{"title":"70s!","description":"","products":[{"product_id":"cock-sparrer-shock-troops-12","title":"Cock Sparrer: Shock Troops 12\"","description":"\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eWe have both the regular and gold cover variations in stock. You might receive either.\u003c\/p\u003e\n\u003cp\u003eBeautiful color vinyl, 180-gram reissue of this beloved skinhead classic. Chock full of hits like \"Where Are They Now?,\" \"Riot Squad,\" \"I Got Your Number,\" etc. Slap this platter on your turntable and watch a party erupt instantly. Beautiful packaging too, including matte finish jackets, embossed, printed inner sleeves and color vinyl. So stoked to finally have this available on vinyl once again... Pirate's Press Records\u003c\/p\u003e","brand":"Pirate's Press Records","offers":[{"title":"Default","offer_id":372091191,"sku":"SKU001722","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/cocksparrer.jpg?v=1714080560"},{"product_id":"black-flag-everything-went-black-2x12","title":"Black Flag: Everything Went Black 2x12\"","description":"\u003cp\u003eDouble album collecting a TON of pre-Rollins studio material by the three previous Black Flag singers. Morris, Chavo, and Dez each get a side of vinyl, and while there are some repeat tracks, each vocalists gives the songs his unique stamp and it's definitely worth hearing ALL of this material. More than just a collection of outtakes, this is essential listening for any Black Flag fan. SST Records\u003c\/p\u003e","brand":"SST Records","offers":[{"title":"Default","offer_id":372099501,"sku":"SKU002343","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_3718_copy.jpg?v=1515634468"},{"product_id":"misfits-static-age-12","title":"Misfits: Static Age 12\"","description":"\u003cp\u003eThe long-lost first album from the Misfits, which didn't get properly issued on vinyl until the 90s. This features all of their iconic early tracks, and original guitarist Bobby Steele gives the band a dense, textured sound that they moved away from on later releases. Personally, this is my favorite Misfits material. Absolutely essential.\u003c\/p\u003e","brand":"Caroline records","offers":[{"title":"Default Title","offer_id":372101035,"sku":"SKU002439","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/misfitsstatic.jpg?v=1714080075"},{"product_id":"misfits-collection-12","title":"Misfits: Collection 12\"","description":"\u003cp\u003eCareer-spanning retrospective of non-LP tracks and outtakes from these legends. Whether it's the sleazy 70s punk of \"She\" or the blazing HC of \"Green Hell,\" you can listen to every track on this LP and be flabbergasted. Essential even if you have all of their LPs. Caroline Records\u003c\/p\u003e","brand":"Caroline Records","offers":[{"title":"Default","offer_id":372104035,"sku":"SKU002619","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_1344.jpg?v=1454712668"},{"product_id":"swell-maps-a-trip-to-marineville-12","title":"Swell Maps: A Trip to Marineville 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eNoisy and experimental, Britain's Swell Maps experienced little commercial success during the course of their chaotic career, but in hindsight they stand as one of the pivotal acts of the new wave: not only was the group an acknowledged inspiration to the likes of Sonic Youth and Pavement, but their alumni - most notably brothers Nikki Sudden and Epic Soundtracks - continued on as key players in the underground music community.\u003c\/span\u003e\u003c\/p\u003e","brand":"Secretly Canadian Records","offers":[{"title":"Default Title","offer_id":384359380,"sku":"131023340","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_4058_copy.jpg?v=1519682001"},{"product_id":"black-sabbath-sabotage-13","title":"Black Sabbath: Sabotage 12\"","description":"\u003cspan\u003eSabotage is the final release of Black Sabbath's legendary First Six, and it's also the least celebrated of the bunch, though most die-hard fans would consider it criminally underrated. The band continues further down the proto-prog metal road of Sabbath Bloody Sabbath, and this time around, the synthesizers feel more organically integrated into the arrangements. What's more, the song structures generally feel less conventional and more challenging. There's one significant exception in the blatant pop tune \"Am I Going Insane (Radio),\" which rivals \"Changes\" as the most fan-loathed song of the glory years, thanks to its synth-driven arrangement (there isn't even a guitar riff!) and oft-repeated one-line chorus. But other than that song and the terrific album opener, \"Hole in the Sky,\" the band largely eschews the standard verse-chorus format, sticking to one or two melody lines per riffed section and changing up the feel before things get too repetitive. The prevalence of this writing approach means that Sabotage rivals Vol. 4 as the least accessible record of Sabbath's glory years. However, given time, the compositional logic reveals itself, and most of the record will burn itself into the listener's brain just fine. The faster than usual \"Symptom of the Universe\" is a stone-cold classic, its sinister main riff sounding like the first seed from which the New Wave of British Heavy Metal would sprout (not to mention an obvious blueprint for Diamond Head's \"Am I Evil?\"). Like several songs on the record, \"Symptom\" features unexpected acoustic breaks and softer dynamics, yet never loses its drive or focus, and always feels like Sabbath. Less immediate but still rewarding are \"Thrill of It All,\" with its triumphant final section, and the murky, sullen \"Megalomania,\" which never feels as long as its nearly nine and a half minutes. But more than the compositions, the real revelation on Sabotage is Ozzy Osbourne, who turns in his finest vocal performance as a member of Black Sabbath. Really for the first time, this is the Ozzy we all know, displaying enough range, power, and confidence to foreshadow his hugely successful solo career. He saves the best for last with album closer \"The Writ,\" one of the few Sabbath songs where his vocal lines are more memorable than Tony Iommi's guitar parts; running through several moods over the course of the song's eight minutes, it's one of the best performances of his career, bar none. Unfortunately, after Sabotage, the wheels of confusion came off entirely. Yes, there were technically two more albums, but for the non-obsessive, the story of Osbourne-era Sabbath effectively ends here.\u003c\/span\u003e","brand":"Rhino Records","offers":[{"title":"Default Title","offer_id":430173821,"sku":"150701500","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/sabtaoge.jpg?v=1644278724"},{"product_id":"black-sabbath-vol-4-12","title":"Black Sabbath: Vol 4 12\"","description":"\u003cspan\u003eVol. 4 is the point in Black Sabbath's career where the band's legendary drug consumption really starts to make itself felt. And it isn't just in the lyrics, most of which are about the blurry line between reality and illusion. Vol. 4 has all the messiness of a heavy metal Exile on Main St., and if it lacks that album's overall diversity, it does find Sabbath at their most musically varied, pushing to experiment amidst the drug-addled murk. As a result, there are some puzzling choices made here (not least of which is the inclusion of \"FX\"), and the album often contradicts itself. Ozzy Osbourne's wail is becoming more powerful here, taking greater independence from Tony Iommi's guitar riffs, yet his vocals are processed into a nearly textural element on much of side two. Parts of Vol. 4 are as ultra-heavy as Master of Reality, yet the band also takes its most blatant shots at accessibility to date -- and then undercuts that very intent. The effectively concise \"Tomorrow's Dream\" has a chorus that could almost be called radio-ready, were it not for the fact that it only appears once in the entire song. \"St. Vitus Dance\" is surprisingly upbeat, yet the distant-sounding vocals don't really register. The notorious piano-and-Mellotron ballad \"Changes\" ultimately fails not because of its change-of-pace mood, but more for a raft of the most horrendously clich‚d rhymes this side of \"moon-June.\" Even the crushing \"Supernaut\" -- perhaps the heaviest single track in the Sabbath catalog -- sticks a funky, almost danceable acoustic breakdown smack in the middle. Besides \"Supernaut,\" the core of Vol. 4 lies in the midtempo cocaine ode \"Snowblind,\" which was originally slated to be the album's title track until the record company got cold feet, and the multi-sectioned prog-leaning opener, \"Wheels of Confusion.\" The latter is one of Iommi's most complex and impressive compositions, varying not only riffs but textures throughout its eight minutes. Many doom and stoner metal aficionados prize the second side of the album, where Osbourne's vocals gradually fade further and further away into the murk, and Iommi's guitar assumes center stage. The underrated \"Cornucopia\" strikes a better balance of those elements, but by the time \"Under the Sun\" closes the album, the lyrics are mostly lost under a mountain of memorable, contrasting riffery. Add all of this up, and Vol. 4 is a less cohesive effort than its two immediate predecessors, but is all the more fascinating for it. Die-hard fans sick of the standards come here next, and some end up counting this as their favorite Sabbath record for its eccentricities and for its embodiment of the band's excesses.\u003c\/span\u003e","brand":"Rhino Records","offers":[{"title":"Default Title","offer_id":1668971585,"sku":"150505050","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_0076_bdf3983b-91a6-4f7c-8792-bcf3d303f7ca.jpg?v=1517010270"},{"product_id":"black-sabbath-s-t-12","title":"Black Sabbath: S\/T 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"[null,2,\u0026quot;The archetypal heavy metal band, Black Sabbath unleashed a debut album marked by ponderous, sludgy rhythms, heavily distorted riffs and chords, and more than a whiff of darkness and Black Magic. Its crushing atmosphere of doom proved intense and relentless; the cumulative effect was dubbed \\\u0026quot;downer rock,\\\u0026quot; but it proved immediately popular with a disaffected audience. Though no one could have predicted it at the time, Sabbath was laying the groundwork for a genre that would continue to grow in popularity through the '70s, '80s, '90s, and beyond.\u0026quot;]\" data-sheets-userformat=\"[null,null,513,[null,0],null,null,null,null,null,null,null,null,0]\"\u003eThe archetypal heavy metal band, Black Sabbath unleashed a debut album marked by ponderous, sludgy rhythms, heavily distorted riffs and chords, and more than a whiff of darkness and Black Magic. Its crushing atmosphere of doom proved intense and relentless; the cumulative effect was dubbed \"downer rock,\" but it proved immediately popular with a disaffected audience. Though no one could have predicted it at the time, Sabbath was laying the groundwork for a genre that would continue to grow in popularity through the '70s, '80s, '90s, and beyond.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warner Bros Records","offers":[{"title":"Default Title","offer_id":4215882689,"sku":"150630051","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/blacksabbath.jpg?v=1624739534"},{"product_id":"black-sabbath-paranoid-12","title":"Black Sabbath: Paranoid 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"[null,2,\u0026quot;PARANOID proved to be Black Sabbath's most focused, consistent, and successful record. Leaving behind the amorphous, extended jams of their debut for focused songs and a more structured sound, Black Sabbath virtually wrote the book on heavy metal with the ominous, unforgettable riffs, thunderous rhythms, and dark themes on this release. There are some up-tempo rockers, the famous title track for one, but for the most part PARANOID oozes along like a bad dream, as on the slinky, creepy opener, \\\u0026quot;War Pigs,\\\u0026quot; or the lumbering thud of \\\u0026quot;Iron Man\\\u0026quot; (which boasts one of the most indelible electric guitar riffs in rock history).\u0026quot;]\" data-sheets-userformat=\"[null,null,513,[null,0],null,null,null,null,null,null,null,null,0]\"\u003ePARANOID proved to be Black Sabbath's most focused, consistent, and successful record. Leaving behind the amorphous, extended jams of their debut for focused songs and a more structured sound, Black Sabbath virtually wrote the book on heavy metal with the ominous, unforgettable riffs, thunderous rhythms, and dark themes on this release. There are some up-tempo rockers, the famous title track for one, but for the most part PARANOID oozes along like a bad dream, as on the slinky, creepy opener, \"War Pigs,\" or the lumbering thud of \"Iron Man\" (which boasts one of the most indelible electric guitar riffs in rock history).\u003c\/span\u003e\u003c\/p\u003e","brand":"Warner Bros Records","offers":[{"title":"Default Title","offer_id":4215916865,"sku":"150630052","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_2045_copy.jpg?v=1502921880"},{"product_id":"david-bowie-the-man-who-sold-the-world-12","title":"David Bowie: The Man Who Sold The World 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"[null,2,\u0026quot;David Bowie's first album of the 1970s, the Tony Visconti-produced The Man Who Sold the World represents the beginning of the landmark artist's classic period. Mick Ronson's guitars occupy hard-rock and psychedelic domains, and Bowie pursues a sound that's simultaneously bizarre, fuzzed-out, and alien. Made more famous by Nirvana's cover of the title track on MTV Unplugged in New York, The Man Who Sold the World goes much deeper than one song. The record points in the unpredictable, innovative directions Bowie would travel throughout the 1970s. In addition, the album's cover, on which Bowie wears a dress, remains a landmark image and indicative of his bold refusal of hard-and-fast sexual identities. \u0026quot;]\" data-sheets-userformat=\"[null,null,513,[null,0],null,null,null,null,null,null,null,null,0]\"\u003eDavid Bowie's first album of the 1970s, the Tony Visconti-produced The Man Who Sold the World represents the beginning of the landmark artist's classic period. Mick Ronson's guitars occupy hard-rock and psychedelic domains, and Bowie pursues a sound that's simultaneously bizarre, fuzzed-out, and alien. Made more famous by Nirvana's cover of the title track on MTV Unplugged in New York, The Man Who Sold the World goes much deeper than one song. The record points in the unpredictable, innovative directions Bowie would travel throughout the 1970s. In addition, the album's cover, on which Bowie wears a dress, remains a landmark image and indicative of his bold refusal of hard-and-fast sexual identities. \u003c\/span\u003e\u003c\/p\u003e","brand":"Parlophone Records","offers":[{"title":"Default Title","offer_id":12322353537,"sku":"160226006","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_0219.jpg?v=1456443642"},{"product_id":"david-bowie-the-rise-and-fall-of-ziggy-stardust-12","title":"David Bowie: The Rise and Fall of Ziggy Stardust 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"[null,2,\u0026quot;\\\u0026quot;Wham Bam Thank You Ma\\u2019m!\\\u0026quot; David Bowie's The Rise and Fall Of Ziggy Stardust and the Spiders from Mars erased borders, eliminated stereotypes, broke open cultural possibilities, and spawned a legacy like no other. More than four decades after its release, the record remains one of the most electrifying and brilliant works ever released. Again available on 180g vinyl LP, it is here presented in freshly remastered sound that does justice to Bowie, Mick Ronson, and company's creative genius.\u0026quot;]\" data-sheets-userformat=\"[null,null,513,[null,0],null,null,null,null,null,null,null,null,0]\"\u003e\"Wham Bam Thank You Ma’m!\" David Bowie's The Rise and Fall Of Ziggy Stardust and the Spiders from Mars erased borders, eliminated stereotypes, broke open cultural possibilities, and spawned a legacy like no other. More than four decades after its release, the record remains one of the most electrifying and brilliant works ever released. Again available on 180g vinyl LP, it is here presented in freshly remastered sound that does justice to Bowie, Mick Ronson, and company's creative genius.\u003c\/span\u003e\u003c\/p\u003e","brand":"Parlophone Records","offers":[{"title":"Default Title","offer_id":16406334273,"sku":"160302001","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_2064_copy.jpg?v=1502922693"},{"product_id":"mc5-high-time-12","title":"MC5: High Time 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;However, after only two more albums \\u2013 1970's Back in the USA and 1971's High Time \\u2013 MC5 was dropped by their label, and although they stuck together for a bit longer, they broke up after a final performance in Detroit on New Year's Eve 1972. High Times may have marked the end of MC5, but the Geoffrey Haslam-produced set still finds the band in fine musical form and as accessible as ever with well-crafted cuts like Sister Anne,\\\u0026quot; \\\u0026quot;Poison\\\u0026quot; and \\\u0026quot;Skunk (Sonically Speaking).\\\u0026quot;\\n\\nDave Marsh wrote in the liner notes to the 1992 reissue of High Times: \\\u0026quot;Sadly, High Time's 1971 release represented the end of the line for MC5. Hard drugs had entered the bandmembers' lives, and within a year they'd split up, drifting off into various other configurations. At least two members wound up in federal prison on drug charges, and they never did reunite before the untimely death of Rob Tyner in mid-summer 1992.\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003eHowever, after only two more albums – 1970's Back in the USA and 1971's High Time – MC5 was dropped by their label, and although they stuck together for a bit longer, they broke up after a final performance in Detroit on New Year's Eve 1972. High Times may have marked the end of MC5, but the Geoffrey Haslam-produced set still finds the band in fine musical form and as accessible as ever with well-crafted cuts like Sister Anne,\" \"Poison\" and \"Skunk (Sonically Speaking).\"\u003cbr\u003e\u003cbr\u003eDave Marsh wrote in the liner notes to the 1992 reissue of High Times: \"Sadly, High Time's 1971 release represented the end of the line for MC5. Hard drugs had entered the bandmembers' lives, and within a year they'd split up, drifting off into various other configurations. At least two members wound up in federal prison on drug charges, and they never did reunite before the untimely death of Rob Tyner in mid-summer 1992.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Atlantic Records","offers":[{"title":"Default Title","offer_id":22447961985,"sku":"160725001","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_6761.jpg?v=1469477876"},{"product_id":"the-cure-three-imaginary-boys-12-new","title":"The Cure: Three Imaginary Boys 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOriginally a postpunk outfit with gothic leanings, \u003cstrong\u003eThe Cure\u003c\/strong\u003e evolved into one of the most visionary, creatively satisfying and influential groups to come of age in the 1980's. From dreamy pop to moody expressionism, their signature sound is adventurous, hypnotic, and rich with texture. Formed in 1976 by Robert Smith and schoolmates Michael Dempsey (bass) and Laurence Tolhurst (drums), \u003cstrong\u003eThe Cure's\u003c\/strong\u003e stunning 1979 debut, \u003cstrong\u003e\u003cem\u003eThree Imaginary Boys\u003c\/em\u003e\u003c\/strong\u003e, on U.K.-based Fiction Records launched an extraordinary career and enduring worldwide popularity.\u003c\/p\u003e\n\u003cp\u003eAfter touring for almost all of 1977 as a quartet, the band rearranged their line-up with the sacking of Porl Thompson, giving birth to an unusual power trio. This line-up lasted only for their first record, making it unique in its essentially minimal sound. The year was now 1978, and the three (imaginary?) boys soon signed to Chris Parry's Fiction Label. The album was subsequently released in the US with a different title (\u003cem\u003eBoys Don't Cry\u003c\/em\u003e - after one of the band's best selling singles) and featured a slightly different track listing.\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Default Title","offer_id":24837945281,"sku":"160901002","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_1598_11d12fb4-46ef-4dad-88db-7abdb2831136.jpg?v=1472764451"},{"product_id":"pink-floyd-dark-side-of-the-moon-13","title":"Pink Floyd: Dark Side of the Moon 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cp\u003eNo matter how many copies of \u003cstrong\u003ePink Floyd\u003c\/strong\u003e's¬†\u003cem\u003e\u003cstrong\u003eThe Dark Side of the Moon\u003c\/strong\u003e\u003c\/em\u003e you may have owned over the years, you NEED to hear this incredible-sounding version. Teeming with stunning dynamics, an immense front-to-back soundstage, newly uncovered details, balanced transients, and tube-amplifier warmth, this dead-quiet 180g LP pressing is \u003cstrong\u003emastered from the original master tapes by Bernie Grundman, James Guthrie, and Joel Plante\u003c\/strong\u003e. It will have you truly hearing this all-time classic with fresh ears. An audiophile benchmark, the album has been improved on an analog version expressly created to stand the test of time. This audiophile LP doesn't disappoint.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePink Floyd\u003c\/strong\u003e's 1973 commercial breakthrough album needs no introduction. Lush, immaculate production augments the slow, atmospheric soundscapes of neo-psychedelic rock to jazz fusion and blues-rock. There's no wonder why it stands as the album that anyone who has ever owned a decent stereo has in their collection, no matter their musical tastes. And now it's better.\u003c\/p\u003e \u003cp\u003eOriginally released in 1973, \u003cem\u003e\u003cstrong\u003eThe Dark Side of The Moon\u003c\/strong\u003e\u003c\/em\u003e became \u003cstrong\u003ePink Floyd\u003c\/strong\u003e's first #1 album in the U.S., remaining on the chart for 741 weeks between 1973 and 1988. One of the best-selling and most critically acclaimed albums of all time, \u003cem\u003e\u003cstrong\u003eThe Dark Side of The Moon\u003c\/strong\u003e\u003c\/em\u003e also introduced the simple and bold iconic album cover artwork by Hipgnosis, which features a prism representing the band's stage lighting.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":28191069185,"sku":"161102005","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_1346copy.jpg?v=1588894642"},{"product_id":"fleetwood-mac-rumours-12-new","title":"Fleetwood Mac: Rumours 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"MdRemovedH1\"\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ethe pressing you receive may not match the stock photo. If you're after a specific version, please write first to confirm.\u003c\/p\u003e\n\u003cp class=\"MdRemovedH2\"\u003eOne of THE Definitive Albums of All-Time: 1977 Blockbuster Features \"Gold Dust Woman,\" \"The Chain,\" \"Go Your Own Way,\" and More\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFleetwood Mac \u003cem\u003eRumours\u003c\/em\u003e Track Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Second Hand News\u003cbr\u003e2. Dreams\u003cbr\u003e3. Never Going Back Again\u003cbr\u003e4. Don't Stop\u003cbr\u003e5. Go Your Own Way\u003cbr\u003e6. Songbird\u003cbr\u003e7. The Chain\u003cbr\u003e8. You Making Love Fun\u003cbr\u003e9. I Don't Want To Know\u003cbr\u003e10. Oh Daddy\u003cbr\u003e11. Gold Dust Woman\u003c\/p\u003e","brand":"Reprise Records","offers":[{"title":"Default Title","offer_id":30048673229,"sku":"170106002","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_1354copy.jpg?v=1588895635"},{"product_id":"black-sabbath-sabbath-bloody-sabbath-12-red-orange-vinyl","title":"Black Sabbath: Sabbath Bloody Sabbath 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eBlack Sabbath\u003c\/strong\u003e is credited with creating heavy metal. The success of their first two albums - \u003cem\u003eBlack Sabbath\u003c\/em\u003e and \u003cem\u003eParanoid \u003c\/em\u003e- marked a paradigm shift in the world of rock. Not until \u003cstrong\u003eBlack Sabbath\u003c\/strong\u003e upended the music scene did the term \"heavy metal\" enter the popular vocabulary to describe the denser, more thunderous offshoot of rock over which they presided. With their riff-based songs, extreme volume, and dark, demonic subject matter, \u003cstrong\u003eBlack Sabbath\u003c\/strong\u003e embodied key aspects of the heavy-metal aesthetic. Yet in their own words, they saw themselves as a \"heavy underground\" band. That term denoted both the intensity of their music and the network of fans who found them long before critics and the music industry took notice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlack Sabbath\u003c\/strong\u003e released a remarkable four genre-defining albums (\u003cem\u003eBlack Sabbath\u003c\/em\u003e, \u003cem\u003eParanoid\u003c\/em\u003e, \u003cem\u003eMaster of Reality\u003c\/em\u003e, \u003cem\u003eVol. 4\u003c\/em\u003e) in just a two-year period from 1970-1972 while also touring at a ceaseless pace. The group's fifth album, \u003cstrong\u003e\u003cem\u003eSabbath Bloody Sabbath\u003c\/em\u003e\u003c\/strong\u003e (1973), showed further signs of growth and experimentation, and the title track ranks among their finest moments. As a totality, it comes closest to equaling their early masterpiece, \u003cem\u003eParanoid\u003c\/em\u003e. The group wrote and rehearsed the material for \u003cstrong\u003e\u003cem\u003eSabbath Bloody Sabbath\u003c\/em\u003e\u003c\/strong\u003e at a castle in Wales that they claimed was haunted, further fueling their music's unnerving vibe at a time when the group was testing its own mental and physical limits.\u003c\/p\u003e","brand":"Rhino Records","offers":[{"title":"Default Title","offer_id":30147967949,"sku":"170109010","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_3808_copy.jpg?v=1516645634"},{"product_id":"miles-davis-bitches-brew-12-new","title":"Miles Davis: Bitches Brew 12\"","description":"","brand":"Columbia Legacy","offers":[{"title":"Default Title","offer_id":32177374413,"sku":"170216302","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/milesdavis_940697b0-e862-425a-9e5e-b29a4cbf2533.jpg?v=1638925051"},{"product_id":"bob-marley-legend-12","title":"Bob Marley: Legend 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Island 50th Anniversary Special Edition. There are few musicians whose music has indisputably advanced humanity. Reggae figurehead Bob Marley--a songwriter, poet, activist, and visionary--is one of them. The idea that a single-disc collection could represent the depth, breadth, and power of Marley's achievement is far-fetched, but LEGEND makes an excellent attempt. Every single one of its tracks is outstanding, and the artist's different faces--revolutionary (\\\u0026quot;Get Up Stand Up\\\u0026quot;), romantic (\\\u0026quot;Is This Love\\\u0026quot;), devout Rastafarian (\\\u0026quot;Buffalo Soldier\\\u0026quot;), and prophet (\\\u0026quot;One Love\/People Get Ready\\\u0026quot;) are equally represented.\\n\\nIn addition to his moving message of love and unity, Marley is a master songwriter, as the timelessness of songs like \\\u0026quot;Stir It Up,\\\u0026quot; \\\u0026quot;I Shot the Sheriff,\\\u0026quot; and the gorgeous, poignant \\\u0026quot;Redemption Song\\\u0026quot; proves. Of course, a true sampling of Marley's output would require some early ska material, the Wailer's debut (CATCH A FIRE), the definitive NATTY DREAD, and his later-period opus EXODUS, but LEGEND provides a highly satisfying, if brief, overview of Marley's genius. A record well suited to any location, season, or time of day, it has proven universal in its appeal. The music herein is as essential as air.\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eIsland 50th Anniversary Special Edition. There are few musicians whose music has indisputably advanced humanity. Reggae figurehead Bob Marley--a songwriter, poet, activist, and visionary--is one of them. The idea that a single-disc collection could represent the depth, breadth, and power of Marley's achievement is far-fetched, but LEGEND makes an excellent attempt. Every single one of its tracks is outstanding, and the artist's different faces--revolutionary (\"Get Up Stand Up\"), romantic (\"Is This Love\"), devout Rastafarian (\"Buffalo Soldier\"), and prophet (\"One Love\/People Get Ready\") are equally represented.\u003cbr\u003e\u003cbr\u003eIn addition to his moving message of love and unity, Marley is a master songwriter, as the timelessness of songs like \"Stir It Up,\" \"I Shot the Sheriff,\" and the gorgeous, poignant \"Redemption Song\" proves. Of course, a true sampling of Marley's output would require some early ska material, the Wailer's debut (CATCH A FIRE), the definitive NATTY DREAD, and his later-period opus EXODUS, but LEGEND provides a highly satisfying, if brief, overview of Marley's genius. A record well suited to any location, season, or time of day, it has proven universal in its appeal. The music herein is as essential as air.\u003c\/span\u003e\u003c\/p\u003e","brand":"Island Records","offers":[{"title":"Default Title","offer_id":3461779062810,"sku":"180120286","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/bob-marley-legend.jpg?v=1516493615"},{"product_id":"ramones-s-t-12-new","title":"Ramones: S\/T 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRamones\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esounded like nothing else when their self-titled debut came roaring onto the scene in 1976. Even so, original drummer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTommy Ramone\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edid do a pretty good job describing the band's primal sound when he penned the quartet's press bio that same year. \"The Ramones all originate from Forest Hills and kids who grew up there either became musicians, degenerates or dentists. The Ramones are a little of each,\" he observed. \"Their sound is not unlike a fast drill on a rear molar.\"\u003c\/p\u003e\n\u003cp\u003eNamed the \"Greatest Punk Album Of All Time\" by\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRolling Stone\u003c\/em\u003e, and certainly one of the most important and influential albums of all time, the 29-minute masterpiece helped launch the punk rock scenes in both America and Britain, and also went on to inspire countless other artists for generations to come. Bringing a bubblegum sensibility to the fast-and-hard mentality, their primal sound is considered a blueprint for all things resembling snotty, catchy, ear-bleeding punk rock.\u003c\/p\u003e\n\u003cp\u003eAnd with cornerstone anthems like \"Blitzkrieg Bop,\" \"Beat on the Brat,\" \"Judy Is A Punk\" and \"I Wanna Be Your Boyfriend\" as its first four songs alone,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eRamones\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003estature and supremacy is hard to argue.\u003c\/p\u003e","brand":"Rhino Records","offers":[{"title":"Default Title","offer_id":6799826845747,"sku":"180208304","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_5546.jpg?v=1518138125"},{"product_id":"ramones-leave-home-14","title":"Ramones: Leave Home 12\"","description":"Their 2nd LP!","brand":"Rhino","offers":[{"title":"Default Title","offer_id":6810622197811,"sku":"180212008","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/R-10615316-1501072045-1445_jpeg.jpg?v=1613777764"},{"product_id":"ramones-rocket-to-russia-12","title":"Ramones: Rocket to Russia 12\"","description":"\u003cp\u003eTheir landmark 3rd LP!\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Default Title","offer_id":6810623017011,"sku":"180212009","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_5579.jpg?v=1518475950"},{"product_id":"silver-abuse-consider-the-pigeon-12","title":"Silver Abuse: Consider The Pigeon 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDespite the fact that Silver Abuse has shared its distinctive style of punk noise and no-wave resonance in Chicago since 1977, it remains a modern band making now sounds. Their second full album, “Consider The Pigeon,” has been two years in the making and it‘s definitely been worth the wait. Pressed into crisp black vinyl (or gleaming CD) for your eager consumption, this newest work is certainly the band's finest to date. If you haven’t been listening to Silver Abuse already, this album will leave you wondering why you haven’t been all along.\u003c\/span\u003e","brand":"Alonas Dream Records","offers":[{"title":"Default Title","offer_id":7440347660339,"sku":"180402014","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_4378_copy.jpg?v=1522705008"},{"product_id":"shatterbox-strung-out-on-the-line-12","title":"Shatterbox: Strung Out on the Line 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"DIG! Records Archeological Division presents Strung Out on the Line, the all but lost private press powerhouse LP from SHATTERBOX.\\n\\nThe band formed in 1979, at a major and sketchy (read: majorly sketchy) generational crossroads for what threatened to be the last gasp of Rock’n’roll in the ‘70s, and the shaky-new directions it’d take in the ‘80s. Recorded in their Seattle basement, the band utilized a mobile studio unit ala a low-rent D.I.Y. Exile Main on St., and self-released the album on New Year’s Day 1981 in an unknown – or, at least now forgotten – quantity, and in an array of handmade album art designs: stencil and spray paint; paste-on Xerox cutout; and bare-white factory sleeves, SHATTERBOX never followed standard operating procedures and Strung Out on the Line captures the band’s wild and ragged original sound and style in full.\\n\\nNewly restored and re-mastered by David Eck from the original quarter-inch reels and housed in properly printed jackets with liner notes displaying the numerous versions of album art and an oral history from the band’s sole surviving member, Richard Pleasant, this LP is finally receiving the presentation it deserves – now, nearly forty years down the line.\\n\\nRocketing through twelve brash and energetic cuts of exuberant Punk Rock and raw Power Pop, the album sonically falls somewhere between THE HEARTBREAKERS, NERVOUS EATERS and either –or, better yet – both iterations of THE GIZMOS. Archetypal subject matter ranging from Sex to Drugs and onto Rock‘n’roll are all addressed on tracks like “Anytime”, “Got To Have It”, “Dance Tonight”, “Just Can’t Help It”, “Go Down” and “Brand New Girl” – typically all in the same song! More complex themes surface on a Proustian examination of time (“Time”) and the quantifiable burden of modern life (“Too Much Traffic”), while the band’s own creative force can be summed up by the chorus to “Pop City”: Ain’t nothin but a rock song. Ain’t nothin but a pop song. Ain’t nothin but a punk song. So whose doin right or wrong?\\n\\nStrung Out on the Line is an unlikely album for rediscovery, given its diamond in the rough mystique – the precious few remaining copies fetch hundreds in collector circles – but fortunately for today’s rocker, there’s no expiration date on the musical contents contained herein. SHATTERBOX made their own way, shirking record industry conventions and sidestepping the musical trends touted by their Hardcore Punk and New Wave peers, to create something at once their own, and now ours again.\\n\\nMODERN LISTENERS - RECOMMENDED IF YOU DIG: DIRTY FENCES, DANCER, etc. etc.\"}' data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eDIG! Records Archeological Division presents Strung Out on the Line, the all but lost private press powerhouse LP from SHATTERBOX.\u003cbr\u003e\u003cbr\u003eThe band formed in 1979, at a major and sketchy (read: majorly sketchy) generational crossroads for what threatened to be the last gasp of Rock’n’roll in the ‘70s, and the shaky-new directions it’d take in the ‘80s. Recorded in their Seattle basement, the band utilized a mobile studio unit ala a low-rent D.I.Y. Exile Main on St., and self-released the album on New Year’s Day 1981 in an unknown – or, at least now forgotten – quantity, and in an array of handmade album art designs: stencil and spray paint; paste-on Xerox cutout; and bare-white factory sleeves, SHATTERBOX never followed standard operating procedures and Strung Out on the Line captures the band’s wild and ragged original sound and style in full.\u003cbr\u003e\u003cbr\u003eNewly restored and re-mastered by David Eck from the original quarter-inch reels and housed in properly printed jackets with liner notes displaying the numerous versions of album art and an oral history from the band’s sole surviving member, Richard Pleasant, this LP is finally receiving the presentation it deserves – now, nearly forty years down the line.\u003cbr\u003e\u003cbr\u003eRocketing through twelve brash and energetic cuts of exuberant Punk Rock and raw Power Pop, the album sonically falls somewhere between THE HEARTBREAKERS, NERVOUS EATERS and either –or, better yet – both iterations of THE GIZMOS. Archetypal subject matter ranging from Sex to Drugs and onto Rock‘n’roll are all addressed on tracks like “Anytime”, “Got To Have It”, “Dance Tonight”, “Just Can’t Help It”, “Go Down” and “Brand New Girl” – typically all in the same song! More complex themes surface on a Proustian examination of time (“Time”) and the quantifiable burden of modern life (“Too Much Traffic”), while the band’s own creative force can be summed up by the chorus to “Pop City”: Ain’t nothin but a rock song. Ain’t nothin but a pop song. Ain’t nothin but a punk song. So whose doin right or wrong?\u003cbr\u003e\u003cbr\u003eStrung Out on the Line is an unlikely album for rediscovery, given its diamond in the rough mystique – the precious few remaining copies fetch hundreds in collector circles – but fortunately for today’s rocker, there’s no expiration date on the musical contents contained herein. SHATTERBOX made their own way, shirking record industry conventions and sidestepping the musical trends touted by their Hardcore Punk and New Wave peers, to create something at once their own, and now ours again.\u003cbr\u003e\u003cbr\u003eMODERN LISTENERS - RECOMMENDED IF YOU DIG: DIRTY FENCES, DANCER, etc. etc.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: Official reissue of this private press power-pop obscurity from 1981 Seattle. Power-pop can mean a lot of different things to different people, and Shatterbox offer a particular take on it… rather than the polished pop of bands like the Cars or the Nerves, they’re more on the trashy, Stones \/ Dolls-influenced end of the spectrum, but with a pop sensibility that’s more early Lennon\/McCartney than Jagger\/Richards. I was listening to this in the store and Jeff noted that it reminded him a lot of the Exploding Hearts, which I can definitely hear on tracks like “Dance Tonight,” “Too Much Traffic,” and “Anytime” (which seems to borrow the main riff from the Beatles’ version of “The Hippy Hippy Shake”). For me, there are two dangers with this kind of power-pop: that it gets to sappy \/ syrupy or the band just doesn’t have the songwriting chops to deliver real hooks. Shatterbox have neither of these problems. \u003cem\u003eStrung Out on the Line\u003c\/em\u003e is exactly the type of raw, catchy, and aggressive music that you’re looking for when you head down the rabbit hole of private press late 70s \/ early 80s power-pop, and if you’re a fan of that style this is well worth checking out.\u003c\/p\u003e","brand":"Dig Records","offers":[{"title":"Default Title","offer_id":7921175986227,"sku":"180507003","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_4656_copy.jpg?v=1525724375"},{"product_id":"tom-waits-the-heart-of-saturday-night-12-new","title":"Tom Waits: The Heart of Saturday Night 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExpanding beyond the folk and pop stylings of his first album, \u003c\/span\u003e\u003cstrong\u003eTom Waits'\u003c\/strong\u003e\u003cspan\u003e masterful second studio effort, \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eHeart of Saturday Night\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e (1974) further established his growing reputation as a versatile and distinctly American songwriter. Its bluesy jazz arrangements featured bass, drums, saxophone and Waits on piano. The title track, a melancholy ode to Saturday night rituals, and the tenderly romantic hymn-like \"San Diego Serenade\" are enduring classics covered by an array of artists from Diana Krall and Nancy Griffith to folk hero Eric Anderson. The album also features \"Diamonds on My Windshield,\" the first of what would become a signature for Waits - the spoken word-poetry song. Waits delivers the evocative lyrics throughout as pure beat jazz in the stylings of Kerouac, Langston Hughes and Bob Kaufman.\u003c\/span\u003e","brand":"Anti- Records","offers":[{"title":"Default Title","offer_id":7971595714611,"sku":"180511001","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_6220.JPG?v=1525994370"},{"product_id":"tom-waits-small-change-12-new","title":"Tom Waits: Small Change 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAfter signing with Asylum Records in the early 1970s,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTom Waits\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003erecorded a series of acclaimed albums whose noir tales about the after-midnight underworld transformed the seedy into the sublime in songs laced with both dark humor and profound longing. Decades and several musical evolutions later, Waits' Asylum years still hold a special place in the hearts of many fans. Waits' first seven albums on Asylum have been\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eremastered\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand will be re-released via Anti-Records.\u003c\/p\u003e\n\u003cp\u003e1976's\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eSmall Change\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a masterpiece that contains some of Waits' best early work. Classic jazz, Tin Pan Alley, and Stephen Foster filtered through Tom's unique worldview and lyrical genius. Heartbreaking, hilarious and always vivid, songs like \"Step Right Up,\" \"Tom Traubert's Blues,\" \"I Wish I Was in New Orleans,\" \"The Piano Has Been Drinking\" and \"Invitation to the Blues\" are all classics that have influenced generations of songwriters since. Recorded with a live orchestra and featuring jazz legend\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eShelly Manne\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon drums,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eSmall Change\u003c\/strong\u003e\u003c\/em\u003e stands as one of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTom Waits'\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emost popular recordings.\u003c\/p\u003e","brand":"Anti- Records","offers":[{"title":"Default Title","offer_id":8430721007667,"sku":"180607005","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_6527.JPG?v=1528408566"},{"product_id":"banned-from-chicago-1978-12","title":"Banned from Chicago: 1978 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Eight bursts of unheard first wave Chicago street punk. Primal rock ’n roll recorded in early ’78 and unreleased until 2018. \\n\\nBanned From Chicago formed in Chicago’s nascent punk scene circa 1977. Not content with their hometown, they decamped for NYC in early 1978. But before they departed Chicago, they recorded a set at a studio on the south side. The eight songs sat unreleased until rediscovered in 2017. \\n\\nBanned From Chicago is twin guitars, throbbing bass, heavy drums and a unique take on punk’s early sound. \\n\\nThese songs are mastered from the original tape and released officially for the first time in 2018 on CD, LP and Digital.\"}' data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eNOTE: Corners were bumped when shipped.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Eight bursts of unheard first wave Chicago street punk. Primal rock ’n roll recorded in early ’78 and unreleased until 2018. \\n\\nBanned From Chicago formed in Chicago’s nascent punk scene circa 1977. Not content with their hometown, they decamped for NYC in early 1978. But before they departed Chicago, they recorded a set at a studio on the south side. The eight songs sat unreleased until rediscovered in 2017. \\n\\nBanned From Chicago is twin guitars, throbbing bass, heavy drums and a unique take on punk’s early sound. \\n\\nThese songs are mastered from the original tape and released officially for the first time in 2018 on CD, LP and Digital.\"}' data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eEight bursts of unheard first wave Chicago street punk. Primal rock ’n roll recorded in early ’78 and unreleased until 2018. \u003cbr\u003e\u003cbr\u003eBanned From Chicago formed in Chicago’s nascent punk scene circa 1977. Not content with their hometown, they decamped for NYC in early 1978. But before they departed Chicago, they recorded a set at a studio on the south side. The eight songs sat unreleased until rediscovered in 2017. \u003cbr\u003e\u003cbr\u003eBanned From Chicago is twin guitars, throbbing bass, heavy drums and a unique take on punk’s early sound. \u003cbr\u003e\u003cbr\u003eThese songs are mastered from the original tape and released officially for the first time in 2018 on CD, LP and Digital.\u003c\/span\u003e\u003c\/p\u003e","brand":"Alonas Dream Records","offers":[{"title":"Default Title","offer_id":8546137538611,"sku":"180628006","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_5082_copy.jpg?v=1530226121"},{"product_id":"david-bowie-lodger-12","title":"David Bowie: Lodger 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In 1976 David Bowie relocated to Berlin, enlisting Brian Eno and Tony Visconti to begin recording the albums that would become known as his \\\u0026quot;Berlin Trilogy\\\u0026quot;: Low (1977), Heroes (1977) and Lodger (1979). Most of the music across the three albums wasn't even recorded in Berlin, the unifying factor actually being Bowie, Visconti and Eno. The final installment, Lodger features no instrumentals and is the most pop-leaning of the trio of releases. Toeing the line of accessibility and and experimentation is a Bowie hallmark and he does it to perfection on the melodic and multi-layered standouts \\\u0026quot;DJ,\\\u0026quot; \\\u0026quot;Look Back in Anger\\\u0026quot; and \\\u0026quot;Boys Keep Swinging.\\\u0026quot; Frank Zappa guitarist Adrian Belew also replaces Robert Fripp this time around as well and his free-range playing helps define the underrated record. There's old wave, there's new wave, and there's David Bowie!\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eIn 1976 David Bowie relocated to Berlin, enlisting Brian Eno and Tony Visconti to begin recording the albums that would become known as his \"Berlin Trilogy\": Low (1977), Heroes (1977) and Lodger (1979). Most of the music across the three albums wasn't even recorded in Berlin, the unifying factor actually being Bowie, Visconti and Eno. The final installment, Lodger features no instrumentals and is the most pop-leaning of the trio of releases. Toeing the line of accessibility and and experimentation is a Bowie hallmark and he does it to perfection on the melodic and multi-layered standouts \"DJ,\" \"Look Back in Anger\" and \"Boys Keep Swinging.\" Frank Zappa guitarist Adrian Belew also replaces Robert Fripp this time around as well and his free-range playing helps define the underrated record. There's old wave, there's new wave, and there's David Bowie!\u003c\/span\u003e\u003c\/p\u003e","brand":"Parlophone","offers":[{"title":"Default Title","offer_id":8568538726451,"sku":"180702009","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/davidbowieeeee.jpg?v=1624739194"},{"product_id":"the-damned-damned-damned-damned-12","title":"The Damned: Damned Damned Damned 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e'Damned Damned Damned' which was one of the first punk albums issued and it remains a certified punk classic. Unlike the work of such contemporaries as the Adverts and Slaughter and the Dogs, this stunning debut sounds as fresh and vital today as it did in 1977. The album blasts off with the searing 'Neat Neat Neat,' a raging slab of buzzsaw guitars, crashing drums, and the sneering vocals of Dave Vanian that ranks among the 20 best punk songs of the era. Never as political as the Sex Pistols or the Clash, The Damned were the original cartoon punks, merrily ripping through such cheerful songs as 'Born to Kill,' 'Stab Your Back,' and 'Fish' with reckless abandon, playing punk rock for the simple joy of making loud, aggressive music. Other highlights include the group's anthemic hit single, 'New Rose,' a pounding track that's powered by a monster riff from guitarist Brian James, and a swell rendition of the Stooges' 'I Feel Alright.' produced by Nick Lowe (who allegedly sped up the original tapes to give The Damned a 'punkier' sound), 'Damned Damned Damned' is essential album.\u003cbr\u003e\u003c\/p\u003e","brand":"Union Square Records","offers":[{"title":"Default Title","offer_id":12820949499955,"sku":"161114005","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/4492706-3618004.jpg?v=1785267729"},{"product_id":"thekidsnaughtykids12","title":"The Kids: Naughty Kids 12\"","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 10pt; font-family: Arial;\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Originally released a mere eight months after their groundbreaking 1978 self-titled debut LP (RAD 8002LP), The Kids' second album is a pure masterpiece of straightforward punk rock. A little less raw than their previous material, but still far from the new wave sounds the band started experimenting with on their following records, Naughty Kids remains one of the best examples of non-UK '70s punk and definitely a mandatory addition to the collection of any Killed by Death fanatic!\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":[null,0],\"12\":0}'\u003eOriginally released a mere eight months after their groundbreaking 1978 self-titled debut LP (RAD 8002LP), The Kids' second album is a pure masterpiece of straightforward punk rock. A little less raw than their previous material, but still far from the new wave sounds the band started experimenting with on their following records, Naughty Kids remains one of the best examples of non-UK '70s punk and definitely a mandatory addition to the collection of any Killed by Death fanatic!\u003c\/span\u003e\u003c\/p\u003e","brand":"Radiation Records","offers":[{"title":"Default Title","offer_id":13495064428595,"sku":"181102112","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/d6fbb7447a8e83ea4d013db3f0e0005d6e79f4c9.jpg?v=1541199027"},{"product_id":"dillingernonstopdisco12","title":"Ranking Dillinger: None Stop Disco Style 12\"","description":null,"brand":"Radiation Records","offers":[{"title":"Default Title","offer_id":17350025412659,"sku":"190429909","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/6157SijzdoL._UF1000_1000_QL80.jpg?v=1786475658"},{"product_id":"190610902","title":"Buzzcocks: A Different Kind of Tension 12\"","description":"\u003cp\u003eBuzzcocks' Seminal Third Album Restored and Remastered from its Original ¼ Tapes for the First Time Since 1979 Release!\u003c\/p\u003e\n\u003cp\u003eFamously taking their name from ‘It's the buzz, cock', a headline from a Time Out review of 1970s TV music drama Rock Follies, Buzzcocks formed in Bolton in 1976 by Pete Shelley and Howard Devoto, who have a strong claim to have kick-started a musical revolution in Manchester having organized and played at the now famous Sex Pistols show at Manchester's Lesser Free Trade Hall in 1976, a show which inspired and spawned the likes of Joy Division, The Fall and The Smiths.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs part of their continuing reissue campaign, Domino is offering up new vinyl LP pressings of the latest pair of Buzzcocks albums, A Different Kind Of Tension and Singles Going Steady, both originally released in 1979. A Different Kind Of Tension, Buzzcocks' third studio album, and their last to feature the line-up of Shelley (vocals\/guitar), Steve Diggle (guitar\/vocals), Steve Garvey (bass) and John Maher (drums), was recorded at Eden Studio in West London in the summer of 1979 with producer Martin Rushent, who had worked on their previous two efforts. It was released in September of that same year, and featured a distinctive cover by Malcolm Garrett who had also provided the artwork for both Another Music In A Different Kitchen and Love Bites.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs previously, both albums have been lovingly restored and re-mastered from the original ¼\" tapes for the first time and come packaged with lavish 8-page booklets containing unseen images and extensive liner notes by famed cultural commentators Jon Savage (A Different Kind Of Tension) and Clinton Heylin (Singles Going Steady).\u003c\/p\u003e","brand":"Domino Records","offers":[{"title":"Default Title","offer_id":17677105463347,"sku":"190610902","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/kindoftension.png?v=1667950412"},{"product_id":"ramonesroadtoruin12","title":"Ramones: Road to Ruin 12\"","description":"\u003cp\u003eThe loud-and-fast, campy-and-catchy formula began to wear a little thin by the time of the Ramones' fourth album, Road to Ruin. Following the exact same blueprint as its three predecessors, Road to Ruin simply doesn't yield the same results as the other records. In part, it's because the band sounds a little forced on the harder numbers, but the main problem lies with the undistinguished material. \"I Wanna Be Sedated\" is a classic, and \"Questioningly\" proves that the Ramones are just as effective when they slow the tempo down, yet much of the record sounds like the Ramones trying to give the people what they want. Since they were still in their prime, such nondescript material sounds good, but the record has neither the exuberant energy or abundant hooks of Ramones and Rocket to Russia, and it's the first suggestion that the Ramones may have painted themselves into a corner.\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Default Title","offer_id":18629580849203,"sku":"190904900","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/9fc148723a93cbf101e6f7c1607a453bf1a056f3.jpg?v=1567709706"},{"product_id":"delta5singlessessions1979-8112","title":"Delta 5: Singles \u0026 Sessions 1979 - 81 12\"","description":"\u003cp\u003eTracks 1 and 2 from Rough Trade single RT 031 (September 1979). Recorded at Workhouse, London.\u003c\/p\u003e\n\u003cp\u003eTracks 3 and 4 from Rough Trade single RT 041 (February 1980). Recorded at Foel Studios, Wales.\u003c\/p\u003e\n\u003cp\u003eTracks 5 and 6 from Rough Trade single RT 061 (September 1980). Recorded at The Point, London.\u003c\/p\u003e\n\u003cp\u003eTracks 7 and 8 from BBC Radio Session with John Peel (February 4, 1980).\u003c\/p\u003e\n\u003cp\u003eTrack 9 from BBC Radio Session with John Peel (September 2, 1980).\u003c\/p\u003e\n\u003cp\u003eTracks 10 to 13 from BBC Radio Session with Richard Skinner (July 16, 1981).\u003c\/p\u003e\n\u003cp\u003eTracks 14 to 16 previously unreleased. Live at Berkeley Square, Berkeley, CA (September 27, 1980).\u003c\/p\u003e","brand":"Kill Rock Stars Records","offers":[{"title":"Default Title","offer_id":31199813664819,"sku":"191106906","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/eb1aa649d5237da6d68468fa05adce334ac07314.jpg?v=1573856871"},{"product_id":"milesdavisatributetojackjohnson12","title":"Miles Davis: A Tribute to Jack Johnson 12\"","description":"\u003cp\u003eMichael Henderson launches into an enormous boogie groove with Billy Cobham and John McLaughlin. Miles immediately leaves the control room to join in with them. He achieved exactly what he wanted for the soundtrack of the documentary devoted to the black boxer Jack Johnson by creating the effect of a train going at full speed (which he compared to the force of a boxer). That's how side A of the 1971 LP A Tribute To Jack Johnson begins. By chance, Herbie Hancock had arrived unexpectedly and started playing on a cheap keyboard that a sound engineer quickly connected. Later, Teo Macero taped McLaughlin's riff on \"Sing A Simple Song\" by Sly Stone. Side B begins with a bass riff inspired by James Brown's \"Say It Loud\" and ends with \"Willie Nelson,\" a piece recorded in a previous session. An a cappella improvisation by Miles, arranged in a variety of ways by Macero, was featured as a leitmotif throughout; a phrase spoken by Brock Peters was superimposed as a coda. Columbia didn't believe in this album and hastily released it. Today it is a cult record and strong seller.\u003c\/p\u003e","brand":"Legacy Records","offers":[{"title":"Default Title","offer_id":31802023804979,"sku":"200401933","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/ea02189853a1bed08dcc4d0590e47b9560f64bcc.jpg?v=1585875645"},{"product_id":"190319912","title":"AC\/DC: Highway to Hell 12\"","description":"\u003cp\u003eTheir 1979 masterwork. Brand new!\u003c\/p\u003e","brand":"Atlantic Records","offers":[{"title":"Default Title","offer_id":31822815363123,"sku":"190319912","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/8b0f0030bd6a824f453b293b120e3743d4354ba8.jpg?v=1586289671"},{"product_id":"led-zeppelin-physical-graffitti-12","title":"Led Zeppelin: Physical Graffitti 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Kashmir,\\\u0026quot; \\\u0026quot;Houses of the Holy,\\\u0026quot; and the 13 other songs on Led Zeppelin's landmark Physical Graffiti have never sounded so alive. Painstakingly remastered from the original master tapes by guitarist Jimmy Page, and pressed at Pallas (Europe's best plant), this 180g 2LP of Physical Graffiti is amazing. Page spent years on this project with one goal in mind: Making these reissues the end-all-be-all definitive editions of his iconic band's records. He has succeeded, and then some. In addition to the reference-caliber audio, each LP features packaging that fully replicates the look of the first pressing of the original album. You won't believe how these records sound, look, and feel. \\n\\nCertified 16x platinum in the U.S., Physical Graffiti has commercial success equaled by its critical reception. Generally regarded as one of the greatest double albums of all time, the original 15 tracks represent a creative tour de force that explores the band\\u2019s dynamic musical range, from the driving rock of \\u201cCustard Pie\\u201d and acoustic arrangement of \\u201cBron-Y-Aur Stomp\\u201d to the Eastern raga of \\u201cKashmir\\u201d and funky groove of \\u201cTrampled Under Foot.\\u201d\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003e\"Kashmir,\" \"Houses of the Holy,\" and the 13 other songs on Led Zeppelin's landmark Physical Graffiti have never sounded so alive. Painstakingly remastered from the original master tapes by guitarist Jimmy Page, and pressed at Pallas (Europe's best plant), this 180g 2LP of Physical Graffiti is amazing. Page spent years on this project with one goal in mind: Making these reissues the end-all-be-all definitive editions of his iconic band's records. He has succeeded, and then some. In addition to the reference-caliber audio, each LP features packaging that fully replicates the look of the first pressing of the original album. You won't believe how these records sound, look, and feel. \u003cbr\u003e\u003cbr\u003eCertified 16x platinum in the U.S., Physical Graffiti has commercial success equaled by its critical reception. Generally regarded as one of the greatest double albums of all time, the original 15 tracks represent a creative tour de force that explores the band’s dynamic musical range, from the driving rock of “Custard Pie” and acoustic arrangement of “Bron-Y-Aur Stomp” to the Eastern raga of “Kashmir” and funky groove of “Trampled Under Foot.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Atlantic Records","offers":[{"title":"Default Title","offer_id":32002618130483,"sku":"160726001","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/47cbe4a39e6c2672ac85931e2883fe59045a391c.jpg?v=1588890500"},{"product_id":"led-zeppelin-houses-of-the-holy-12","title":"Led Zeppelin: Houses of the Holy 12\" (new)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Dancing days are here again with this astounding analog edition of Led Zeppelin's Houses of the Holy. Painstakingly remastered from the original master tapes by guitarist Jimmy Page, and pressed at Pallas (Europe's best plant), this 180g LP of Houses of the Holy sounds utterly amazing. Page spent years on this project with one goal in mind: Making these reissues the end-all-be-all definitive editions of his iconic band's records. He has succeeded, and then some. In addition to the reference-caliber audio, each LP features packaging that fully replicates the look of the first pressing of the original album.\\n\\nLed Zeppelin topped the charts again in 1973 with Houses of the Holy, which features legendary tracks such as \\\u0026quot;The Song Remains The Same\\\u0026quot; and \\\u0026quot;No Quarter\\\u0026quot; while also showcasing the continuing evolution of the band's signature sound with the reggae-tinged \\\u0026quot;D'yer Mak'er\\\u0026quot; and the funk jam \\\u0026quot;The Crunge.\\\u0026quot; The album has been certified diamond by the RIAA for sales of over 11 million copies.\u0026quot;}\" data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003eDancing days are here again with this astounding analog edition of Led Zeppelin's Houses of the Holy. Painstakingly remastered from the original master tapes by guitarist Jimmy Page, and pressed at Pallas (Europe's best plant), this 180g LP of Houses of the Holy sounds utterly amazing. Page spent years on this project with one goal in mind: Making these reissues the end-all-be-all definitive editions of his iconic band's records. He has succeeded, and then some. In addition to the reference-caliber audio, each LP features packaging that fully replicates the look of the first pressing of the original album.\u003cbr\u003e\u003cbr\u003eLed Zeppelin topped the charts again in 1973 with Houses of the Holy, which features legendary tracks such as \"The Song Remains The Same\" and \"No Quarter\" while also showcasing the continuing evolution of the band's signature sound with the reggae-tinged \"D'yer Mak'er\" and the funk jam \"The Crunge.\" The album has been certified diamond by the RIAA for sales of over 11 million copies.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atlantic Records","offers":[{"title":"Default Title","offer_id":32008608677939,"sku":"160726003","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/4eefb8083e58bdd2703421b8a2c151297fa5fcf4.jpg?v=1588970707"},{"product_id":"joy-division-closer-12","title":"Joy Division: Closer 12\"","description":"\u003cspan\u003eCLOSER is the second and final album by Joy Division, arguably the most influential U.K. band of their generation. Arriving just months after lead singer Ian Curtis' suicide, it stands as a fragile document of one man's despair, as much as a definitive statement by a band at the height of their powers. While Joy Division's much-lauded debut, UNKNOWN PLEASURES, demonstrated their transformation from shambolic punks into a tight, highly focused quartet, CLOSER cemented their status as musicians at the vanguard of modern rock. Introducing a more vibrant and expansive sound palette--adding mournful pianos and funereal strings--the album is a sprawling, poignant last chapter of a band that seemed, at the time, to have unlimited potential for greatness.\u003c\/span\u003e","brand":"Rhino Records","offers":[{"title":"Default Title","offer_id":32009170026547,"sku":"150505047","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/292fde072a2199c8fd167cc12b0a050302203310.jpg?v=1588976992"},{"product_id":"200211311","title":"Judas Priest: Stained Class 12\"","description":"\u003cp\u003eJudas Priest's namesake razor-blade logo is recognized the world over. So, too, is the band's leather-and-studs look, the roughness and rebelliousness seamlessly meshing with the group's no-nonsense music. Both trademarks arrived with 1978's Stained Class, a benchmark not only for the British quintet but for the international hard-rock community. Boasting cleaner, crisper, and more refined production than previous efforts, the record became an archetype of the style that ultimately became speed metal.\u003c\/p\u003e\n\u003cp\u003eThe last Judas Priest album to feature songwriting by all five members, Stained Class briefly attained infamous status during the early 1990s after it became the subject of a legal case involving two misguided youths. Yet Priest's unanimous victory in court further reaffirmed the LP's purist, no-frills appeal and, moreover, drew attention to the symphonic precision and cleaver-sharp melodies within what Metal Hammer magazine declared \"the heaviest heavy metal album of all time.\"\u003c\/p\u003e\n\u003cp\u003eAt once visceral, complex, aggressive, sinister, and focused, Stained Class addresses topics such as death, victory, and the alien unknown with combustible relentlessness and instinctual passion. While the turbo-thrust gallop of \"Exciter\" and blaring momentum on \"White Heat, Red Hot\" rank as straight-ahead shots of adrenaline, the band displays a still-underappreciated lyrical intelligence on \"Savages,\" the title track, and \"Heroes End,\" all owing to long-view perspectives and Biblical imagery. And with \"Better By You, Better Than Me\" and \"Beyond the Realms of Death,\" Priest cut two songs whose influence is undeniable.\u003c\/p\u003e","brand":"Sony Legacy","offers":[{"title":"Default Title","offer_id":32009675866163,"sku":"200211311","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/39cba19421ac8e0ded0814725f36f4cf302fc33c.jpg?v=1588982754"},{"product_id":"200520307","title":"Eagles: Their Greatest Hits 12\"","description":"\u003cp\u003eSales aren't always a testament to greatness. But in the case of the Eagles' Their Greatest Hits 1971-1975, there's no denying the power of the truly astonishing numbers. Having already sold more than 29 million copies since its original 1976 release, this unsurpassed and timeless collection transcends listening tastes, popular trends, genre boundaries, generations, and any conceivable debates. Elvis once released a record titled 50,000,000 Elvis Fans Can't Be Wrong. The same logic applies here. Especially when you know every one of the ten songs on this scintillating set by heart.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFeaturing nine singles and the then-B-side \"Desperado,\" Their Greatest Hits counts eight Top 40 singles, five of which landed in the Top Ten. Glenn Frey, Don Henley, Bernie Leadon, Randy Meisner, and company combine to play the most familiar and blueprint-establishing country-rock on record, with every cut instantly summoning up unforgettable melodies and everlasting riffs. Indeed, the Eagles' tight harmonies, smooth lead vocals, and masterful musicianship enable Their Greatest Hits to play like a veritable jukebox. The best greatest-hits set ever? Quite possibly.\u003c\/p\u003e","brand":"Asylum Records","offers":[{"title":"Default Title","offer_id":32093437100083,"sku":"200520307","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/b53accfce206823534f0299926f21a18c5597a86.jpg?v=1590199900"},{"product_id":"newtownneuroticskickout12","title":"Newtown Neurotics: Kick Out! 12\"","description":"\u003cp\u003eFormed in 1979 in new town Harlow, The Newtown Neurotics are one of the most under rated but essential punk bands. Kick Out! is a 15 track round up of their first six singles taking in the years 1979 to 1984. The first two singles Hypocrite and When The Oil Runs Out were melodic nuggets released on their own No Wonder label. Both of these singles were written prior to the election of the Thatcher monster. The horror of this event changed what was the non-political writing style of Steve’s lyrics into the other extreme, and so in June 1982 Kick Out The Tories was released on CNT records. Sadly 38 years later, the lyrics are most poignant and needed than ever. The band continued releasing single after single from the painfully personal to the politically pertinent, all done with intelligence and style. Also included is Andy Is A Corporatist \/ Mindless Version taken from the Son of Oi! compilation. The album comes with a 32 page booklet of archive – photos, reviews, interviews and more and was conceived to be released alongside the Documentary of the same name about the band’s history.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: \u003cem\u003eKick Out!\u003c\/em\u003e compiles the first six Newtown Neurotics singles in their entirety (originally released between 1979 and 1984), along with the two tracks they contributed to 1983’s \u003cem\u003eSon of Oi!\u003c\/em\u003e compilation. \u003cem\u003eKick Out!\u003c\/em\u003e is a companion release meant to come out alongside a recently completed documentary film about the Neurotics, but the film’s release was delayed because of COVID-19. Fortunately they decided not to delay the vinyl, as jamming these great tunes is a welcome relief during these turbulent times. While I’d been familiar with tracks like “Living with Unemployment” and “Kick Out the Tories!” for some time, the band first hit me hard when a spate of reissues of their early singles appeared around six years ago. When Brazil’s Nada Nada Discos reissued their first single, “Hypocrite,” in 2014, it stayed on my turntable for a long time and made it onto a mix tape that I played into the ground over the next few years. I still think “Hypocrite” is the Neurotics’ best song (it appears in two versions on \u003cem\u003eKick Out!\u003c\/em\u003e, though I prefer the original), but I don’t think there’s a dud on this compilation. Newtown Neurotics’ lyrics have all the simple directness of classic anarcho-punk, but their music is straight up pop, combining the driving, riffy energy of the early Clash with the melodic sensibility of the Ramones (whom they cover twice on this LP). While the lyrics might be a little “heart on sleeve” for some, you can't deny these chaps had a way with a tune, and \u003cem\u003eKick Out!\u003c\/em\u003e is earworm after earworm. Lovers of upbeat, catchy ’77 punk (think the Boys, the Lurkers, Eater, or Peter \u0026amp; the Test Tube Babies) should have these tunes in their collection in some form. And, needless to say, I’m eagerly anticipating the documentary.\u003c\/p\u003e","brand":"Sealed Records","offers":[{"title":"black vinyl","offer_id":32213923102771,"sku":"200615209","price":25.0,"currency_code":"USD","in_stock":true},{"title":"white vinyl","offer_id":32213923135539,"sku":"200615210","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/cc96a04fa6185977b96f20a4910f513d6ca4886e.jpg?v=1592255011"},{"product_id":"magneticsystemgodzillaescape7rsd","title":"Magnetic System: Godzilla\/Escape 7\" (RSD)","description":"\u003cp\u003eMagnetic System were a sort of supergroup founded in the second half of the ’70s, consisting of three of the greatest Italian composers, musicians, arrangers and producers: Vince Tempera, Franco Bixio and Fabio Frizzi. This wasn’t their only artistic collaboration, but under the name of Magnetic System only a 7-inch had been released in 1977, containing the two tracks “Godzilla” and “Escape”.\u003cbr\u003e\u003cbr\u003eThe first track “Godzilla” is very peculiar, taken from the soundtrack of a rare ’77 movie conceived and realized by director Luigi Cozzi, who was specialized in underground low-cost productions, mainly active in the science fiction field: starting from the 1954 “Gojira” movie, he completely re-edited it by adding new footage, slowing down some sequences and colouring its frames, transforming the original product into something fully acid and psychedelic, that perfectly fit the trio’s music, a space-krautrock lysergic trip exclusively made with keyboards and synthesizers. On the flip side, “Escape”, is a track that was included in the soundtrack of the 1977 films “Operazione Kappa: sparate a vista” (internationally distributed as “Day of Violence”) and “Ecco noi per esempio”: an exciting heavy-funk song with a pulsating bass and futuristic\/cosmic synth soundscapes.\u003cbr\u003e\u003cbr\u003eThis 45rpm is today one of the rarest in the entire Cinevox catalogue, and it is officially reissued for the first time ever for the Record Store Day 2020! A beautiful discovery that demonstrates once again that the ’70s never cease to surprise!\u003c\/p\u003e","brand":"Cinevox Records","offers":[{"title":"Default Title","offer_id":32244004126771,"sku":"200611911","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/6bfc0877fb2346122b25579e64fc2c62cbdb5cb0.jpg?v=1592863939"},{"product_id":"200211309","title":"Judas Priest: Killing Machine 12\"","description":"\u003cp\u003eReleased the same year as the equally pivotal Stained Class, Killing Machine cemented Judas Priest's standing and reputation as the world's foremost metal band of the late 1970s. Further diversifying its music and sporting increased confidence, boldness, and full-bodied songwriting, the album managed a then-unprecedented task of appealing to mainstream tastes via its impeccably solid production, creative prowess, and staggering melodies. Known in the United States as Hell Bent for Leather, Killing Machine remains a titanic release no matter the name.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sony Legacy","offers":[{"title":"Default Title","offer_id":32308496793651,"sku":"200211309","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/63f8dbb0589af60fb8a4b94019e63269c2c8386f.jpg?v=1594253456"},{"product_id":"190606904","title":"Grateful Dead: Aoxomoxoa 12\"","description":"\u003cp\u003eIn 1969, for their third album, the Grateful Dead eschewed outside producers and created Aoxomoxoa themselves, beginning a run of self-produced albums that would continue until 1977. Scrapping the first sessions, which were recorded to eight-track tape, the Dead now had 16 tracks with which to experiment on their psychedelic sound, with an album that included entirely Robert Hunter-penned lyrics for the first time. An enigmatic classic, Aoxomoxoa is messy and murky, mysterious and majestic - a perfect time capsule that is still stubbornly resplendent over a half-century later. The album introduced Dead favorites like \"St. Stephen,\" \"Mountains On The Moon,\" and \"China Cat Sunflower.\"\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Default Title","offer_id":32391190020147,"sku":"190606904","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/89ce44b02767e2281feafba2f40c1c5fa88d9170.jpg?v=1596754532"},{"product_id":"fluencest12rsd","title":"Fluence: S\/T 12\" (RSD)","description":"\u003cp\u003eFLUENCE is the brainchild and first release of sound artist \/ provocateur PASCAL COMELADE. Recorded in Montpellier, France in 1974-1975, the project consists of exploratory electronic pieces in the Fripp \u0026amp; Eno vernacularwith a Kosmische tinge. \"A Few Reasons To Stay \/ A Few Reasons To Split,\" a title inspired by Swiss conceptualartist Urs Lüthi, features Comelade's kaleidoscopic arpeggios and RICHARD PINHAS' howling guitar, which variously resembles a dreamlike cello and ghostly human moans. \"Barcelona Tango's\" off-kilter exotica with pockettrumpet and looping drum beats foreshadows Comelade's later work, which would create a stir in some avant-gardecircles for his use of unorthodox instruments (plastic saxophone, toy piano, etc.). On the side-long \"Schizo,\"Comelade's electric organ with probing, Terry Riley-esque swooshes collides with GABRIEL IBANEZ's thick, reedybuzz—together forming a truly magical soundscape. These incendiary performances ably join the ranks of otherdreamily cosmic, impressionistic guitar-and-synth masterworks like No Pussyfooting and The Serpent (In Quicksilver) as well as Conny Veit's work with Popol Vuh. Originally released in 1975, Fluence offers a remarkable emotional and textural range—richly experimental and deeply progressive—that sounds at once timeless and strikinglycontemporary. This first-time standalone reissue is limited to 750 numbered copies.\u003c\/p\u003e","brand":"Etats-Unis","offers":[{"title":"Default Title","offer_id":32433677893683,"sku":"200819918","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/4465b313dab4f2c602afa158c55e5a52f44e7459.jpg?v=1598396087"},{"product_id":"tampaxhitlersssplit7","title":"Tampax \/ Hitler SS: Split 7\"","description":"\u003cp\u003eRepress of this seminal 7″. Recorded in 15 minutes in 1978 the tampax \/ hitler ss remains the pinnacle of shit-fi kbd punk. Retarded guitar sound, snotty vocals and a don’t-give-a-fukkk attitude unmatched to this day. A must have for any bad musik fan.\u003c\/p\u003e","brand":"euro import","offers":[{"title":"Default Title","offer_id":32535939416115,"sku":"201007906","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/cf1df2e6c142f3577245041dc64c7277ab4d1994.jpg?v=1602107456"},{"product_id":"talkingheadsmoresongsaboutbuildingsandfood12rocktober2020","title":"Talking Heads: More Songs About Buildings and Food 12\"","description":"\u003cp\u003eReleased in 1978 More Songs About Buildings and Food was Talking Heads' second studio album and the first of three consecutive albums to be co-produced by Brian Eno.\u003cbr\u003e\u003cbr\u003eChoosing former Roxy Music member and David Bowie collaborator Brian Eno to produce them, Talking Heads expanded their sound greatly for their 1978-released second album. While most associated Eno with hi-tech, electronic fare, he surprisingly brought out the more organically rhythmic side of the Heads' material. With Jerry Harrison's keyboards playing a more pronounced role - most notably on their spirited hit cover of Al Green's Take me to the River - and drummer Chris Frantz and bassist Tina Weymouth powering the band through tracks like Stay Hungry and Warning Sign, leader David Byrne sounded more relaxed and normal, even as he wandered through such high-concept works as Artists Only and the sprawling Big Country.\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Default Title","offer_id":32538036535347,"sku":"201007912","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/23b16820720f814a52e97010cbfaef3942912859.jpg?v=1602189256"},{"product_id":"devoqarewenotmen12rocktober2020","title":"Devo: Q: Are We Not Men 12\"","description":"\u003cp\u003eDevo’s 1978 debut album that features “Uncontrollable Urge” and their cover of Rolling Stones’ \"(I Can't Get No) Satisfaction”.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Default Title","offer_id":37365303181497,"sku":"201028925","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/files\/3856856-2601403.jpg?v=1729699509"},{"product_id":"thetomsthe1979peelsessions12","title":"The Toms: The 1979 Peel Sessions 12\"","description":"\u003cp\u003e\"For many years, Tommy Marolda has been a versatile member of the American music industry: a multi-instrumentalist, producer, engineer, composer, Grammy-nominated songwriter...the list goes on. But record nerds like me know Tommy because of a single weekend in 1979. He was scheduled to record demos with the Smithereens in his New Jersey home studio, but their last-minute cancelation gave Tommy a small window to record something of his own. After three days of hitting the record button and dashing back to his instruments, Tommy had more than 30 slabs of pop perfection on tape, 12 of which became his seminal power pop LP 'The Toms'. Other tracks from that weekend session have trickled out via reissues of 'The Toms' over the years, but little did anyone know Tommy recorded enough material to fill up three long players! Presented here are the last of the 1979 Toms sessions. Savor them like the rare commodities that they are.\"\u003c\/p\u003e\n\u003cp\u003e-Scott Carlson, Tomologist\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOur take\u003c\/b\u003e: The Toms are well known among power-pop cognoscenti for their 1979 self-titled album, recorded in a single weekend by Tommy Marolda. The story goes that the Smithereens had booked studio time with Marolda but canceled last-minute, and he used that time to record these tracks with himself playing all the instruments. It’s amazing enough that Marolda recorded an entire album in one weekend, but it turns out he recorded much more than that and \u003cem\u003e1979 Sessions\u003c\/em\u003e compiles that additional material. When I listen to the Toms, I can’t help but think of Big Star; like Big Star, the Toms sound like Paul McCartney’s songwriting sensibility filtered through the aesthetic of 70s album-oriented rock. While a track like “Love at First Sight” can lean more toward the Wings \/ ELO end of that spectrum, “Call the Surgeon, Pt. 2” and “Til the End of the Day” (not a Kinks cover BTW) are perfect Beatlesque pop confections. Fans of Big Star should check this out, but this will be right in your wheelhouse if you like that fuzzy space where new wave, power-pop, and the early 80s Paisley Underground scene meet.\u003c\/p\u003e","brand":"Feel It Records","offers":[{"title":"Default Title","offer_id":37596524183737,"sku":"201123900","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/1979peelsessions.jpg?v=1622672310"},{"product_id":"210324917","title":"Sir Joe Quarterman \u0026 Free Soul: S\/T 12\"","description":"The lyrics of Sir Joe Quarterman's 'I've Got So Much Trouble In My Mind' resonate now as much as they did back in 1972. Problems at work, pollution, confusion, and addiction are universal stresses regardless of time and place. By encapsulating these social injustices within an anthemic song there is little wonder this powerful soul-funk production has become a much-loved and timeless classic. Whether it be in its infancy being played live on the Washington D.C scene back in the early 70s, over the pond in the '80s for the UK rare-groove crowd, in the MPC's of hip-hop producers, or on today's discerning dancefloors, the song has hit a chord. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe self-tiled Sir Joe Quarterman \u0026amp; Free Soul album from 1973 was the only album recorded by the group. The success of the hit song and album enabled the band to share the stage with big-name acts such as James Brown and Earth Wind \u0026amp; Fire. The album track '(I've Got) So Much Trouble In My Mind’ even became a regular feature on the legendary TV show, Soul Train. These triumphs also drew the attention of record company executives who wanted to sign Joe as a solo artist; an offer he refused as he was not willing to abandon the band. The group members for the recording were neighbourhood musicians and school friends from the Washington D.C area - George \"Jackie\" Lee (Guitar), Gregory Hammonds (Bass), Charles Steptoe (Drums), Karrissa Freeman (Keyboards), Johnny Freeman (Trombone), Leon Rogers (Sax\/Vocals) and Joe (Trumpet\/Vocals).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe simple cartoon-like almost pre-Basquiat style record cover artwork has become iconic in its own right, but this was not the original intention. Joe had prepared a quick illustration for a photographer to depict in a collage for the album art, however, the label ended up using his original sketches for the final cover. Whatever was in the water, things all came together and aligned at the right time, and a true soul-funk classic record was born.","brand":"Mr. Bongo Records","offers":[{"title":"Default Title","offer_id":39532882493625,"sku":"210324917","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0255\/7539\/products\/IMG_E6203copy.jpg?v=1616697457"}],"url":"https:\/\/www.sorrystaterecords.com\/collections\/70s-1.oembed?page=2","provider":"Sorry State Records","version":"1.0","type":"link"}