{"title":"Recently Restocked","description":"","products":[{"product_id":"gorilla-biscuits-s-t-7","title":"Gorilla Biscuits: S\/T 7\"","description":"\u003cp\u003eYup, got a few of these in stock. What is there to say? Love or hate the LP, but there's no denying this 7\"... it's fast, catchy as hell hardcore with that classic youthful spirit. \"YOU GOTTA BIG MOUTH! BIDIP-BO!\" This was actually the first punk record I ever bought on vinyl back when I was a wee lad, and I'll probably spin this one until I croak. Revelation Records\u003c\/p\u003e","brand":"Revelation Records","offers":[{"title":"Default","offer_id":372107165,"sku":"SKU002840","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/REV004-GB-1024_2000x_2cafcfd1-614d-4a81-9e10-4b998ec6b2f5.jpg?v=1776116893"},{"product_id":"total-control-typical-system-12","title":"Total Control: Typical System 12\"","description":"\u003cp\u003eMan, this was one follow-up I was really nervous about hearing. Even though I'd heard their early singles, Total Control's first LP still seemed to come totally out of nowhere... the whole post-punk revival was just starting to get off the ground and it seemed instantly to raise the bar several notches. But then the single on Sub Pop was good, but not really explosive, and in my opinion the songs on the split 12\" with the Oh Sees didn't really stick out that much either. However, it's clear now that Total Control were saving themselves for this record, because it's really incredible. The environment in 2014 is very different... everyone and their brother seems to have a post-punk band, yet Total Control still feel miles ahead. The intro track is a total scorcher, a blistering blast of Depeche Mode-influenced electro pop that I think is easily the best track they've done (particularly in this style) since \"Paranoid Video.\" Over the course of the LP the band moves so fluidly between so many styles... krautrock, new wave, garage-punk, and the big closer \"Safety Net,\" which could almost be like U2 or something with its big, triumphant melody. I've probably listened to this 30+ times since it came out, and I don't see it getting old any time soon. A serious contender for best LP of 2014, and needless to say it gets our highest possible recommendation.\u003c\/p\u003e","brand":"Iron Lung Records","offers":[{"title":"Default Title","offer_id":926738113,"sku":"140904004","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/a2301055101_10.jpg?v=1776279374"},{"product_id":"disclose-yesterdays-fairytale-tomorrows-nightmare-12","title":"Disclose: Yesterday's Fairytale, Tomorrow's Nightmare 12\"","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"[null,2,\u0026quot;180 Gram record housed in a paste on board sleeve. \\u200bLayer upon layer of noise and distortion, like ashes of nuclear apocalypse raining down. The final LP Disclose released, in 2004, captured the band at a high point. When other d-beat raw punk bands were running low on ideas, Kawakami reinvented the sound, incorporating more metallic influences like Broken Bones while still sticking assiduously close to the template. Originally released for Disclose's tour of the US west coast, 'Yesterday's Fairytale, Tomorrow's Nightmare' includes ten tracks and closes with a rampaging masterpiece, the 10-minute 'Wardead,' which exists on another astral plane from generic Discharge copyists. This authorized reissue reproduces the original artwork and includes a new insert with liner notes by Stuart Schrader.\\ufeff\u0026quot;]\" data-sheets-userformat=\"[null,null,513,[null,0],null,null,null,null,null,null,null,null,0]\"\u003eLayer upon layer of noise and distortion, like ashes of nuclear apocalypse raining down. The final LP Disclose released, in 2004, captured the band at a high point. When other d-beat raw punk bands were running low on ideas, Kawakami reinvented the sound, incorporating more metallic influences like Broken Bones while still sticking assiduously close to the template. Originally released for Disclose's tour of the US west coast, 'Yesterday's Fairytale, Tomorrow's Nightmare' includes ten tracks and closes with a rampaging masterpiece, the 10-minute 'Wardead,' which exists on another astral plane from generic Discharge copyists.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: Reissue of one of the high water marks of Disclose's \"Disbones\" period. I've always been really intrigued by this era of the band because I could never really figure out what they were going for... I've read that the \"bones\" part of \"Disbones\" is a reference to Broken Bones, but it's always been difficult for me to figure out exactly how these records are meant to be inspired by Broken Bones. Kawakami definitely changed up the guitar sound for this era of the band, but I've always thought of Broken Bones as having a very compact, crunchy, and traditionally metallic guitar tone. The Disbones era of Disclose, on the other hand, is even rawer and more blown out than the band's earlier stuff, with an over-the-top brittleness that comes off as almost post-modern to me. Perhaps it's splitting hairs to dissect the guitar sound on this record so much, but hey, that's what Disclose has always been about to me... about getting lost in the minutiae of the Discharge sound and tradition. It's almost as if each song implicitly asks the question, \"what is d-beat?\" Nowhere is that more apparent than the final track, \"Wardead,\" which is more or less \"Free Speech for the Dumb\" played on a loop for ten straight minutes. And to answer my own question, yes, it's d-beat as fuck. I suppose that could be a big part of Disclose's genius... the ability to work both as intellectual fodder and as big, loud, and dumb punk rock fun. As with LVEUM's reissue of \u003ci\u003eTragedy\u003c\/i\u003e, the packaging here is top-notch, with a nice tip-on style jacket. As a bonus, \u003ci\u003eYesterday's Fairytale\u003c\/i\u003e features liner notes by Stuart Schrader that are kind of like a \u003ci\u003eBehind the Music\u003c\/i\u003e for the period surrounding Disclose's lone US tour, and they are essential reading in my book.\u003c\/p\u003e","brand":"La Vida Es Un Mus","offers":[{"title":"Default Title","offer_id":4816656577,"sku":"150720057","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/yesterday.jpg?v=1644867670"},{"product_id":"disclose-tragedy-12","title":"Disclose: Tragedy 12\"","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"[null,2,\u0026quot;180 Gram record housed in a paste on board sleeve. Indiscriminate cruelty to common people: the slogan could be about war or it could be about your eardrums while listening to 'Tragedy.' Disclose's first LP is a landmark of cacophonous, guitar-forward noisy hardcore. Heavily influenced by classic 80s Swedish raw punk, these fifteen songs perfect the unrelenting formula as only Kawakami could. Originally released in Japan on the cult label Overthrow in 1994, this reissue restores the fierce original mix two decades later. It differs from the mix on later represses hailing from Uppsala, where Swedish bombshelter-dwellers keep the flame alive. This authorized reissue reproduces the original artwork, with insert. Crack your brain up!\\ufeff\u0026quot;]\" data-sheets-userformat=\"[null,null,513,[null,0],null,null,null,null,null,null,null,null,0]\"\u003e180 Gram record housed in a paste on board sleeve. Indiscriminate cruelty to common people: the slogan could be about war or it could be about your eardrums while listening to 'Tragedy.' Disclose's first LP is a landmark of cacophonous, guitar-forward noisy hardcore. Heavily influenced by classic 80s Swedish raw punk, these fifteen songs perfect the unrelenting formula as only Kawakami could. Originally released in Japan on the cult label Overthrow in 1994, this reissue restores the fierce original mix two decades later. It differs from the mix on later represses hailing from Uppsala, where Swedish bombshelter-dwellers keep the flame alive. This authorized reissue reproduces the original artwork, with insert. Crack your brain up!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: So, La Vida Es Un Mus has seen fit to reissue what are arguably the two best Disclose 12\"s, and I couldn't be happier. I hadn't spun \u003ci\u003eTragedy\u003c\/i\u003e in ages and I've been pretty much obsessed with it since this came in to the shop. I'm not sure if it's because I had the Swedish version of this LP (which apparently suffers from an inferior mix) or what, but really I've never been grabbed by this record like I am now. I think that what really sticks out, weirdly enough, is how un-Discharge-like it is in many ways. While obviously you could point toward any number of blatant Discharge nods on this (or any other Disclose) record, so many aspects of the songwriting are things that Discharge never did, or things that Discharge did but they're tweaked slightly in a way that makes them stand out against the background of total d-beat worship. It's an incredibly subtle thing that's difficult to pinpoint and articulate, but at the end of the day it's these subtleties that are the x-factor that separates a band like Disclose--who were as exciting and as vital as punk music gets--from bands who imitate other bands' sounds or styles in ways that are obvious, boring, and\/or goofy. Stuart Schrader touches upon this point in his excellent liner notes to \u003ci\u003eYesterday's Fairytale, Tomorrow's Nightmare\u003c\/i\u003e, so if you're interested in the philosophical underpinnings of d-beat you'll definitely want to read that. Otherwise, if you want to \"get\" Disclose, this particular reissue is probably the best place to start, because if you can't rage out to this record then Disclose probably aren't the band for you.\u003c\/p\u003e","brand":"La Vida Es Un Mus","offers":[{"title":"Default Title","offer_id":4816707777,"sku":"150720058","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_5167.JPG?v=1437426442"},{"product_id":"finnish-punk-rock-78-80-cassette","title":"Various: Finnish punk rock 78-80 cassette","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat Type: cassette\u003c\/li\u003e\u003c\/ul\u003e","brand":"World Gone Mad","offers":[{"title":"Default Title","offer_id":7624616181811,"sku":"240305921","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/various-finnish-punk-rock-78-80-cassette_1VNTH.jpg?v=1709660149"},{"product_id":"spazz-sweatin-to-the-oldies-12-new","title":"Spazz: Sweatin' to the Oldies 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cp\u003e\u003cem\u003e\u003cstrong\u003eSweatin' To The Oldies\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e¬†collects a whopping sixty-four¬†\u003c\/span\u003e\u003cstrong\u003eSpazz\u003c\/strong\u003e\u003cspan\u003e¬†tracks recorded circa 1993-1996 and features material gathered from splits with Charles Bronson, Brutal Truth, Rupture, Floor and more plus the band's debut EP, tracks from a bunch of compilations including¬†\u003c\/span\u003e\u003cem\u003eBetter Read Than Dead\u003c\/em\u003e\u003cspan\u003e¬†and live at KFJC and 924 Gilman St. Everything remastered, or in some cases mastered for the first time by¬†\u003c\/span\u003e\u003cstrong\u003eDan Randall\u003c\/strong\u003e\u003cspan\u003e¬†at Mammoth Sound. Originally released on Slap A Ham Records in 1997,¬†\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eSweatin' To The Oldies\u003cspan\u003e¬†\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003emakes its vinyl debut here!¬†\u003c\/span\u003e\u003c\/p\u003e","brand":"Tankcrimes Records","offers":[{"title":"Default Title","offer_id":7971609870387,"sku":"180511002","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_E5662copy.jpg?v=1614280556"},{"product_id":"various-punk-sudoamericano-1981-1990-cassette","title":"Various: Punk Sudamericano 1981-1990 cassette","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat Type: cassette\u003c\/li\u003e\u003c\/ul\u003e","brand":"World Gone Mad","offers":[{"title":"Default Title","offer_id":12526520270899,"sku":"240305923","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/various-punk-sudamericano-1981-1990-cassette_Jj4lX.jpg?v=1709661441"},{"product_id":"various-greek-punk-82-91-cassette","title":"Various: Greek Punk '82-'91 cassette","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat Type: cassette\u003c\/li\u003e\u003c\/ul\u003e","brand":"World Gone Mad","offers":[{"title":"Default Title","offer_id":12526527316019,"sku":"240305922","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/various-greek-punk-82-91-cassette_vImDZ.jpg?v=1709660144"},{"product_id":"various-medellin-colombia-punk-hc-metal-1987-1992-cassette","title":"Various: Medellin, Colombia punk\/HC\/metal 1987-1992 cassette","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat Type: cassette\u003c\/li\u003e\u003c\/ul\u003e","brand":"World Gone Mad","offers":[{"title":"Default Title","offer_id":12526531903539,"sku":"240305924","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/various-medellin-colombia-punk-hc-metal-1987-1992-cassette_72Efs.jpg?v=1709661436"},{"product_id":"muroataquehardcorepunk12","title":"Muro: Ataque Hardcore Punk 12\"","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10pt; font-family: Arial;\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;What is there that can be said about Bogota, Colombia's MURO that can even remotely rationalize the true force of nature that they are both in the recorded setting and as a live entity? The initiated know the deal but for those that don't... welcome! Originally released by the outstanding Nordic based Byllepest Distro label in 2017, the \\\u0026quot;ATAQUE HARDCORE PUNK\\\u0026quot; 12\\\u0026quot; was repressed for the band's explosive appearance at NOT DEAD YET 2018 and the Canadian tour that followed shortly thereafter. Channeling the ferocity of other regional greats while contributing a take on the genre that is undeniably all their own, Beach Impediment Records is honored to aid in the North American advancement of this modern day South American hardcore punk classic. Each record comes in a DIY style paper sleeve containing two massive poster inserts, all of which was screen printed and assembled by the members of MURO at their Casa Rat Trap Collective in Bogota. Keep an ear to the ground as there will be more to come from this outstanding group in 2019. Limited to 500 copies.\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003eWhat is there that can be said about Bogota, Colombia's MURO that can even remotely rationalize the true force of nature that they are both in the recorded setting and as a live entity? The initiated know the deal but for those that don't... welcome! Originally released by the outstanding Nordic based Byllepest Distro label in 2017, the \"ATAQUE HARDCORE PUNK\" 12\" was repressed for the band's explosive appearance at NOT DEAD YET 2018 and the Canadian tour that followed shortly thereafter. Channeling the ferocity of other regional greats while contributing a take on the genre that is undeniably all their own, Beach Impediment Records is honored to aid in the North American advancement of this modern day South American hardcore punk classic. Each record comes in a DIY style paper sleeve containing two massive poster inserts, all of which was screen printed and assembled by the members of MURO at their Casa Rat Trap Collective in Bogota. Keep an ear to the ground as there will be more to come from this outstanding group in 2019. Limited to 500 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: Debut LP from this hardcore punk band from Bogota, Colombia. This LP came out as a hard-to-get Norwegian pressing in 2017, but Beach Impediment have done a 500-copy run so we North Americans can get our hands on it more easily. It’s rare to see a hardcore punk record get any kind of repress these days, so you can imagine \u003cem\u003eAtaque Hardcore Punk\u003c\/em\u003e must be special. And it is! Muro brings together a bunch of different threads of hardcore punk in a way that sounds natural, fresh, and exciting. I hear elements of UK82 (particularly faster stuff like Ultra Violent), d-beat, and primal pogo-hardcore like Blazing Eye and S.H.I.T., all with a dash of Una Bestia Incontrolable’s progressive experimentation. However, despite reminding me of all of these things, \u003cem\u003eAtaque Hardcore Punk\u003c\/em\u003e also sounds like a classic hardcore punk record. Muro combines these elements organically, like they’re just a shit-hot hardcore punk band doing what feels natural rather than a bunch of record nerds or punk historians showing off their influences. The recording is raw, the songs are brimming with memorable moments, and the record’s packaging is also spot-on. The jacket is not only screen printed, but hand-assembled on paper that reminds me of old European or South American LPs. There are not one but \u003cem\u003etwo\u003c\/em\u003e huge posters, and everything is packed with illustrations that are super punk yet avoid cliches. I often feel like I have to choose between purist and progressive strands of hardcore, but Muro lets me have my cake and eat it too.\u003c\/p\u003e","brand":"Beach Impediment Records","offers":[{"title":"Default Title","offer_id":16063425708083,"sku":"190128004","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_7141.jpg?v=1585342870"},{"product_id":"zoundscantcheatkarma12","title":"Zounds: Can't Cheat Karma 12\"","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10pt; font-family: Arial;\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;The second release on Sealed Records is a 14 Track round up of the five singles by Zounds. The debut single from 1980 Can't Cheat Karma was released on Crass Records and 39 Years later still stands as one of the finest singles both politically and musically. For the next three singles Zounds released them on Rough Trade Records, along with their debut album The Curse of Zounds. 1981's Demystification was a tense and stark masterpiece. It was followed by the haunting Mikey Dread-produced Dancing and then the more straight up pop of More Trouble Coming Everyday. The final single of Zounds Mark 1 was La Vacht Qui Rit released on Belgium label Not So Brave in 1983 and was originally supposed to be a split single with The Mob but ended up with two scratchy studio tracks and two rough and raw live tracks recorded in Holland in 1982. Every home should have these essential Zounds recordings.\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003eThe second release on Sealed Records is a 14 Track round up of the five singles by Zounds. The debut single from 1980 Can't Cheat Karma was released on Crass Records and 39 Years later still stands as one of the finest singles both politically and musically. For the next three singles Zounds released them on Rough Trade Records, along with their debut album The Curse of Zounds. 1981's Demystification was a tense and stark masterpiece. It was followed by the haunting Mikey Dread-produced Dancing and then the more straight up pop of More Trouble Coming Everyday. The final single of Zounds Mark 1 was La Vacht Qui Rit released on Belgium label Not So Brave in 1983 and was originally supposed to be a split single with The Mob but ended up with two scratchy studio tracks and two rough and raw live tracks recorded in Holland in 1982. Every home should have these essential Zounds recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: Zounds‚Äô five 7‚Äù releases have been repackaged numerous times over the years: a 1983 LP on Italy‚Äôs Base Records, CD collections in 1993 and 2007, and even a 7‚Äù box set on Broken Rekids in 2011. This collection on Sealed Records doesn‚Äôt add much aside from super cool new artwork and a rad poster insert, but you won‚Äôt find me complaining that some of the best anarcho punk ever is back in print. Zounds‚Äô first single, \u003cem\u003eCan‚Äôt Cheat Karma\u003c\/em\u003e, is a top 5 Crass Records release for me. One of the most musically sophisticated and capable anarcho bands, Zounds made chart-worthy music for the punks, and the three tracks from \u003cem\u003eCan‚Äôt Cheat Karma\u003c\/em\u003e are all hits that will inspire a singalong at any gathering of spiky punks. If you haven‚Äôt heard them before the choruses will hit you immediately, but as the tracks sink in you‚Äôll notice all kinds of subtleties, particularly in the guitars, which dance across the beat with the grace of a seasoned ska or funk player. Amazingly, Zounds got \u003cem\u003eeven better\u003c\/em\u003e on their second single, \u003cem\u003eDemystification\u003c\/em\u003e. The title track is the band‚Äôs best song, brooding pop that brings in subtle organ sounds to make the track both fuller and more delicate. The b-side, ‚ÄúGreat White Hunter,‚Äù is probably Zounds‚Äô best song other than ‚ÄúDemystification,‚Äù with a big classic rock riff anchoring the track. Their final three singles don‚Äôt get as much attention from punks, but they‚Äôre full of moments of equal brilliance. The a-sides to their final two singles both had a Smiths-esque rockabilly jangle different from anything the band had done before, but equally brilliant. As you can tell, Zounds are one of my favorite anarcho bands and the thirteen tracks here are long since burned into my memory banks from repeated play. If you don‚Äôt already have these songs on a physical format, this beautiful looking and great-sounding reissue will do the trick just fine.\u003c\/p\u003e","brand":"Sealed Records","offers":[{"title":"Default Title","offer_id":16099742679091,"sku":"190207026","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/1b149c33054f816ba2a21ee2b67e50d84fbc161c.jpg?v=1549582696"},{"product_id":"variousjapanesepost-punkgothnewwave1980-1991cassette","title":"Various: Japanese Post-Punk, Goth \u0026 New Wave 1980-1991 cassette","description":"\u003cp\u003ePro printed DOUBLE mix tape with 2 hours worth of music by 34 bands\u003c\/p\u003e","brand":"World Gone Mad","offers":[{"title":"Default Title","offer_id":17154442526771,"sku":"190405900","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/ee75b9cd219757ae219719971b4b2f25f727b1c2.jpg?v=1555368126"},{"product_id":"attackssfrenzysplit7","title":"Attack SS \/ Frenzy: Split 7\"","description":"\u003cp\u003eSPLIT 7\" Hardcore noise punk from Okazaki, Japan teams up with Portland noise punks. Lyrics translated in Japanese and English.\u003c\/p\u003e","brand":"Distort Reality Records","offers":[{"title":"Default Title","offer_id":17170244665395,"sku":"190409902","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/f039929b0fdae7f30398da7694fd2b03c6273625.jpg?v=1555451332"},{"product_id":"thecomesnoside12","title":"The Comes: No Side 12\"","description":"\u003cp\u003eOfficial reissue of seminal Japanese Hardcore band THE COMES debut. Originally released in 1983 on Dogma Records, a newly created City Rocker’s side label to release Hardcore\/ Hard punk) No Side remains a milestone of first wave Japanese Hardcore. A vital document to understand the days when the Tokyo Hardcore scene was small and unknown with G.I.S.M., EXECUTE, GAUZE and THE COMES as main runners. Bands who shared stages, record labels and who grew to be one of the most varied, influential and enigmatic punk scenes of the planet. THE COMES music is frantic and sharp punk, bass driven and manic sounding with vocalist Chitose aggressive vocals punctuating every syllable and dominating the tunes. Like most first wave Hardcore acts they own their own sound and albeit many times imitated it has never been matched.\u003c\/p\u003e","brand":"La Vida Es Un Mus","offers":[{"title":"Default Title","offer_id":30392894750771,"sku":"191005902","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/7089ba028bcf9642fc41b246c5a3e28e6a3808b5.jpg?v=1570491289"},{"product_id":"goonnaturalevil12","title":"Goon: Natural Evil 12\"","description":null,"brand":"Convulse Records","offers":[{"title":"Default Title","offer_id":31455985729587,"sku":"191217908","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/5947805d3baea4845b97ff402b3f83e6f2c132ba.jpg?v=1577212480"},{"product_id":"total-control-henge-beat-12","title":"Total Control: Henge Beat 12\"","description":"\u003cp\u003eThis LP was perhaps my most-anticipated record of 2011, and holy f*** does it deliver. All of Total Control's previous records were just a little bit different from one another, so I was wondering how this LP was going to turn out. It turns out they've mixed all of the style perfectly into one of the most glorious long-players I've heard in some time... there are garage rock songs that kind of remind me of Jay Reatard, total synth-punk weirdness, ambient passages, and some great hard post-punkers. Holy s***... I am going to listen to this LP every day for the rest of my life. To say this is essential is a huge understatement. GET THIS!!! Iron Lung Records\u003c\/p\u003e","brand":"Iron Lung Records","offers":[{"title":"Default","offer_id":32010301276211,"sku":"170320008","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/a3129319794_10.jpg?v=1776279379"},{"product_id":"atabaargulyewbestofadymlarcassette","title":"Atabaý Çargulyýew: Best of Aýdymlar cassette","description":"\u003cp\u003eWild, and almost completely unknown, synth pop from TURKMENISTAN from the late 80s. Often called \"The North Korea of Central Asia\", Turkmenistan has a policy of neutrality towards all world affairs and is a very reclusive and isolated country. Unfortunately, this has possibly led to the local artists remaining incredibly obscure to the rest of the world... But here's your chance to check out some killer music, it'll honestly speak for itself...\u003c\/p\u003e","brand":"World Gone Mad","offers":[{"title":"Default Title","offer_id":32098125774899,"sku":"200520911","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/1a59e5c8ff4538277b7386094847ae3065c3dcc1.jpg?v=1590265246"},{"product_id":"gorilla-biscuits-start-today-12","title":"Gorilla Biscuits: Start Today 12\"","description":"\u003cp\u003eLove it or hate it, this record proved to several generations of hardcore kids that aggressive riffs and lightning-fast rhythms could be combined effectively with melody to create something uniquely powerful. A landmark LP in the history of hardcore, straight edge in particular. Revelation Records\u003c\/p\u003e","brand":"Revelation Records","offers":[{"title":"Default","offer_id":32341941059635,"sku":"SKU002850","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/0ac4dc241311464a917a2ae80fe46c1eb78a00c7.jpg?v=1595108280"},{"product_id":"variousyugoslavianpost-punknewwavemixtapecassette","title":"Various: Yugoslavian Post-punk\/New Wave mixtape cassette","description":"\u003cp\u003e28 bands\/tracks in 90 minutes. Maybe the last of these tapes??\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: \u003cem\u003e Yugoslavian Post-punk\/New Wave mixtape\u003c\/em\u003e is the latest in a series of incredible international mix tapes that Aaron from World Gone Mad Records has been releasing over the past few years. If you’ve gotten any of the other genres, then you already know the deal: 90 minutes of obscure tracks you’ve never heard, professionally duplicated with strong sound. I had heard of one band on this compilation, which I’m proud of because usually it’s zero. If you’re fanatical about hearing obscure international music in this vein, this is an easy decision. However, even if you aren’t looking up every single band on here to find more material, this is a great tape that you can throw on and just let it run, like you should be able to do with any great mix tape. The compilers construe the terms “new wave” and “post-punk” broadly here, encompassing everything from minimal synth and straight up punk to music that sounds like mainstream 80s pop from the US and UK. One of my favorite things about these mixes is how these groups integrate their own musical heritage with what’s happening in the Anglophone world, and there are countless different approaches to that across these 90 minutes. Like I said, these tapes have been awesome, and this one is no exception.\u003c\/p\u003e","brand":"World Gone Mad","offers":[{"title":"Default Title","offer_id":37155101900985,"sku":"201021915","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/847248b0bee76b2aaa0645e39d4ec33ecfe3d1a6.jpg?v=1603834819"},{"product_id":"minorthreatfirstdemotape7","title":"Minor Threat: First Demo Tape 7\"","description":"\u003cp\u003eThese are previously unreleased demo versions of songs which have been previously released.\u003c\/p\u003e","brand":"Dischord Records","offers":[{"title":"Default Title","offer_id":38440969306297,"sku":"201214900","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/b1efac488b52162bdb89d4ea942802d31676e92e.jpg?v=1607980262"},{"product_id":"210201907","title":"Framtid: Under the Ashes 12\"","description":"An absolutely over the top recording comprising twelve tracks of punishing hardcore with a huge wall-of-noize production adding to their faultless song writing. As noisy as the album is, all the songs are hits and hard to forget. ‘The Total Arse’, ‘Tomorrow’ and ‘Consuming Shit and Mind Pollution’ are what the new generation of noize-not-music punk lack, memorable anthems. Housed in a tip on sleeve for as long as they last and without alterations to the art or sound from the original, this reissue tries to bring an undoubtedly classic of our generation back to life.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"La Vida Es Un Mus","offers":[{"title":"Default Title","offer_id":38868930986169,"sku":"210201907","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_E5190copy.jpg?v=1612220106"},{"product_id":"210201908","title":"Framtid: Defeat of Civilization 12\"","description":"Eleven years after their already classic and genre defining “Under the Ashes” Osaka’s FRAMTID are back with a new LP. “Defeat of Civilization” is everything you would expect from FRAMTID. 10 tracks of crushing Japanese hardcore heavily influenced both by the sound and ideas of early Swedish hardcore but pushing to sound to the edge. Mega distorted guitars, deep vocals and the most solid yet dynamic rhythm section you’ll ever witness are FRAMTID’s trademark as well as are their lyrics full of hope and their stark black and white graphics.. Released in time for their appearances at Chaos in Texas Festival “Defeat of Civilization” has been released simultaneously in Japan (Crust War) USA (Black Water) and LVEUM (Europe). Order accordingly.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"La Vida Es Un Mus","offers":[{"title":"Default Title","offer_id":38868931018937,"sku":"210201908","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_E5192copy.jpg?v=1612220003"},{"product_id":"210201910","title":"Los Crudos: Doble LP Discografia 12\"","description":"\u003cp\u003eFinally a European version of the long overdue LOS CRUDOS Discography collection. LOS CRUDOS, formed in Chicago’s Pilsen neighbourhood in the early 90’s, are a Latino punk band with a strong socio-political message and an extremely militant DIY attitude. During their first incarnation, spanning the years 1991 to 1998 the band self-released their own records, printed their own merch, booked their own shows and toured relentlessly around the world. From South America to Japan including a 3 month European tour in the winter of 1996. They spoke to the freaks the outsiders and the minorities and were not afraid of confronting the white middle class punk who reigned supreme during the terrible 90’s. A time which will not be remembered for their hardcore output except for a few exceptions, in which CRUDOS are surely included. Their sound, far from being a copycat of whatever flavour of the month was reigning at the time was heavy rooted in the golden years of European and Latino American ferocious hardcore punk. With bands as IMPACT, WRETCHED, OLHO SECO, TERVEET KADET or MASACRE 68 as obvious influences in a time when the simple mention of any of those bands (or any non English speaking bands really) was usually met with a laugh or a joke. They sang in Spanish, with aggression and conviction and that made their message spread out widely, reaching thousands of Spanish speaking punks both in Latino America and Spain as well as inside USA where third generation Latino kids surely were missing a voice within the punk scene. The band split up in 1998 after a really intense year of touring and reformed in 2008. The band will be undertaking their first ever Scandinavian tour in July\/ Agust 2016.. This collection, originally released as a benefit for MRR magazine last year, includes all the LOS CRUDOS output plus compilation tracks as well as a couple demo tracks and an unreleased song. The European version comes in a gatefold sleeve and brings a 40 page booklet with flyers and the lyrics of all songs.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"La Vida Es Un Mus","offers":[{"title":"Default Title","offer_id":38868931084473,"sku":"210201910","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_E5189copy.jpg?v=1612220819"},{"product_id":"210217917","title":"Dystopia: The Aftermath 12\"","description":"\u003cp\u003eDystopia was an Orange County, California crust punk outfit which touched on themes of environmentalism, racial equality, substance abuse, and animal rights.\u003c\/p\u003e\n\u003cp\u003e12 tracks + 16 page booklet. Download card included. Pressed onto Clear Vinyl.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eContains all Dystopia tracks off of The Aftermath 12\" (1-4) Backstabber 7\" EP (5-7), Dystopia \/ Skaven split LP (8-11), Dystopia \/ Suffering Luna split 7\" (12)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Tankcrimes Records","offers":[{"title":"Default Title","offer_id":39027264094393,"sku":"210217917","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/theaftermath.jpg?v=1614226175"},{"product_id":"210217918","title":"Dystopia: Human = Garbage 12\"","description":"","brand":"Tankcrimes Records","offers":[{"title":"Default Title","offer_id":39027264127161,"sku":"210217918","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_E5659copy.jpg?v=1614280350"},{"product_id":"210503900","title":"Disattack: A Bomb Drops 12\"","description":"\u003cp\u003eI don’t want to blow, I want to grow! The first Dis-clone? We don’t know about that, but these are some early rumblings of Dis-mania, direct from the Merseyside in 1986. For every man, woman or child there is no escape from the dark war horse of This Attack! Disattack. 6 raw bursts of sonic bloodbath that will leave your ears bleeding in a ditch. The fear of doom dawning when the whole world will be bathed in Blood! The 4 song demo is complemented by 2 additional rehearsal songs and a 28 page booklet of archival material, hand-outs and photos. For those who worship Discharge, Anti Cimex and Sacrilege! Line-up includes a young Bill Steer pre-Carcass.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: Disattack was a short-lived band from Merseyside, England, and their claims to fame are that they featured a 15-year-old Bill Steer before he was in Napalm Death or Carcass and that they ripped off Discharge earlier than most people thought of doing it. That’s the short version, but as this package from Demo Tapes Records proves, there’s so much more to the story. If you’re concerned about the music, it’s cool, but it’s not the total Discharge worship you might expect. While you can hear hints of the Scandinavian style that had emerged by the time they recorded this tape (which they were aware of… one of Disattack’s members ran the label that released Anti-Cimex’s \u003cem\u003eCriminal Trap\u003c\/em\u003e 12”), most of the songs here do a lot more than just rearrange Discharge parts into new patterns. If you’re into obscure British and European crust from the early to mid-80s, though, you’ll get plenty of spins out of this 1-sided 12”. However, what I enjoyed most about \u003cem\u003eA Bomb Drops\u003c\/em\u003e was the thick booklet, which told the band’s story through a mix of archival documents and interviews with \u003cem\u003eNegative Insight\u003c\/em\u003e fanzine from 2015. Disattack started as a joke in a fanzine—the 80s punk equivalent of a meme—then morphed into a functioning band and fell apart after a few months. However, it’s the details—including encounters with future metal superstars and international d-beat legends—that make the story interesting. I can think of very few packages that tell a band’s story more eloquently than this one. This is only for the real punk nerds, but if you’re one of those people, you’re gonna love it.\u003c\/p\u003e","brand":"Demo Tape Records","offers":[{"title":"Default Title","offer_id":39935779733689,"sku":"210503900","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/ImagefromiOS_4_copy_ac8eb233-ea00-4236-8c1a-925c5a1e7c9c.jpg?v=1620325842"},{"product_id":"210607816","title":"Totalitar: Ni Maste Bort 12\"","description":"","brand":"Prank Records","offers":[{"title":"Default Title","offer_id":40194622554297,"sku":"210607816","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/totalitar.jpg?v=1623278632"},{"product_id":"210630905","title":"Bootlicker: S\/T 12\"","description":"It's 2021 and Vancouver’s Bootlicker are back with their first full length. Experimenting with various lineups and sounds since 2017, these 14 original tracks flesh out their most realized expression. Following four EP’s and two demos, their self-titled debut stays true to the noise cultivated in the previous offerings. That raw, blown-out production countered with clean guitar sound and Internationally-informed take on a UK82 delivery remains. Everything that made the band what they were on their previous output is polished into a ball of fire that will not be contained. Their mid-tempo, menacing posture of tracks like \"Herd The Sheep\" and \"State Of Fever\" give way to the D-beat totality of \"Master\" or \"Two Faced\" proving there are still ideas in the tank. There won’t be much left but scorched earth by the time it comes to rest. FFO: Mau Maus, Discharge, SSD.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Neon Taste Records","offers":[{"title":"Default Title","offer_id":40374006153401,"sku":"210630905","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/bootlicker_df1ba420-5e43-4ef5-adec-b7c483d8bdea.jpg?v=1642545640"},{"product_id":"211027901","title":"Icons Of Filth: Onward Christian Soldiers 12\"","description":"Puke n Vomit presents the first domestic vinyl release of this seminal UK Anarcho Punk classic from 1984. Onward Christian Soldiers by Icons Of Filth is a fiery slice of fierce punk\/hardcore with lyrics dealing with a need for individual responsibility, action and positive change. Considered one of the defining and most popular albums to be released from the 80s UK Anarcho Punk scene. The scene bands and records from that time are enjoying a new resurgence with the new breed of Anarcho\/Political bands that often cite that period and bands as major influences.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Puke N Vomit Records","offers":[{"title":"Default Title","offer_id":41408093356217,"sku":"211027901","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/iconsoffilth.jpg?v=1635875781"},{"product_id":"211221905","title":"Home Front: Think of The Lie 12\"","description":"\u003cp\u003eCreated on the western edges of the infinite plains and prairies of coldest Canada, Edmonton, Alberta’s HOME FRONT dance freely and madly along the edges of time and create their own moment amongst the revered and long frozen reserves of THE CURE, SUICIDE, ECHO AND THE BUNNYMEN, “Second Empire Justice” era BLITZ, and NEW ORDER. A record bubbling over with analog synth, guitar loops, slammed 808 drums, and anthemic vocal pushes tugging at the great moment in-between the “death” of punk and the “birth” of new wave, pulling fresh sounds into their punk roots and shoving a studded leather jacket around a silk robe. Justice, violence, doubt and uncertainty a la Gary Numan narrating a Warren Miller Extreme Ski Special on the set of TO LIVE AND DIE IN LA: this is HOME FRONT.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded by HOME FRONT in an unheated plywood box in some semblance of fading daylight.\u003cbr data-mce-fragment=\"1\"\u003eProduced and mixed in the darkest depths of lockdown by Jonah Falco on a boat moored outside an isolated estate along the A40 in between sets of “The Evil Russian Pushup Challenge” and icy walks to Lidl.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: Now with close to 250 releases under their belt, our friends at La Vida Es Un Mus continue to deliver consistently fantastic releases in the world of punk. But for every Disclose reissue or new, crushing hardcore band out of Spain, we receive an occasional dose of melody. \u003cem\u003eThink Of The Lie\u003c\/em\u003e, the debut release from Canadian group Home Front, craftily synthesizes some of the most notable and familiar sounds of 80s UK indie pop and post-punk. The first track, “Flaw In The Design,” brings New Order to mind with its era-accurate sounds and production, coupled with the group’s intelligent songwriting and arrangements. Lush, sweeping synthesizers and chorus-laden guitars top warm and pounding 808 drum machines. The singer has a voice not unlike Robert Smith, simultaneously wavering and passionate. La Vida likens the group to \u003cem\u003eSecond Empire Justice\u003c\/em\u003e-era Blitz, which is a dead ringer comparison to describe punkers who have taken the plunge into this sonic territory. In more recent years, many punk groups have reached into the deep reservoir of new wave history to find a blueprint for their band, but the end product can seem dull or contrived. And while Home Front wears their influences on their dayglo ascots, the songs are so tastefully executed and rich with conviction that you can’t fault them. Home Front unashamedly shies away from edge, and instead commits to crafting a full-on pop record that feels both nostalgic and fresh.\u003c\/p\u003e","brand":"La Vida Es Un Mus","offers":[{"title":"Black Vinyl","offer_id":45734802424062,"sku":"211221905","price":25.0,"currency_code":"USD","in_stock":true},{"title":"blue vinyl","offer_id":45745277141246,"sku":"240822900","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/homefront.jpg?v=1640123415"},{"product_id":"211229925","title":"Fuck Ups: FU 82 7\"","description":"\u003cp\u003eFirst ever reissues of this gnarly and crude 80s San Francisco hardcore classic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e﻿Note: We have several different cover variations. Unfortunately we cannot accommodate requests for a particular variant... you get what you get.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Puke N Vomit Records","offers":[{"title":"Default Title","offer_id":42229520400638,"sku":"211229925","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/fuckups.jpg?v=1641414676"},{"product_id":"blitz-voice-of-a-generation-12","title":"Blitz: Voice of a Generation 12\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePuke n Vomit presents the first domestic US vinyl pressing of one of the most seminal and influential albums from the early 80s UK Punk\/Oi! Scene. When this album was originally released in 1982 it quickly climbed the UK Independent charts reaching all the way to #2 and made waves across the globe. Often citied by many bands as a major influence and inspiration and for good reason. The album from start to finish is filled with some of the most blistering raw, catchy, aggressive street level punk ever released. The album fully exposed the life and ideas of the English underclass. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor fans of The Business, Cockney Rejects, The Partisans, Abrasive Wheels, The Casualties, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMonster Squad, Toxic Reasons, Reagan Youth\u003c\/span\u003e\u003c\/p\u003e","brand":"Puke N Vomit Records","offers":[{"title":"Default Title","offer_id":42809418744062,"sku":"220513917","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/ImagefromiOS-2022-05-14T172302.376_6030f4b0-5732-4ec2-926b-dad963c1df8e.jpg?v=1652824038"},{"product_id":"hedonist-sepulchral-lacerations-demo-12","title":"Hedonist: Sepulchral Lacerations Demo 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePerhaps a bit of a departure for the sounds we've been cultivating but our Taste is Neon and we're pleased and repulsed to be offering the physical format of this killer Demo from last year.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrue blue UK\/Swedish OSDM.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDon't let the term Demo scare you, this session is well produced and executed from start to finish.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFFO: Dismember, Benediction\u003c\/span\u003e","brand":"Neon Taste Records","offers":[{"title":"Default Title","offer_id":43228467953918,"sku":"220730504","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/ImagefromiOS-2022-08-02T142218.314copy.jpg?v=1659550202"},{"product_id":"verdict-time-to-resign-12","title":"Verdict: Time To Resign 12\"","description":"Debut recording of new swedish käng \/ d-beat band with old faces. Expect nothing than raw and fast mangel!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: \u003cem\u003eTime to Resign\u003c\/em\u003e is the debut record from this new Swedish käng band featuring members whose names you might recognize from similar groups like Meanwhile, Dischange, No Security, \u003ca href=\"https:\/\/www.sorrystaterecords.com\/products\/disfearsoulscars12\"\u003eDisfear\u003c\/a\u003e, and many more I’m sure (ask Usman, he’ll tell you). The sound, fans will be pleased to hear, is what you’d expect from this crew, but something about Verdict feels more vital and less off-the-cuff than other projects from the post-\u003ca href=\"https:\/\/www.sorrystaterecords.com\/search?pf_v_vendor=Skrammel+Records\u0026amp;pf_v_vendor=Prank+Records\u0026amp;q=totalitar\"\u003eTotalitär\u003c\/a\u003e Swedish hardcore underground. The first thing you’ll notice with Verdict is the vocals, which are hoarse, snarling, and captivating. The lyrics are in English, which is relatively uncommon for Swedish bands of this ilk, and they’re excellent, conveying a mix of anger, disgust, and horror at the current condition of the world, riding the fine line between being direct and more evocative and poetic. The music is pitch-perfect käng, so meticulously composed that it feels almost claustrophobic at first, but when you listen closely, you hear the inventiveness on display. As with Totalitär, the riffing ranges from super catchy (“Hypocrisy,” “Bound to Fail”) to straightforward and brutal (“Lock Down Society”), with the rhythm section executing a range of different d-beat grooves and tempos to match. Verdict constantly changes things up and keeps them exciting, knowing just when to shift gears into something like the standout “Dark Thoughts,” which speeds up the groove from \u003ca href=\"https:\/\/www.sorrystaterecords.com\/search?pf_v_vendor=Havoc+Records\u0026amp;q=discharge\"\u003eDischarge\u003c\/a\u003e’s “A Look at Tomorrow.” I can’t believe \u003cem\u003eTime to Resign\u003c\/em\u003e is 15 minutes long… it feels like half that, and every time the record ends I’m left wanting more.","brand":"Phobia Records","offers":[{"title":"Default Title","offer_id":43537079927038,"sku":"220929901","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/rotw-verdict.jpg?v=1665784561"},{"product_id":"230110903","title":"Exploatör: Blind Elit 12\"","description":"\u003cp\u003eNew album - what we can say? I believe everyone will love it! 3rd album from project featuring original Totalitär members\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Phobia Records","offers":[{"title":"Default Title","offer_id":43804650111230,"sku":"230110903","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/a3229836579_10.jpg?v=1783625223"},{"product_id":"home-front-games-of-power-12","title":"Home Front: Games of Power 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Enormous full length debut from Home Front who have managed to fix truth to the beautiful and borderline mythical threadneedle moment in which punk, new wave, pop, indie and rock and roll all descend upon a single source. We may have only dreamed that Tears for Fears might have been going to see GBH at the weekend or that Annie Lennox spent her evening sewing Crass patches to her Wrangler Blue Bell jacket, but Home Front have rang the dinner triangle for us all to feast. High moments of perfectly patinated synth brilliance, tender new wave considerations, punk anthems that could fill the biggest stadium, and fiery hooks that could warm the coldest cynic. The Champagne, the gluebag, the boots, and the eyeliner, GAMES OF POWER clutches to it all.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGAMES OF POWER lives inside a crystal clear recording by long time friend and Edmonton wizard Nik Kozub, bringing Home Front’s follow up to “Think of The Lie” to euphoric heights and gritty lows. Produced again by Jonah Falco remotely and between sub zero 10 kilometer runs in Edmonton in late February with co-production by Nik Kozub, Home Front have put their best mirror shined boot forward.” (Jonah Falco)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVinyl LP + Inner Sleeve + Lyric Sheet\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRecorded at The House Of Mick \u0026amp; Blee In Occupied Edmonton\u003cbr data-mce-fragment=\"1\"\u003eAdditional Tracking at Jean’s Ammo Dump\u003cbr data-mce-fragment=\"1\"\u003eRecorded, Mixed \u0026amp; Mastered by Nik Kozub\u003cbr data-mce-fragment=\"1\"\u003eProduced by Jonah Falco\u003cbr data-mce-fragment=\"1\"\u003eCo-Produced by Nik Kozub\u003cbr data-mce-fragment=\"1\"\u003eLayout, Artwork, Logo \u0026amp; Design by Euan Retallack\u003cbr data-mce-fragment=\"1\"\u003ePhotos by Kate Suter\u003c\/p\u003e","brand":"La Vida Es Un Mus","offers":[{"title":"Black Vinyl","offer_id":45734804291838,"sku":"230207802","price":25.0,"currency_code":"USD","in_stock":true},{"title":"red vinyl","offer_id":45745279336702,"sku":"240822901","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/homefront_df3464a7-1409-4dcc-9f19-c36e2f718685.jpg?v=1679943319"},{"product_id":"dystopia-s-t-12","title":"Dystopia: S\/T 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-pm-slice=\"1 1 []\" data-mce-fragment=\"1\"\u003eDystopia is the third and final studio album by Dystopia. It was recorded in 2004-2005 and was released shortly after the band broke up in February 2008 on Life is Abuse Records. Out of print for over a decade, Tankcrimes now finalized the entire Dystopia catalog once again available in physical formats.\u003c\/p\u003e","brand":"Tankcrimes Records","offers":[{"title":"Default Title","offer_id":44066629878014,"sku":"230609300","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/dystopia.png?v=1686355109"},{"product_id":"g-u-n-s-t-12","title":"G.U.N.: S\/T 12\"","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNashville, Tennessee’s G.U.N. roars onto vinyl with their debut full-length for Sorry State. Hearkening back to the glory days of the early No Way, Grave Mistake, and Sorry State catalogs—the band features two members of No Way Records’ Life Trap—G.U.N. lives where the hardcore underground meets the criminal underworld. While G.U.N.’s music evokes Koro’s lightning-speed intricacy and the Adolescents’ surfy hooks, the lyrics describe a sick, sad world that takes Black Flag’s “No Values” as philosophical truth, imbuing G.U.N.’s sound with a palpable sense of desperation. Charismatic vocalist Nico Arambatzis can summon \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDamaged\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e-era Henry’s primal howl one second, then in the next hit a magical note that transforms a song into an anthem, pushing standout tracks like “A Prisoner’s Tale,” “Sadist Faction,” and the epic closer “Sick Sad World” well beyond your standard bash-and-crash. Guitarist Connor Cummins (whom you might know from his other projects Snooper and Spodee Boy) is similarly dynamic, crafting whirlwind riffs and leads that are as powerful and as unpredictable as afternoon thunderstorms in the sticky southern summer. It all adds up to a classic-sounding hardcore punk record bursting with energy and dripping with hooks.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe src=\"\/\/bandcamp.com\/EmbeddedPlayer\/album=%0A4156555237%0A\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Sorry State Records","offers":[{"title":"Clear Vinyl","offer_id":44085185544446,"sku":"230620999","price":18.0,"currency_code":"USD","in_stock":false},{"title":"Black Vinyl","offer_id":44085185577214,"sku":"230620998","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/a1544928546_10.jpg?v=1777652940"},{"product_id":"230726921","title":"Morbo: ¿A Quién Le Echamos La Culpa? 12\" (euro pressing)","description":"2021 is the year Lima, Peru’s last Rock Subterráneo band turns 20 years old. Morbo has been around enough to fuck up freely and then to nail it. No worries and no hurry. Who even cares what people is into these days? They don’t.\u003cbr data-mce-fragment=\"1\"\u003eTo celebrate their anniversary we have the honor to release their latest work “¿A quién le echamos la culpa?”.\u003cbr data-mce-fragment=\"1\"\u003eThis four track recording was slow cooked and happened when it needed to. The best one yet. Maybe they will make a better one in the future but this is it: They just mastered their own brand of punk and you can clearly listen to the band’s maturity between the lines of topics like getting drunk and not wanting to go to work. They also talk about things like messianic politics and people pointing fingers to the few bad apples ignoring their own part in the sea of shit. As a cherry on the top they pay homage to their rocknroll ancestors Los Yorks and Zcuela Crrada. One can say Morbo is a synthesis of both eras of Peruvian music plus they add their own thing.\u003cbr data-mce-fragment=\"1\"\u003e“¿A quién le echamos la culpa?” is really fun and also is about deep shit. That’s punk, right?\u003cbr data-mce-fragment=\"1\"\u003eCover art by the one and only Abraham Díaz.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOur take:\u003c\/strong\u003e Let’s get this out of the way up front: this record RULES. Not just “year end list” rules, but like “sound of the summer” rules. These records come around every once in a while—the Exploding Hearts LP; the No Hope for the Kids LP; Inepsy’s first two LPs; Criminal Damage’s first two albums—and the entire scene seems to latch onto them at once. ¿A Quién Le Echamos La Culpa? isn’t one of those records yet because it just came out, but it deserves to be. Peru’s Morbo has been a band for 20 years (!!!) and we’ve carried several of their records. I might have missed ¿A Quién Le Echamos La Culpa?, but Paco at La Vida Es Un Mus tipped me off that it was a special record, and boy was he right. ¿A Quién Le Echamos La Culpa? draws from a lot of different things—first and second-wave punk from all over the world, 60s garage rock (particularly Peru’s Los Saicos), and raw South American hardcore—and melds them into something I’ve never heard put together in this way. Some tracks are melodic punk songs with a lot of Sex Pistols in their DNA, while there are also garage rock rave-ups that wouldn’t be out of place on a Billy Childish album and tougher-sounding tracks that remind me of UK Subs-influenced bands like Toxic Reasons. Despite the variations in style, every song overflows with great riffs and catchy melodies. The recording is perfect too, with a lot of grit but not sounding self-consciously retro like some kind of audio version of an Instagram filter. Every track is a hit, but no two tracks are alike. It’s just a fucking great punk album and if you like punk you should get it.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Metadona Records","offers":[{"title":"Default Title","offer_id":44134054134014,"sku":"230726921","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/morbo_37440f6d-18bb-42bc-8b67-af8e5226b0a1.jpg?v=1690833987"},{"product_id":"minor-threat-out-of-step-outtakes-7","title":"Minor Threat: Out of Step Outtakes 7\"","description":"\u003cp\u003e\u003cstrong\u003ePLEASE \u003c\/strong\u003elimit 1 copy per customer.\u003cbr\u003e\u003cbr\u003eIn January 1983, Minor Threat went into Inner Ear Studio for the first time as a five-piece (Brian Baker had moved from bass to second guitar and Steve Hansgen was now playing bass). They had six new songs that would end up being the center piece of what became the Out of Step 12\" EP.  The band had also decided to re-record the song \"Out of Step\" with some extra language to try to clarify the lyrics, as well as \"Cashing In\", a tongue-in-cheek song about the DC punk scene which they had only played live once.  After much debate, \"Cashing In\" was added as a hidden track on the original vinyl release though not listed on the cover or label. There was still blank tape on the reel, so they decided to record an instrumental with the working title, \"Addams Family\" and then recorded new versions of \"In My Eyes\" and \"Filler\" to hear what they sounded like with two guitars. \"Addams Family\" ended up being used as a coda to \"Cashing In\", but the other two songs were never mixed and largely forgotten for over 35 years until the multitrack tapes were taken into the studio to be digitized in 2021. Surprised by the discovery, Ian and Don Zientara mixed the two songs along with the complete take of \"Addams Family\". These outtakes are now being released on a 7\" to mark the 40th anniversary of the release of Out of Step. \u003c\/p\u003e","brand":"Dischord Records","offers":[{"title":"Default Title","offer_id":44463545942270,"sku":"231130900","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/out-of-step-outtakes_XORko.jpg?v=1701368175"},{"product_id":"verdict-the-rat-race-12","title":"Verdict: The Rat Race 12\"","description":"\u003cp\u003e2nd album from \"all-star\" d-beat band from Sweden.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: We named this Swedish group’s first album, \u003cem\u003eTime to Resign\u003c\/em\u003e, \u003ca href=\"https:\/\/www.sorrystaterecords.com\/blogs\/news\/record-of-the-week-verdict-time-to-resign-lp\"\u003eRecord of the Week back in 2022\u003c\/a\u003e, and Verdict doesn’t lose a step on this follow-up. Featuring personnel from Dischange, Meanwhile, No Security, Disfear and many others, Verdict executes their take on mangel with surgical precision. The strengths they displayed on \u003cem\u003eTime to Resign\u003c\/em\u003e remain intact: the incredible riffing (they’re as strong with a manic tempo like “Demons” as they are with a groovier one like “R.A.G.E.”), the bruising rhythm section (check those ultra-tight punches on “Vulture’s Feast”), and the English-language lyrics (which still feel novel given so many Swedish bands in this style sing in their native language). One thing that stands out to me on \u003cem\u003eThe Rat Race\u003c\/em\u003e, however, is the lead playing. These aren’t the rock’n’roll or metal-style leads you might expect… these leads are relatively simple, sit deeper in the mix, and often push the songs to crescendos that sound totally epic. I hate to use that adjective to describe a record like this because it might seem like I’m implying stadium crust vibes, but that isn’t the case at all… what I’m getting at is that the leads feel like they push the songs to this zone of extra intensity rather than simply breaking up or adding variety to the songs. Also, shout out to the bass intro for “Another Day in Paradise,” which is sick as fuck. Verdict are masters of the form, and anyone with a passion for Swedish mangel is gonna fucking love \u003cem\u003eThe Rat Race\u003c\/em\u003e.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Phobia Records\u003c\/li\u003e\n\u003cli\u003eFormat Type: 12\"\u003c\/li\u003e\n\u003cli\u003eMedia Condition: Mint (M)\u003c\/li\u003e\n\u003cli\u003eSleeve Condition: Near Mint (NM or M-)\u003c\/li\u003e\n\u003cli\u003eGenre: hardcore\u003c\/li\u003e\n\u003cli\u003eGenre Style: D-beat\u003c\/li\u003e\n\u003cli\u003eYear: 2024\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phobia Records","offers":[{"title":"Milky Clear\/Brown Vinyl","offer_id":44559569846526,"sku":"240110900","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl","offer_id":44559569879294,"sku":"240110901","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/verdict-the-rat-race-12_fypXd.jpg?v=1705016272"},{"product_id":"gbh-city-baby-attacked-by-rats-12-us-pressing-240213915","title":"GBH: City Baby Attacked By Rats 12\" (US pressing)","description":"\u003cp\u003eThe band’s debut album is the near perfect example of what happened after the promise of 1977 punk and post-punk petered out: faster, fuzzier tempos that incorporated lightning-fast guitar licks and a greater volume to put the point across. The mingling of Marshall stacks and \"screw you\" attitudes lead to the creation of one the best UK Punk\/Hardcore albums of all times.\u003c\/p\u003e\n\u003cp\u003eThe PNV version features deluxe loaded packaging: Newly redesigned heavy gatefold sleeves, liner notes, extensive period photos and poster.\u003c\/p\u003e","brand":"Puke N Vomit Records","offers":[{"title":"Default Title","offer_id":44699639447806,"sku":"240213915","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/gbh-city-baby-attacked-by-rats-12-us-pressing-240213915_u4nRu.jpg?v=1707864251"},{"product_id":"gbh-city-babys-revenge-12-us-pressing-240213914","title":"GBH: City Baby's Revenge 12\" (US pressing)","description":"\u003cp\u003eThe debut album was a worldwide Punk\/Hardcore instant classic, but it would be this their second studio full length album that would blow the doors wide open and lead to them being one of the biggest and most popular bands in the Punk scene worldwide. The album was an Indie Chart hit in the UK going up to No.6 when first released in 1983. The album features the Indie Chart hit singles “Give Me Fire” (No.2) and “Do What You Do” (No.7)\u003c\/p\u003e\n\u003cp\u003eThe PNV version features deluxe loaded packaging: Newly redesigned heavy gatefold sleeves, liner notes, extensive period photos and poster.\u003c\/p\u003e","brand":"Puke N Vomit Records","offers":[{"title":"Default Title","offer_id":44699639677182,"sku":"240213914","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/gbh-city-babys-revenge-12-us-pressing-240213914_Mwy2R.jpg?v=1707864261"},{"product_id":"gbh-leather-bristles-no-survivors-and-sick-boys-12-us-pressing-240213916","title":"GBH: Leather, Bristles, No Survivors and Sick Boys 12\" (US pressing)","description":"\u003cp\u003ePNV's reissues the definitive version of this charged UK 82 classic, the record combines their debut mini-LP\/EP “Leather, Bristles, Studs and Acne” (1981), the “No Survivors” EP (1982) and “Sick Boy’ EP (1982)\u003c\/p\u003e\n\u003cp\u003eThe PNV version features deluxe loaded packaging: Newly redesigned heavy gatefold sleeves, liner notes, extensive period photos and poster.\u003c\/p\u003e","brand":"Puke N Vomit Records","offers":[{"title":"Default Title","offer_id":44699640070398,"sku":"240213916","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/gbh-leather-bristles-no-survivors-and-sick-boys-12-us-pressing-240213916_UO6bA.jpg?v=1707864276"},{"product_id":"public-acid-deadly-struggle-12","title":"Public Acid: Deadly Struggle 12\"","description":"\u003cp\u003eAmidst a seemingly endless onslaught of bands, labels, and other opportunistic clowns vying for commercial gain via subcultural cannibalism, it can be easy to lose sight of what drew us to punk in the first place. But despite the deluge of bullshit, we know that occasional nuggets of ugly and raw authenticity will claw their way to the surface for the hardcore punk faithful. And folks, we have just such a nugget in Deadly Struggle: 8 tracks of pummeling aural turbulence on a 12\" slab for those who desire reality over cosplay. Building off the shockwaves of 2020’s Condemnation, Public Acid’s sound—a skewed, arty amalgamation of bludgeoning hardcore, frantic, riff- soaked d-beat, harsh noise, and underground metal—has only grown more focused and furious. There’s the virtuosic rhythm section, possessing an inhuman combination of lightness of touch and neanderthal power; the blinding, riffs-inside-of-riffs guitar style; the density of sound, massively heavy and pock-marked with kaleidoscopic fuzz; the maniacal vocals, inventive in both their technique and their rhythmic cadences; and, of course, the deadly mid-paced parts. Deadly Struggle reminds us that while hardcore punk will never die, those who cheapen it absolutely will.\u003c\/p\u003e\n\u003cp\u003eRecorded by Sasha Stroud at Artifact Audio in NYC and mastered by Arthur Rizk for maximum impact, each record comes in a screen printed jacket with cover art by Thomas Sara immersed in a hypnotic layout by Matt Martin, plus a large fold out poster designed by Tower Kevin.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: Public Acid returns with the much-anticipated follow-up to 2020’s \u003cem\u003eCondemnation\u003c\/em\u003e EP. Perhaps I don’t need to post a disclaimer, but I will anyway: two members of Public Acid have worked at Sorry State and I feel a close connection with the band and each of its members. So maybe I’m just gassing up my buddies, but ignore my praise for Public Acid at your peril, because I think they’re one of the best and most important bands in the current hardcore scene. The other night I was talking to a friend about how, when a band is on a hot streak, it’s important to recognize what’s happening so you can savor it. It’s a feeling I get once every few years, and often I’ll get into a band so heavily that they start to define that period of my life. Direct Control, Double Negative, and Government Warning were bands I felt that way about, and I feel that way about Public Acid right now. If you’ve seen them live in the past few years, you know they’ve matured into a total fucking wrecking ball. I’m not the only one who recognizes this. After the Sorry State 10th Anniversary Weekend last fall, several people independently commented to me that there was a palpable change in energy when they took the stage. Many people, myself among them, were expecting Public Acid to make a really great record sometime soon, which brings us to \u003cem\u003eDeadly Struggle\u003c\/em\u003e. You can listen to the record and decide for yourself, but for my money this thing is a fucking masterpiece. The fast songs are blinding, the slow parts are unholy, and it feels both timeless and appropriate to its moment in the way great art should. While \u003cem\u003eDeadly Struggle\u003c\/em\u003e is unmistakably hardcore punk, it doesn’t sound like anything else. Sure, there are reference points for certain things they do, and Public Acid is also part of a wave of bands like Tower 7 and Salvaje Punk making ugly fusions of raw international underground hardcore and metal, yet Public Acid stands alone. 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Ultra rare material!\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eLabel: World Gone Mad Records\u003c\/li\u003e\n\u003cli\u003eFormat Type: cassette\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"World Gone Mad","offers":[{"title":"Default Title","offer_id":44783476113662,"sku":"240305925","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/various-crumbling-concrete-and-rusted-iron-soviet-punk-1985-1992-cassette_vTzQa.jpg?v=1709828095"},{"product_id":"dead-ends-complaints-12","title":"Dead Ends: Complaints 12\"","description":"\u003cp\u003eDead Ends were arguably the best and most influential 80s punk band from the Philippines. Their albums were only released on cassette, and remain impossible to source. This is an official reissue of their debut album from 1985. Musically this has the feel of American punk rock circa 1979-1981 when hardcore wasn’t the flavor of the day. Bands still had a foot in uncharted waters figuring it out. I guess it took longer for punk to migrate to the Philippines, as that’s exactly what’s happening on this album 5 years too late. A band inspired by the earliest punk and 70s rock, but figuring out how to take it a step further with their own unique local influences, and it’s absolutely awesome. Some of the Dangerhouse catalog with a bit of an edge, or early Dead Kennedys wouldn’t be a too out there comparison, but Dead Ends does their own style. Highly Recommended.  Lim 500 copies.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eLabel: Merciless Records\u003c\/li\u003e\n\u003cli\u003eFormat Type: 12\"\u003c\/li\u003e\n\u003cli\u003eYear: 2024\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Merciless Records","offers":[{"title":"Default Title","offer_id":44998190989566,"sku":"240409902","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/dead-ends-complaints-12_6JPW6.jpg?v=1712700931"},{"product_id":"dead-ends-second-coming-12","title":"Dead Ends: Second Coming 12\"","description":"\u003cp\u003eDead Ends second LP from 1986. This is my personal favorite, but maybe only because when this music was harder to hear and come across, this is the one I was lucky enough to hear a couple years before the rest. Dialing up the intensity just a bit more, Dead Ends releases an album completely on par with their first in terms of quality, but if you like that “hard punk” sound between punk and hardcore, or early hardcore era of southern California bands this may tip the scales to being even better than their first. Comparisons to bands like early TSOL, Angry Samoans, or Stains (particularly in the way Dead Ends and Stains could both drop in an absolutely shredding solo or more technical guitar part and it sound totally cool and natural) get you to where Dead Ends is headed on this album, but as before, with their own unique style. Lim 500 copies\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eLabel: Merciless Records\u003c\/li\u003e\n\u003cli\u003eFormat Type: 12\"\u003c\/li\u003e\n\u003cli\u003eYear: 2024\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Merciless Records","offers":[{"title":"Default Title","offer_id":44998191579390,"sku":"240409903","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/dead-ends-second-coming-12_HL3ZY.jpg?v=1712700935"},{"product_id":"dead-ends-damned-nation-12","title":"Dead Ends: Damned Nation 12\"","description":"\u003cp\u003eThe third album by Dead Ends, and the more I think about it, maybe their best album. Absolutely their most hardcore, and fastest, with speeds occasionally approaching the style of something like Poison Idea’s Pick Your King 7”and some passages with almost Negative Approach style oi parts. An incredible and overlooked release in the annals of 80s global HC. If this came out in NYC in 2024 it would be the album of the year. Lim 500 copies\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eLabel: Merciless Records\u003c\/li\u003e\n\u003cli\u003eFormat Type: 12\"\u003c\/li\u003e\n\u003cli\u003eYear: 2024\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Merciless Records","offers":[{"title":"Default Title","offer_id":44998191677694,"sku":"240409904","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/dead-ends-damned-nation-12_k63PW.jpg?v=1712700939"}],"url":"https:\/\/www.sorrystaterecords.com\/collections\/recently-restocked.oembed?page=4","provider":"Sorry State Records","version":"1.0","type":"link"}