herätys and the vocalist from the almighty Skitkids the members’ pedigree is impeccable, but no one here is resting on their laurels. While the music is modeled on the classic Totalitär sound, it takes that sound even further with more complex, inventive riffing, masterful songwriting and arrangement, and a production style that strikes the perfect balance between gritty, raw, heavy, and clear. I’m tempted to say that this 12” is even better than any of Totalitär’s actual LPs. It seems to take every one of that band’s key ideas and take it to its logical endpoint. It’s like a beautifully shot slasher flick; the aim is brutality, but it’s brutality executed with elegance and attention to detail. One of the year’s best hardcore records for sure.\u003c\/p\u003e","brand":"Beach Impediment Records","offers":[{"title":"Default Title","offer_id":30128420847667,"sku":"190912906","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/90190d11b88a2bad6a30724429b44995e51186d1.jpg?v=1568667642"},{"product_id":"laffinggasitsabeautifuldayinthegulch12","title":"Laffing Gas: It's a Beautiful Day in the Gulch 12\"","description":"\u003cp\u003eNearly four years after delivering a handful of demos along with a live tape then seemingly dropping off the radar release wise, Bloomington's LAFFING GAS swing back at any and all credulous hardcore punk enthusiasts who might have forgotten about them or thought they'd just run their course and faded into obscurity as so many tend to do. \"It's a Beautiful Day in the Gulch\" showcases 10 blazing tracks of classic Midwestern hardcore punk, the vibe of which is more in debt to the revolutionary aural offerings of the early Touch and Go and\/or Version Sound labels or even Kick N' Punch Records as a slightly more modern reference than what the region has become synonymous with in more recent times. Each record comes in a stunning glossy jacket featuring art and layout by the band's guitarist Kora Puckett.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: Those of you with long memories might have a recollection of Laffing Gas releasing a handful of cassettes in 2015 and 2016, but they’ve been radio silent sicne then. As before, their music reminds me of snotty hardcore punk in the vein of Career Suicide or Angry Samoans spiced up with dashes of the guitar sound and the visual aesthetic of the Coneheads \/ CCTV axis. Some moments slide more toward an Agent Orange \/ Adolescents beach punk sound (particularly “On Your Own” and the outros that end each side of the record), while tracks like “Same Cycle” have a straight up USHC style. Combining the snot-nosed catchiness of punk with the energy and blistering tempos of hardcore has always been a winning formula for me, and \u003cem\u003eIt’s a Beautiful Day in the Gulch\u003c\/em\u003e is right in the sweet spot. Further, the variation in songwriting style and tempo from track to track makes it feel like a cohesive, well-developed album rather than a genre exercise. If you’re a fan of Chain Whip, Social Circkle, Career Suicide, and similar bands, this is a recommended grip.\u003c\/p\u003e","brand":"Beach Impediment Records","offers":[{"title":"Default Title","offer_id":31743135481907,"sku":"200317301","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/laffinggas.jpg?v=1646771230"},{"product_id":"vanityrarelyifeverbwwerefriends7","title":"Vanity: Rarely If Ever b\/w We're Friends 7\"","description":"\u003cp\u003eThe second of two brand new singles that one of NYC's greatest will be gracing us with during this balmy winter and their first recorded output since the release of their highly praised \"Evening Reception\" full length, the Beach Impediment Label is honored to be an even minuscule component in releasing yet another slab for the almighty VANITY. With a track record of releases that spans the past 7 years, the style and approach of the group has (much to the dismay of some yet absolute delight of others) arguably seen it's fair share of metamorphosis over the course of this particular project's run. Yet amidst the sonic evolution exhibited by VANITY as their catalog has progressed, the expertise in conceiving an ever so catchy ditty still holds true as is evident with the A-Side \"Rarely if Ever\" - a track that is guaranteed to remain embedded in one's head for quite some time. \"We're Friends\" closes it all out on a triumphant and decidedly rocking note, bebe, leaving those who've been on this journey thus far yearning for what comes next. Limited to a one time pressing of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: Hot on the heels of their recent single on Feel It comes two more tracks from New York’s Vanity. Given the proximity of their release dates and the similar artwork, I imagine we should take these two singles as a pair, and no doubt if you enjoyed the Feel It single you should pick this up. However, these two tracks aren’t just more of the same. “Rarely If Ever” relies on the same intricate lead guitar that sounded so great on the Feel It single, but ups the ante with the most confident, memorable chorus hook the Vanity has produced yet. “We’re Friends” is a harder rocking song that will please fans of the Stones-ish \u003cem\u003eEvening Reception\u003c\/em\u003e album, and its scorching guitar solo is a big highlight. If you’ve been picking up Vanity’s previous releases, I don’t see any reason you should stop here.\u003c\/p\u003e","brand":"Beach Impediment Records","offers":[{"title":"Default Title","offer_id":31743143018547,"sku":"200317302","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/c4e45f5303e83b221c706f67994f3a25c6e068a3.jpg?v=1584465437"},{"product_id":"terminalnoizeaddicts7","title":"Various: Terminal Noize Addicts 7\"","description":"\u003cp\u003ePortland's chaotic blasted out noize punks SUSS LAW return, straying away from their normal concoction of pogo and blast beat mania, with a nod to Swedish and Japanese Mangel masters such as Mob 47, asocial and Frigora. 2 tracks of break neck sped up and mangled Raw Punk. Disorder brings their classic primitive genre defiining sound somehow maintaining the ferocity and energy that theyve held for going on 40 years. Truly Legendary band, Complete DISORDARGHHHH.\u003c\/p\u003e\n\u003cp\u003eOn the B-side We start with Vancouver, Bc's PHOZGENE, who changes the pace with their blend of psycadelic noizey crust in the vein of G-ANX and MUSHROOM ATTACK, with a major 80's anarcho\/crass records influence. Finally we have ZYANOSE who have officially thrown their hats in and to top off this chaotic compilation of doomed, derelicted, lifer punks, they bring 2 tracks of insane crasher crust, with the addition of a new guitar player!! Totally chaotic and noizey maybe even more so then previous releases.\u003c\/p\u003e","brand":"Extreme Headache","offers":[{"title":"Default Title","offer_id":31747022487603,"sku":"200316900","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/86de42fcc7fad4432f665d2e58fdf4404f92abf2.jpg?v=1584571227"},{"product_id":"andersonpaakoxnard12","title":"Anderson.Paak: Oxnard 12\"","description":"\u003cp\u003eWith a soulful essence harkening back to the iconic voices of the '70s, yet embodying a raw uniqueness fully present in the now, acclaimed singer\/rapper\/drummer\/producer, Anderson .Paak, has successfully alchemized a cross-section of musical styles – R\u0026amp;B, hip-hop, and dance – into a solid, undeniable, irresistible \"genreless sound.\" Anderson's new album, Oxnard, is a nod to the Southern California city where he grew up. It's the Grammy-nominated artist's third studio album and first to be released on Dr. Dre's label Aftermath Entertainment. He shared with Rolling Stone that \"... this is the album [he] dreamed of making in high school, when [he] was listening to [Jay-Z]'s The Blueprint, The Game's The Documentary, and [Kanye West's] The College Dropout.\" Oxnard includes his latest single, \"Tints\" with Kendrick Lamar along with album features from J. Cole and Pusha T plus notable production from Dr. Dre and Om'Mas Keith.\u003c\/p\u003e","brand":"Aftermath Entertainment","offers":[{"title":"Default Title","offer_id":31761616470067,"sku":"190206001","price":34.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/4f9f7bb4d20f1890095842fffa4c0a26643f46ae.jpg?v=1584914369"},{"product_id":"190610906","title":"Animal Collective: Merriweather Post Pavillion 12\"","description":"\u003cp\u003eMerriweather Post Pavilion, Animal Collective's ninth studio album, sees the American art-rock collective in heartwarmingly baffling form, combining upbeat indietronica with mind-warping samples.\u003c\/p\u003e","brand":"Domino Records","offers":[{"title":"Default Title","offer_id":31790391885875,"sku":"190610906","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/2d544bb2be1844b69d3fc82189c66bb36912da84.jpg?v=1585622774"},{"product_id":"190701904","title":"Anderson.Paak: Ventura 12\"","description":"\u003cp\u003eWhile he was working on 2018's Oxnard, the ever-ambitious Anderson .Paak was recording Ventura at the same time. As he explains it, both albums showcase the duality that has inspired the Grammy-award winning artist throughout his career. \"Growing up in Oxnard gave me the grit and the church to find this voice of mine. One town over I went further and found my depth. [I] held one [album] back because that would have been too many songs to perform live!\" Now with a more soulful sound representative of the beautiful, scenic Ventura, Anderson .Paak gives us \"King James,\" \"Make It Better\" and more – with a diverse set of features from such heavyweights as Smokey Robinson, André 3000, Nate Dogg and Brandy among others. Welcome to Ventura!\u003c\/p\u003e","brand":null,"offers":[{"title":"Default Title","offer_id":31792847519795,"sku":"190701904","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/Anderson.Paak_Ventura.jpg?v=1613778543"},{"product_id":"dangerdoom-the-mouse-the-mask-12","title":"Dangerdoom: The Mouse \u0026 The Mask 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"[null,2,\" considering=\"\" the=\"\" comic=\"\" book-derived=\"\" personas=\"\" and=\"\" pop=\"\" culture-obsessed=\"\" tendencies=\"\" of=\"\" underground=\"\" hip-hop=\"\" artists=\"\" mf=\"\" doom=\"\" danger=\"\" mouse=\"\" it=\"\" should=\"\" come=\"\" as=\"\" no=\"\" surprise=\"\" that=\"\" two=\"\" collaborate=\"\" on=\"\" an=\"\" album=\"\" featuring=\"\" cartoon=\"\" characters=\"\" from=\"\" uber-hip=\"\" adult=\"\" swim=\"\" network=\"\" mask=\"\" is=\"\" occasionally=\"\" surreal=\"\" frequently=\"\" humorous=\"\" always=\"\" mind-expanding=\"\" jaunt=\"\" through=\"\" rap=\"\" s=\"\" more=\"\" intellectual=\"\" reaches=\"\" while=\"\" space=\"\" ghost=\"\" harvey=\"\" birdman=\"\" attorney=\"\" at=\"\" law=\"\" rub=\"\" shoulders=\"\" with=\"\" real-life=\"\" mcs=\"\" talib=\"\" kweli=\"\" ghostface=\"\" duo=\"\" rhymes=\"\" dominate=\"\" proceedings=\"\" wasting=\"\" time=\"\" in=\"\" skewering=\"\" lamentable=\"\" state=\"\" mainstream=\"\" culture=\"\" musically=\"\" most=\"\" tracks=\"\" are=\"\" sparse=\"\" drawing=\"\" samples=\"\" what=\"\" sounds=\"\" like=\"\" everything=\"\" spooky=\"\" gypsy=\"\" violin=\"\" music=\"\" to=\"\" greasy=\"\" funk=\"\" groovy=\"\" beatnik=\"\" perhaps=\"\" telling=\"\" track=\"\" however=\"\" old=\"\" school=\"\" which=\"\" celebrates=\"\" virtues=\"\" making=\"\" for=\"\" pure=\"\" enjoyment=\"\" craft=\"\" data-sheets-userformat=\"[null,null,513,[null,0],null,null,null,null,null,null,null,null,0]\"\u003eConsidering the comic book-derived personas and pop culture-obsessed tendencies of underground hip-hop artists MF Doom and Danger Mouse, it should come as no surprise that the two should collaborate on an album featuring cartoon characters from the uber-hip Adult Swim network. THE MOUSE AND THE MASK is an occasionally surreal, frequently humorous, and always mind-expanding jaunt through rap's more intellectual reaches. While Space Ghost and Harvey Birdman Attorney At Law rub shoulders with real-life MCs Talib Kweli and Ghostface, the Danger Doom duo's rhymes dominate the proceedings, wasting no time in skewering the lamentable state of mainstream rap and hip-hop culture. Musically, most tracks are sparse, drawing samples from what sounds like everything from spooky gypsy violin music to greasy 1970's funk to groovy '60's beatnik music. Perhaps the most telling track, however, is \"Old School,\" which celebrates the virtues of making music for the pure enjoyment of the craft.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lex Records","offers":[{"title":"Default Title","offer_id":31801972031539,"sku":"150820016","price":36.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/2cad61a8c548c7a4d1af7fcf550e61d18bfdc175.jpg?v=1585874699"},{"product_id":"sturgillsimpsonsoundandfury12","title":"Sturgill Simpson: Sound and Fury 12\"","description":"\u003cp\u003eCountry singer-songwriter Sturgill Simpson follows-up his Grammy award-winning 2016 album, A Sailor's Guide to Earth and 2019 theme song for Jim Jarmusch's zombie comedy, The Dead Don't Die with Sound \u0026amp; Fury which accompanies the new anime film of the same name based on a story by Simpson himself and made with writer\/director Jumpei Mizusaki and character designer Takashi Okazaki. The 10-track effort was produced by Simpson alongside John Hill and bandmates Bobby Emmett, Chuck Bartels and Miles Miller. \"We went in without any preconceived notions and came out with a really sleazy, steamy rock n roll record,\" Simpson says. \"It's definitely my most psychedelic. And also my heaviest. I had this idea that it'd be really cool to animate some of these songs, and we ended up with a futuristic, dystopian, post-apocalyptic, samurai film.\" The first taste of Sound \u0026amp; Fury comes in the form of the distorted and driving lead single \"Sing Along.\" As for his inspirations for the album Simpson told Zane Lowe he \"....was listening to a lot of hip-hop, and Black Sabbath, and the Cars, and old funk records and things.\"\u003c\/p\u003e","brand":"Elektra Records","offers":[{"title":"Default Title","offer_id":31821723303987,"sku":"190925903","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/52435736ba1b1de99fcd3ca34af609e658e408f1.jpg?v=1586270000"},{"product_id":"smashingpumpkinsgish12new","title":"Smashing Pumpkins: Gish 12\" (new)","description":"\u003cp\u003e1991's Gish is the debut album by alt-rock pioneers the Smashing Pumpkins. Produced by Butch Vig, Gish not only put the band and their guitar-centric, layered sound on the map, but it also served as one of the earliest releases of what would be deemed the alt-rock movement. Epic cuts like \"I Am One,\" \"Siva\" and  \"Rhinoceros\" flash a unique and promising potential that would become fully realized two years later with their breakout genre-defining album Siamese Dream.\u003c\/p\u003e","brand":"Caroline Records","offers":[{"title":"Default Title","offer_id":31821764296755,"sku":"181206014","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/69ed2703e7a2d39cdc81abd6adab3659d92a6fdb.jpg?v=1586270607"},{"product_id":"190520906","title":"Weyes Blood: Titantic Rising 12\"","description":"\u003cp\u003eThe phantom zone, the parallax, the upside down – there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood aka Natalie Mering, has designed her own universe to soulfully navigate life's mysteries. Maneuvering through a space-time continuum, she plays the role of melodic, sometimes melancholic, anthropologist. Tellingly, Mering classifies Titanic Rising – which was written and recorded during the first half of 2018, after three albums and years of touring - as the Kinks meet WWII or Bob Seger meets Enya. The latter captures the album's willful expansiveness (\"You can tell there's not a guy pulling the strings in Enya's studio,\" she notes, admiringly). The former relays her imperative to connect with listeners. \"The clarity of Bob Seger is unmistakable. I'm a big fan of conversational songwriting,\" she adds. \"I just try to do that in a way that uses abstract imagery as well.\"\u003c\/p\u003e\n\u003cp\u003eThe Weyes Blood frontwoman grew up singing in gospel and madrigal choirs. Listen closely to Titanic Rising, and you'll also hear the jazz of Hoagy Carmichael mingle with the artful mysticism of Alejandro Jodorowsky and the monomyth of scholar Joseph Campbell. \"Something to Believe,\" a confessional that makes judicious use of the slide guitar, touches on that cosmological upbringing. \"Belief is something all humans need. Shared myths are part of our psychology and survival,\" she says. \"Now we have a weird mishmash of capitalism and movies and science. There have been moments where I felt very existential and lost.\" As a kid, she filled that void with Titanic. (Yes, the movie.) \"It was engineered for little girls and had its own mythology,\" she explains. Mering also noticed that the blockbuster romance actually offered a story about loss born of man's hubris. \"It's so symbolic that The Titanic would crash into an iceberg, and now that iceberg is melting, sinking civilization.\"\u003c\/p\u003e\n\u003cp\u003eToday, this hubris also extends to the relentless adoption of technology, at the expense of both happiness and attention spans. But Weyes Blood isn't one to stew. Her observations play out in an ethereal saunter: far more meditative than cynical. To Mering, listening and thinking are concurrent experiences. \"There are complicated influences mixed in with more relatable nostalgic melodies,\" she says. \"In my mind my music feels so big, a true production. I'm not a huge, popular artist, but I feel like one when I'm in the studio. But it's never taking away from the music. I'm just making a bigger space for myself.\"\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":31821979811891,"sku":"190520906","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/weyesblod.jpg?v=1635612235"},{"product_id":"190117131","title":"The 1975: Brief Inquiry Into Online Relationships 12\" (new)","description":"\u003cp\u003eThe 1975 follow-up 2016's I Like it When You Sleep, For You Are So Beautiful Yet So Unaware of It, with their third album, A Brief Enquiry Into Online Relationships, which is introduced by the previously released singles \"Give Yourself A Try,\" \"TOOTIMETOOTIMETOOTIME\" and \"It's Not Living (If It's Not With You).\" Singer Matty Healy on the new 15-track record to NME: \"Our first three albums are the story of a person; it's always kind of been my story. It spanned adolescence to maturity, success and trying to mediate the two, and the third one is where we are now.\" He ambitiously adds to Uproxx: \"If you look at third albums, [Radiohead's] OK Computer or [The Smiths'] The Queen Is Dead, that's what we need to do. I want a legacy. 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On this record, there's the lonely girl, the blissful girl, the new wife, the girl that's missing her mom, the angry girl, the sarcastic girl, the ‘60s-sequined Cruella de Vil with the beehive, the shy girl, the life of the party, the winner, the loser – they're all characters on this record. None of them alone are me, but the golden hour is when they all come together and you see me as a whole.\"\u003c\/p\u003e\n\u003cp\u003eGolden Hour was the big winner at the 2019 Grammy Awards taking home hardware for Album of the Year, Best Country Album, Best County Solo Performance (\"Butterflies\") and Best Country Song (\"Space Cowboy\"). 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The 12-track collection is introduced by the shimmering lead single \"Lights Up\" which was co-produced by Tyler Johnson and Kid Harpoon (aka Tom Hull). \"'Fine Line' feels like another confident exercise in Harry Styles' ongoing genre cross-over. It's a maturation from his debut that feels free from the weight of expectation. It bruises, broods and unshackles itself in all the right places, successfully taking us to the place most of it came to be: by that kinetic Californian coastline, coloured by the cool psychedelia its creator has fallen hopelessly in love with\" (Vice). 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It s the highly anticipated third full length from the much loved Australian band and the follow up to 2012 s Lonerism. A top live draw and critical darling, the group was a smash at Coachella this April and will headline Lollapalooza and Outside Lands. Accolades for the new songs include Best New Music (Pitchfork) and glowing reviews from Stereogum, Consequence of Sound, Rolling Stone, and more.\"]' data-sheets-userformat=\"[null,null,513,[null,0],null,null,null,null,null,null,null,null,0]\"\u003eCurrents will be released July 17th, 2015 by Interscope Records. It s the highly anticipated third full length from the much loved Australian band and the follow up to 2012 s Lonerism. A top live draw and critical darling, the group was a smash at Coachella this April and will headline Lollapalooza and Outside Lands. 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